Archival Paper Still-life Photography
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Medium: Archival Paper
Tropicarios #2. Digital Collage. Limited Edition Color Photograph
Located in Miami Beach, FL
Tropicarios #2 from Tropicarios series, 2017 by Paloma Castello
Digital photography print on chroma luxe.
Image size: 33" W x 21,6" H inches
Edition : 3/5 + 1AP
Similar to the trav...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Digital
Creature I ( 28 x 40" / 71 x 102cm )
Located in San Francisco, CA
CREATURE I by Christian Stoll
from a series of still life photographs capturing fantastical creatures made of found objects and organic materials
28 x 40 inches (71 x 102cm)
editio...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Letter H ( 27 x 40" / 68 x 102cm )
Located in San Francisco, CA
LETTER H by Christian Stoll
large scale conceptual photography playing with viewer's perspective
incredible details in this body of work, a series of environmental stills playing w...
Category
21st Century and Contemporary Conceptual Archival Paper Still-life Photography
Materials
Giclée, Archival Ink, Archival Pigment, Archival Paper, Photographic Paper
Black Glove ( Michael Jackson ) 40" x 30"
Located in San Francisco, CA
Black Glove (Michael Jackson) by Tom Schierlitz
a highly detailed still life photograph of the king of pop's iconic sequin and rhinestone crystal glove
...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment
Headrest (Sepia Toned Still Life of Wooden Antique from Tonga)
Located in Hudson, NY
Sepia Toned Still Life of Wooden Antique Headrest from Tonga
17 x 17, edition 5 of 25
Silver Gelatin Print, unframed
David Halliday's series consists of sepia-toned still lives of antique objects from Tonga, a Polynesian sovereign state and archipelago comprising 169 islands, of which 36 are inhabited.
Tonga was once at the center of a vast trading empire stretching...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Silver Gelatin
Capitol Theatre Auditorium (Contemporary Photograph of an Abandoned Interior)
Located in Hudson, NY
Contemporary color photograph of the interior of an abandoned theater
25 x 35 inches unframed
31.5 x 41.5 inches in white wood frame with AR non-glare glass
This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful fading facade of the once renowned Capitol Theater in New London, CT. The photograph is complimented with a custom white wood frame measuring 31.5 x 41.5 inches. There is wiring on the back for installation.
About the series:
Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition.
Exhibitions:
2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015.
2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape
2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series
2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations
2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture.
2011 Garrison Art Gallery, Juried Group Show
2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River.
2009 Through the Eyes of Others Photographs of India...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Digital, Archival Ink
Ceremonial Canes (Sepia Toned Still Life of 5 Canes from Tonga)
Located in Hudson, NY
Sepia Toned Photograph of Five Ceremonial Canes from Tonga
ed. 4/25
17 x 17 inches
silver gelatin print on archival paper, unframed
Tonga was once at the center of a vast trading empire stretching...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Silver Gelatin
Glendale Power Station (Contemporary Photograph of an Abandoned Interior)
Located in Hudson, NY
Contemporary color photograph of the interior of an abandoned power station
35 x 25 inches unframed
41.5 x 31.5 inches in white wood frame with AR non-glare glass
This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful crumbling interior of the Glendale Power Station in Yonkers, NY. The photograph is complimented with a custom white wood frame measuring 41.5 x 31.5 inches. There is wiring on the back for installation.
About the series:
Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition.
Exhibitions:
2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015.
2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape
2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series
2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations
2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture.
2011 Garrison Art Gallery, Juried Group Show
2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River.
2009 Through the Eyes of Others Photographs of India...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Digital, Archival Ink
Ceremony Canes (Sepia Toned Still Life of 6 Canes from Tonga)
Located in Hudson, NY
Sepia Toned Silver Gelatin Photograph of Six Ceremonial Canes from Ancient Tonga
17 x 17 inches, edition of 8/25
signature on face
Tonga was once at the center of a vast trading empire stretching...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Silver Gelatin, Archival Paper
Persephone II ( 40 x 31" / 102 x 79cm )
Located in San Francisco, CA
Persephone II by Erik Pawassar
40 x 31 inches (102 x 79cm)
edition of 25
signed
62 x 48 inches (157 x 122cm)
edition of 7
signed
archival fine art pigment print
signed & numbered...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Pigment, Photographic Paper, Archival Ink, Archival Paper, Giclée
Platanos Asados, 1995, From the Vendedores series Photo Collage mixed media
Located in Miami Beach, FL
Platanos Asados by Celso José Castro Daza
From the Vendedores series
One of a kind photo collage
28 in.H x 20 in. W
1995
Unframed
The root of these uniqu...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Photographic Paper
Bailers (Sepia Toned Still Life of Hand Carved Bailers from Ancient Tonga)
Located in Hudson, NY
Sepia Toned Photograph of Eight Wooden Bailers
17 x 17, edition of 25
Tonga was once at the center of a vast trading empire stretching 500,000 square ...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Silver Gelatin, Archival Paper
Shoe Form (Sepia Toned Still Life of an Antique Shoemaker's Tool from Tonga)
Located in Hudson, NY
Sepia Toned Still Life of an Antique Shoemaker's Tool from Tonga
17 x 17, edition 9 of 25
Silver Gelatin Print, unframed
David Halliday's series consists of sepia-toned still lives of antique objects from Tonga, a Polynesian sovereign state and archipelago comprising 169 islands, of which 36 are inhabited. He took these still lives during his trip there in 1997.
Tonga was once at the center of a vast trading empire stretching...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Silver Gelatin, Archival Paper
Side Table with Oval (Sepia Toned Still Life in Vintage Frame)
Located in Hudson, NY
Side Table with Oval, 2017
16" X 9 3/4"
sepia toned silver gelatin print, edition 1 of 10
This vertical sepia toned silver gelatin print still life of a side table was printed by ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Silver Gelatin
Candle Stand (Sepia Toned Still Life of Side Table in Vintage Frame)
Located in Hudson, NY
Candle Stand, 2017
15" X 12" framed
sepia toned silver gelatin print
This vertical sepia toned silver gelatin print still life of a candle stand was captured by photographer, David...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Silver Gelatin
Persephone VII ( 62 x 48"157 x 122cm )
Located in San Francisco, CA
Persephone VIII by Erik Pawassar
62 x 48 inches (157 x 122cm)
edition of 7
signed
40 x 31 inches (102 x 79cm)
edition of 25
signed
archival fine art pigment print
signed & number...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Persephone IV - muted still life of a timeless environmental interior vignette
Located in San Francisco, CA
Persephone IV by Erik Pawassar
62 x 48 inches (157 x 122cm)
signed edition of 7
40 x 31 inches (102 x 79cm)
signed edition of 25
archival fine art pigment print
signed & numbere...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Ink, Photographic Paper, Archival Pigment, Archival Paper, Giclée
Side Table with Chain & Window Stay (Dadaist Diptych in Vintage Frame)
Located in Hudson, NY
Side Table with Chain and Window Stay (Diptych), 2017
Upper: 16 x 20 inches framed
Lower: 14 x 10.5 inches framed
toned silver gelatin prints in vintage fr...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Silver Gelatin
Rope and Side Table (Contemporary Still Life Diptych in Custom Frame )
Located in Hudson, NY
Rope and Side Table, 2017
31 1/2" X 21" framed
sepia toned silver gelatin print, edition of 10
Top 17 x 21 inches, Bottom 14.5 x 11.75 inches
This sepia toned silver gelatin dip...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Silver Gelatin
Capitol Theatre Lobby (Contemporary Photograph of an Abandoned Interior)
Located in Hudson, NY
Contemporary color photograph of the interior of an abandoned theater
35 x 25 inches unframed
41.5 x 31.5 inches in white wood frame with AR non-glare glass
This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful fading facade of the once renowned Capitol Theater in New London, CT. The photograph is complimented with a custom white wood frame measuring 41.5 x 31.5 inches. There is wiring on the back for installation.
About the series:
Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition.
Exhibitions:
2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015.
2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape
2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series
2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations
2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture.
2011 Garrison Art Gallery, Juried Group Show
2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River.
2009 Through the Eyes of Others Photographs of India...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Digital, Archival Ink
Persephone VIII ( 62 x 48" / 157 x 122cm )
Located in San Francisco, CA
Persephone VIII by Erik Pawassar
62 x 48 inches (157 x 122cm)
edition of 7
signed
40 x 31 inches (102 x 79cm)
edition of 25
signed
archival fine art pigment print
signed & numbe...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Ink, Photographic Paper, Archival Pigment, Archival Paper, Giclée
It is not the Moon (Modern, Horizontal Digital Print of White Peonies on Black)
Located in Hudson, NY
Archival digital print
18 x 30 inches unframed, edition of 50
Additional sizes available
This contemporary, archival digital print was made by fine art photographer, Lisa Frank, in ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Digital, Archival Paper
"Untitled #5", France, 2015
By Bill Phelps
Located in Hudson, NY
Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper
Platanos en Tentación. From The Vendedores series. Still life Photo Collage
Located in Miami Beach, FL
Platanos en Tentación by Celso Castro Daza
From The Vendedores series
One-of-a-kind photo collage
Sheet size: 26 in. H x 20 in. W
1995
Unframed
The root of these unique photographic...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Archival Pigment, Photographic Paper, Archival Paper
Gray Magnolia (Elegant Sepia Toned Photograph with Mixed Media of Single Flower)
By David Seiler
Located in Hudson, NY
archival pigment print on archival paper with mixed media (acrylic, pencil, ink, tar, shellac, lacquer)
artwork measures 17 x 16 inches, edition of 3
Framed in blonde wood frame wit...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Mixed Media, Lacquer, Charcoal, Ink, Archival Ink, Tar, ...
For Scout A, Very Good Dog: Modern Baroque Style Floral Still Life Digital Print
Located in Hudson, NY
Archival digital print, edition of 50
34 x 29.5 inches unframed
Lisa Frank’s new body of work produces complex arrangements of flowers and dark vegetation reminiscent of Baroque still lifes and tapestry. Frank stages, duplicates and then layers photographic elements to create work that keeps the viewer fixated in her realm of digitally manipulated imagination. In this piece, the artist has digitally collaged twisted vines, dried leaves, pink, yellow, and purple flowers, and turtle shells in intricate patterns to resemble a Baroque tapestry. The contemporary vertical digital print is available in additional sizes.
Artist's Statement:
I make large scale photographs that depict complex patterns. These patterns are composed from elements of nature and are presented in the form of traditional wallpaper...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Digital, Archival Paper
Poppy Flower #4 (Modern, Sepia Toned Photograph with Mixed Media)
By David Seiler
Located in Hudson, NY
archival pigment print photograph on paper with mixed media
print measures 18 x 15 inches
Framed in blonde wood frame with 8 ply white mat, 25.5 x 22.5 x 1 inches
This contemporary...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Photographic Paper, Archival Paper, Mixed Media, Archival Ink
Mara van Rüdipuss - Ernie, Portraits of a Studiodog
Located in Kansas City, MO
Monogrammed by hand
Publisher: Griffelkunst Hamburg
Condition: in mint condition
Size: 11.5 × 8.6 on 15.4 × 12.5 inches
Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015).
Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork.
A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Paper
Minimal Dog - Ernie, Portraits of a Studiodog
Located in Kansas City, MO
Monogrammed by hand
Publisher: Griffelkunst Hamburg
Condition: in mint condition
Size: 11.5 × 8.6 on 15.4 × 12.5 inches
Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015).
Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork.
A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Paper
Number 66, Black Series: Contemporary Blue Hydrangea Still Life on Black
Located in Hudson, NY
10 x 10 inch image on 11 x 17 inch paper, $900 unframed
All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks
available in editions of 25 in...
Category
Early 2000s Modern Archival Paper Still-life Photography
Materials
Archival Paper, Archival Ink
Untitled Number 18, Black Series (Contemporary White Flower on Black Background)
Located in Hudson, NY
Untitled Number 18, Black Series (Contemporary White Flower on Black Background) by Chad Kleitsch
10 x 10 inch image on 17 x 11 inch paper,...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Ink
Black Azzedine Alaia Dress
By Peter Sorel
Located in Chicago, IL
Taken at the Galleria Borghese, Rome
Archival chromogenic print on Hahnemüle Photo Rag Paper. Edition of 12.
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Ink, Inkjet
Gold Azzedine Alaia Dress
By Peter Sorel
Located in Chicago, IL
Taken at the Galleria Borghese, Rome.
Archival chromogenic print on Hahnemüle Photo Rag Paper. Edition of 12.
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Ink, Inkjet
Number 11 (Black Series) (Off-White Rose on Black Background, Floral Still Life)
Located in Hudson, NY
All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks
Contemporary close-up view of a cream colored rose with on a crisp black background. P...
Category
21st Century and Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Ink
Untitled, Number 6, Black Series (Contemporary White Dandelion Flower on Black)
Located in Hudson, NY
10 x 10 inch image on 11 X 17 inch paper, $900 unframed
All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks
available in editions of 25 in...
Category
Early 2000s Modern Archival Paper Still-life Photography
Materials
Archival Paper, Archival Ink
Untitled, Number 42, Black Series (Contemporary Pink Peony on Black Background)
Located in Hudson, NY
Untitled, Number 42, Black Series (Contemporary Pink Peony Blossom on Black Background) by Chad Kleitsch
10 x 10 inch image on 17 x 11 inch paper, $900 unframed
All editions are pri...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Ink
Number 84, Black Series: Contemporary Purple Flower on Black Background
Located in Hudson, NY
10 x 10 inch image on 11 x 17 inch paper, $900 unframed
All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks
available in editions of 25 in...
Category
Early 2000s Modern Archival Paper Still-life Photography
Materials
Archival Paper, Archival Ink
Untitled Number 30, Black Series (Contemporary White Flower on Black Background)
Located in Hudson, NY
Untitled Number 30, Black Series (Contemporary Photograph of White Flower on Black Background) by Chad Kleitsch
30 x 30 inches unframed
Fra...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Ink
Cucumbers and Peppers
Located in Hudson, NY
Cucumbers and Peppers, 2007
32" X 32"
archival pigment print, edition of 25
About the Artist:
David Halliday's photographs are about beauty, pure and simple. His primary subjects ...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Ink
"Mianus Motor Works", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Ideal", 2007
By Ian Gittler
Located in Hudson, NY
“IDEAL" features a 1.5 horsepower lawnmower engine manufactured in 1924 that still works. And the brand name-Ideal-speaks to an attitude about fabrication and manufacture linking pri...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Knotted Wire Brush", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Cummins Steam Pump", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
Light Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
Price ...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
Coupled Poppies - analogue black and white floral photography
Located in London, GB
'Coupled Poppies’ photographed in London, United Kingdom 2023.
It is a still life black and white film photograph, made with a large format 4x5 Linhof camera.
Giclée print on Hahne...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Film, Photographic Film, Archival Paper, Giclée
Patrol
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Photorealist Archival Paper Still-life Photography
Materials
Pigment, Archival Pigment, Photographic Film, Archival Paper, Photograph...
Dominance
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Archival Paper Still-life Photography
Materials
Pigment, Archival Pigment, Photographic Film, Archival Paper, Photograph...
Too Close
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Photorealist Archival Paper Still-life Photography
Materials
Pigment, Archival Pigment, Photographic Film, Archival Paper, Photograph...
From the darkness - A Lioness gaze in the wilderness of Africa
Located in New York, NY
Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...
Category
2010s Other Art Style Archival Paper Still-life Photography
Materials
Paper, Black and White, Photographic Film, Pigment, Archival Paper, Arch...
Archival Paper still-life photography for sale on 1stDibs.
Find a wide variety of authentic Archival Paper still-life photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add still-life photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of red, purple, orange, blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Chad Kleitsch, Tyler Shields, Ian Sanderson, and Stefanie Schneider. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Paper still-life photography, so small editions measuring 0.5 inches across are also available Prices for still-life photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $48 and tops out at $185,000, while the average work can sell for $2,200.
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