David Diao

Barnett Newman: The Paintings (Red), Abstract Screenprint by David Diao

1992

Artist: Ibram Lassaw, American (1913-2003) Title: Process II Construction Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 9/100 Size: 19.5 x 25.5 in. (4...

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 1-82 Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 120, PP 5, HC Image: 28 x 23.5 inches Size: 35...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist's most important color and shape theories. A copy of the colophon bearing Albers’ hand signature...

Pink, Red, and Blue Robert Goodnough, American (1917–2010) Date: 1973 Screenprint, signed and numbered in pencil Edition of 122/150 Image Size: 22 x 30 inches Size: 26 x 33.5 in. (66...

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 12-78 Year: 1978 Medium: Silkscreen, Signed and numbered in pencil Edition: 120, 25 AP Image Size: 24 x 33 inches Size: 32 in. ...

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 27-76 Year: 1976 Medium: Silkscreen, signed and numbered in pencil Edition: 100, AP 30 Size: 33 in. x 37 in. (83.82 c...

TECHNICAL INFORMATION: Charles Hinman Lavender Triangle 2012 4 color screenprint 38 x 38 in. Edition of 15 Pencil signed, dated and numbered Condition: This work is in excellent co...

2022 Screenprint in colors, on Saunders Waterford paper 32 x 24 in. (81.3 x 61 cm) Edition of 100 Signed, dated, and numbered in pencil, lower margin

Intersecting Lines - Plate 3 is an original artwork realized by François Morellet in 1975. Black and white screen print. Hand-signed by the artist on the back of the artwork. Numbe...

Josef Albers (after) Homage to the Square: Grisaille and Patina (from "Albers") Screenprint in brilliant Colors on strong wove paper double folded, 1971 Image 6.25 x 6.25 inches Shee...

2022 Screenprint in colors, on Saunders Waterford 425gsm paper Sheet size: 32 x 24 in. (81.3 x 61 cm) Edition of 100 + 25 AP Signed, dated and numbered in pencil, lower margin

Genre: Other Subject: Architecture Medium: Print Surface: Paper Country: Germany Dimensions: 19 3/4" x 15 3/4" Dimensions w/Frame: 22 3/4" x 19" Gerhard Merz Venedig 1997 1998 From the portfolio Sequences printed on Magnani rag paper. print 50 x 40 cm (19¾ x 15¾"), signed and numbered. Edition of 60. Gerhard Merz, born 1947 in Mammendorf near Munich, lives and works in Berlin and Pescia, Italy. Gerhard Merz, who has occasionally been labeled a modern classicist, uses the elements of art - measurement, form and light - in a careful reconsideration of modernism. These three prints document the idea, the architectural plan, and the realized art space at the German Pavillion of the Venice Biennale 1997: brick walls, plaster and fluorescent light - clarity and blankness. »The beautiful is mute and blank.« Gerhard Merz (born 25 May 1947 in Mammendorf , Kreis Fürstenfeldbruck ) is a German artist. From 1969 to 1973, he studied at the Academy of Fine Arts Munich and became a student in the masterclass of Rudi Tröger . Between 1964 and 1969, inspired by Francis Bacon and Uwe Lausen, expressive pictures emerged and subsequently metal sculptures. Since the beginning of the 1970s, he has been increasingly successful with spatial installations in which he drew references to the history of literature and art, as well as to political history, as well as the development of large-format, monochrome images with lines of pencil strokes. In the building of the Federal Foreign Office in Bonn, he designed a wall through a large polychromatic mosaic. Starting in 1977, he was represented at Documenta in Kassel four times in a row. In 1983 he was awarded the Arnold-Bode-Prize of the documenta – City of Kassel . In 1991 he received a reputation as a professor at the Kunstakademie Düsseldorf . In 1998/1999 he was commissioned to design the rooms within the framework of the old building renovation of the Federal Foreign Office in Berlin in a joint project with the architect Hans Kollhoff...