Helen FrankenthalerWeeping Crabapple2009
2009
About the Item
- Creator:Helen Frankenthaler (1928, American)
- Creation Year:2009
- Dimensions:Height: 25.25 in (64.14 cm)Width: 37.25 in (94.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU151127665502
Helen Frankenthaler
Prolific and pioneering painter Helen Frankenthaler said it was “a combination of impatience, laziness and innovation” that drove her to thin her paints with turpentine so that they would seep into the fabric of an unprimed canvas. Her breakthrough in the early 1950s led the way for a spellbinding new style of painting that would come to be known as Color Field.
Although Color Field is often considered a strain of Abstract Expressionism, Frankenthaler’s work differed from the gestural “Action Painting” that typified the paintings of artists like Willem de Kooning and Lee Krasner. Her vast and immersive expanses of color created at a fearless scale captivated art critics and greatly influenced her peers including Morris Louis and Kenneth Noland.
Frankenthaler knew from an early age that she wanted to be a painter. The youngest daughter of a New York State Supreme Court justice, she grew up on Manhattan’s Park Avenue and as a child delighted in the little ways color and form revealed themselves, whether dribbling red nail polish in a sink full of water or drawing her steps from the Metropolitan Museum of Art to her family’s apartment. As a student at Bennington College, her rare vision was enriched by the mentorship of painter Paul Feeley, who gave her lessons in Cubism. After dabbling in art history at Columbia University, she rented a studio downtown and befriended rising New York art stars like Jackson Pollock and Robert Motherwell, whom she later married.
Characterized by “direct, exuberant gestures,” the Abstract Expressionist technique was all about gusto, and Frankenthaler had it in spades. One of the few women of this era to garner widespread critical acclaim, Frankenthaler had a significant impact on the mid-20th-century art world. She exhibited in the high-profile 1951 Ninth Street Show and, in 1957, she appeared in a Life magazine spread on women artists photographed by Gordon Parks. In 1960, the Jewish Museum held her first major museum show, a retrospective of her 1950s work. A 1969 solo exhibition at the Whitney Museum of American Art further introduced Frankenthaler to the broader art world.
While Frankenthaler remains best known for bold, expressive “soak-stain” paintings such as Mountains and Sea (1952), she worked across diverse media for decades, with forays into woodcutting, drawing and printmaking that also pushed boundaries. She also taught at Harvard, Yale and Princeton, fostering generations of artists. She died in 2011.
Find original Helen Frankenthaler art on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Japanese MapleBy Helen FrankenthalerLocated in New York, NY2005 Sixteen color Ukiyo-e style woodcut Image/sheet: 26 x 38 in. Edition of 50 Signed, dated and numbered in pencil, lower marginCategory
Early 2000s Abstract Expressionist Abstract Prints
MaterialsPaper, Woodcut
- Bronze SmokeBy Helen FrankenthalerLocated in New York, NY1978 Lithograph in colors, on brown wove paper Sheet: 31 1/2 x 22 1/2 in. Edition of 38 Signed, dated and numbered in pencil, lower marginCategory
1970s Abstract Expressionist Abstract Prints
MaterialsPaper, Lithograph
- Sudden SnowBy Helen FrankenthalerLocated in New York, NY1987 Lithograph in colors, on wove paper Sheet: 31 5/8 x 23 1/2 in. Edition of 50 Signed, dated and numbered in pencil, lower marginCategory
1980s Abstract Expressionist Abstract Prints
MaterialsPaper, Lithograph
- Soho DreamsBy Helen FrankenthalerLocated in New York, NY1987 Etching, aquatint and drypoint in colors, on wove paper Sheet: 15 3/4 x 18 3/4 in. Edition of 71 Signed, dated and numbered in pencil, lower marginCategory
1980s Abstract Expressionist Abstract Prints
MaterialsPaper, Drypoint, Etching, Aquatint
- PanoramaBy Osvaldo MariscottiLocated in New York, NY2021 Screenprint in colors, on Rives BFK paper Image/sheet: 40 x 30 in. (101.6 x 76.2 cm) Edition of 100 Signed, dated and numbered in pencil, lower margin Unframed, mint conditionCategory
2010s Abstract Abstract Prints
MaterialsPaper, Screen
- Untitled (Red OM18-0302)By Osvaldo MariscottiLocated in New York, NY2018 Screenprint in colors, on Arches Aquarelle paper Sheet: 34 x 26 in. (86.4 x 66 cm) Edition of 40 + 15AP Signed, dated and numbered in pencil, lower marginCategory
2010s Abstract Abstract Prints
MaterialsPaper, Screen
- Metamorphosis of Zan Biell, Woodcut Print on Rice Paper by Keisuke SerizawaBy Keisuke SerizawaLocated in Long Island City, NYArtist: Keisuke Serizawa, Japanese (1895-1984) Title: Metamorphosis of Zan Biell Year: circa 1970 Medium: Woodcut on Rice Paper, signed and numbered in pencil Edition: AP Size: 29 x...Category
1970s Abstract Expressionist Abstract Prints
MaterialsRice Paper, Woodcut
- Mon Jardin Zoologique /// Contemporary Abstract Expressionist Animal Modern ArtBy Serge HelenonLocated in Saint Augustine, FLArtist: Serge Helenon (French, 1934-) Title: "Mon Jardin Zoologique" *Signed by Helenon in pencil lower right Year: 1989 Medium: Original Carborundum Engrav...Category
1980s Abstract Expressionist Abstract Prints
MaterialsEngraving, Handmade Paper, Intaglio
- III-8 (hand painted, signed monoprint composition on two individual sheets)By Michael HeizerLocated in New York, NYMichael Heizer III-8 (two unique works), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray ac...Category
1980s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsPaint, Mixed Media, Acrylic, Handmade Paper, Color Pencil, Monoprint, Mo...
- Abstract Modernist Colorful Mixed Media Art Screen-print Handmade Shaped PaperBy Sandy KinneeLocated in Surfside, FLTitle: Guide 32 color screenprint on 100% rag handmade, shaped deckle edged paper. with applied glitter. hand signed in pencil, stamped and numbered from edition of 33. Sandy Kinnee is known for paper making, printmaking and collage. Sandy Kinnee lives and works in Colorado Springs, CO. Kinnee was born on March, 30, 1947 in Port Huron, MI. He received his BFA from the University of Michigan in 1969 and MFA from Wayne State University in 1976. Kinnee has taught at Colorado College, the University of Colorado, Colorado Springs and the Colorado Springs Fine Art Center. Sandy Kinnee was awarded a Pollack-Krasner Foundation grant. His work bears some surface similarities to Sam Francis and Alan Shields works. This has the feel of the Pattern and Decoration art movement. His print works are represented in numerous public and private collections including The Metropolitan Museum of Art, New York, NY, Brooklyn Museum, Brooklyn, NY, Princeton University Art Museum, Princeton, NJ, University of Michigan Museum of Art, Ann Arbor, MI, New Britain Museum of American Art, New Britain, CT, Swissair, Zurich, CH Suchard Chocolate, Walt Disney World (Michael Graves designed Hotel, at), Westinghouse Art Collection, General Mills Art Collection. Select Solo Exhibitions 2019 Buell Theatre, Denver, CO 2019 McNichol’s Building, Denver, CO 2019 William Havu Gallery, Denver, CO 2017 Special Collections, Tutt Library, Colorado Springs, CO 2002 Visual Arts Gallery, Central Arizona College, Coolidge, AZ 1999 Art Selection, Zurich, Switzerland Select Group Exhibitions 2015 “Director’s Favorites: 1999–2015”, New Britain Museum of American Art, CT. 2008 “The Imbedded Image – Current Work In Hand Papermaking”, St. Louis, MO. 1999 Art Multiple, Dusseldorf, Germany 1999 SAGA/FICA Edition, Paris, France 1996 Kunstmessig, Olso, Norway 1994 Dresden Art Fair, Dresden, Germany 1993 Dusseldorf, Germany 1992 “Four Americans” Art Selection, Zurich, Switzerland 1990 Alumni Exhibition, University of Michigan, Ann Arbor, MI 1989 Virginia Miller Galleries, Coral Gables, FL 1984 “Watercolors”, Cunningham Memorial Art Gallery, Bakersfield, CA 1984 “Paper Transformed: A National Exhibition of Paper Art”, Terre Haute, IN 1984 “Paperworks”, Academy of Art College Gallery, San Francisco, CA 1983 “Fan and Kimono”, Kauffman Galleries, Houston, TX 1980 “In Celebration of Prints”, The Philadelphia Art Alliance, PA 1980 “Selected Prints”, Educational Testing Services, Princeton, NJ 1980 “Ten Western Printmakers”, a Traveling Exhibition, organized by WSAF 1980 “Its Pure Paper”, Lake Placid School of Art, Lake Placid, NY 1980 “Fire and Water”, Rockland Center for the Arts, West Nyack, NY 1979 “Fans”, Philadelphia Museum of Art, Philadelphia, PA 1978 “Paper as Medium”, traveling exhibition, organized by the Smithsonian Institution 1977 “Works on Handmade Paper”, National Collection of Fine Arts, Washington, DC 1977 “Paper Art”, Land Gallery, Scripps College, Claremont, CA 1976 “Works...Category
1980s Abstract Expressionist Abstract Prints
MaterialsPaint, Ink, Handmade Paper
- Abstract Modernist Colorful Mixed Media Art Screen-print on Handmade Paper 6/20By Sandy KinneeLocated in Surfside, FLTitle: Steal 32 color screenprint on 100% rag handmade, shaped deckle edged paper. hand signed in pencil, stamped and numbered from edition of 20. The piece below is one of a series...Category
1980s Abstract Expressionist Abstract Prints
MaterialsPaint, Ink, Handmade Paper
- Return, from the Octavio Paz Suite (unique signed position proof) Engberg/BanachBy Robert MotherwellLocated in New York, NYRobert Motherwell Return, from the Octavio Paz Suite, 1988 Lithograph and chine appliqué on watermarked Japanese Gampi hand made paper applied on Arches paper Hand-signed by artist, ...Category
1980s Abstract Expressionist Abstract Prints
MaterialsHandmade Paper, Lithograph