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Henry de WaroquierDolori Sacrum Henry de Waroquier ( aft ) wood engraving Estampes 19501950
1950
About the Item
Dolori Sacrum or Mass Grief by Henry de Waroquier (after) shows a Christ like face in black red blue and white. The interpretation could be seen as blood running down the face which in fact looks peaceful but gives the viewer a powerful feeling of torture and pain simply by the artists use of color and design. An extremely bold image. One of 12 wood engravings from the portfolio Estampes by Robert Rey, 1950. Edited by L'Image Litteraire, Nice/Rafael and Finelli-Feugere, New York and printed by Gerard Angiolini, Paris. Rey was a professor of History of Art in the Ecole Nationale Superieure des Beaux-Arts in France. A rare and important work by some of the most important 20th century artists, the complete portfolio includes 12 wood engravings with pochoir enhancements and an essay about each artist, a title page, an introduction by professor Rey, table of contents and text. Each print is hand signed and numbered by the artist (46/150) and countersigned by Robert Rey. The participating artists are Braque, Chagall, Desnoyer, Dufy, Laurencin, Matisse, Picasso, Utrillo, Van Dongen, Vlaminck and Waroquier. There is an extra folder containing 31 decompositions of the Marc Chagall print. Text and prints are all in very good condition with very light scattered foxing throughout some of the sheets.
- Creator:Henry de Waroquier (1881 - 1970, French)
- Creation Year:1950
- Dimensions:Height: 14.25 in (36.2 cm)Width: 18.13 in (46.06 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paonia, CO
- Reference Number:1stDibs: LU78032529571
Henry de Waroquier
Henry de Waroquier, painter, sculptor and printmaker, was born in Paris in 1881. He studied in Paris at the School of Decorative Arts, and privately with the architect Charles Genuys and the painter and scholar Louis Ménard. In 1903, he was named professor of composition at the Estienne School of Art and Industry in Paris. He often traveled to Venice and did a number of paintings, drawings and etchings of that city. de Waroquier exhibited prominently in the annual Salon exhibitions in Paris, most notably in the Salon d’Automne, of which he eventually became president, and in the Salon des Tuilleries and the Salon des Artistes Indépendants. He had many one-man shows in Paris and elsewhere. In 1946, the museum in Zurich mounted an extensive retrospective of his work, and in 1952 the Museum of Modern Art of the City of Paris held an exhibition of fifty of his sculptures. In 1955, the Bibliothèque Nationale in Paris put on an exhibition of his engravings. De Waroquier’s work is in the collections of the Museum of Modern Art of the City of Paris, the National Gallery of Art in Washington, DC and the Museum of the 1930s in Boulgone-Billancourt.
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