Joe Goode

Floating Cards (pencil signed Artist's Proof) 1960s lithograph

1969

Jennifer Hilton Interstate 2 (Reader's Digest Association Art Collection), 1988 Monotype on paper Signed and titled in pencil by the artist on lower right front. Reader's Digest Association (RDA) corporate art collection label with inventory number on the back This is a unique work Frame Included - original wood frame with plexiglass Jennifer Hilton is a master printmaker, lithographer and longtime art professor at various museums and universities including: Assistant Professor, Montserrat College of Art Faculty, Danforth Museum of Art Faculty, Worcester Art Museum Department of Visual and Performing Art Clark University This impressive, monotype features overlapping geometric shapes of varying opacity, creating a beautiful depth and intrigue of pictorial elements. An excellent work to have for any collector of geometric abstraction. This work was de-accessioned from the prestigious Reader's Digest Art Collection, who originally acquired it from the Bess Cutler...

Mark di Suvero Future Shadow II, ca. 2001 Lithograph on Arches 88 Paper with Deckled Edges Signed and numbered from an edition of 5 by the artist on the front 32 × 23 inches Unframed The work was gifted directly by the artist to the present owner. This is a variation of a print the artist created as a donation to the Venice California...

Frank Stella Empress of India I (Axsom 27, Gemini 81), 1968 Lithograph in colors with varnish on Lowell paper Signed, dated & numbered 89/100 in pencil, lower right. GEMINI G.E.L. bl...

Nancy Graves Approaches the Limit of I (Padon 25), 1981 Nine color lithograph on white Arches Cover mould-made paper Pencil signed, dated and numbered 22/30 by Nancy Graves on the fr...

Sam Francis Two Abstract Expressionist lithographs from the Deluxe [signed] edition of the 1 Cent Life Portfolio (hand signed twice, #85/100, from the Estate of Robert Indiana), 1964 Two Lithographs on wove paper splayed across one sheet (each hand signed on the front) Pencil signed twice by Sam Francis on the front; numbered 85/100 on the portfolio colophon (copy of the colophon page affixed to the verso of frame) Acquired from original, complete 1 Cent Life Portfolio, # 85/100 (Artists & Collaborators) from the Estate and Collection of Robert Indiana Frame included: elegantly floated and framed in a museum quality frame with UV plexiglass About 1 Cent Life "1 Cent Life" began as a simple idea by artist Walasse Ting in 1962, developed during talks he had with his friend the artist Sam Francis. Ting wanted to combine international artists and different styles into a single book, linking them together in one collective spirit alongside his own art and poetry. It was a landmark publication from 1964, and now a somewhat rare collectible portfolio based on the impressive artwork it contains. It was a revolutionary tract for a collective aesthetic; an assembled vision of Pop and European abstraction, featuring flat hard-edged and splatter painting; biomorphic art, splashing florescent colors and monochromes all meeting up in a single loud and dynamic package. "1 Cent Life" is among the most beautifully conceived and artistic book-works of the 1960s, unlike anything published before or after. "1 Cent Life" is a large elephant-folio unbound book containing 62 lithographs made by 28 European and American artists with 62 letterpress poems by Ting and set in multi-colored inks. The lithography was realized and printed in Paris by Maurice Beaudet and the typography carried out in handset letterpress by George Girard. The book was published by E. W. Kornfeld, Bern, Switzerland in 1964, and edited by artist Sam Francis. In addition to the original printing of 1900 unsigned copies, there was a numbered portfolio edition of 100 signed copies. These two Sam Francis signed...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...

Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype, whereas the lace, strings, and shadows are ...

Gold Sky with Silver Ribbon - Hand-Augmented Modern Collotype Print Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of...

"Blue Approach #2" - Hand-Augmented Collotype Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piec...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

Imi Knoebel (German, born 1940) Rote Konstellation, 1975/1985 Medium: Suite of 5 screenprints and pencil on wove paper Dimensions: 102 x 73 cm (40.2 x 28.7 in) Edition of 20: Each ha...

Wonderful vintage lithograph titled "Memoria Erotica (2) "by Nicholas Pogany (American, 20th Century). Lithograph on paper. Some wear to over-mat. Signed lower left. Titled "Memoria ...