Joseph Bounds

UNTITLED 2 - Abstract Multi-Colored Latex Print on Canvas

2020

This digitally rendered latex print on canvas depicts drips of paint in a flowing pattern, creating an abstract landscape that, from a distance, appears to be a colorful sheet blowin...

This digitally rendered latex print on canvas depicts drips of paint in a flowing pattern, creating an abstract landscape that, from a distance, appears to be a colorful sheet blowin...

FAT BACK is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matter to convey her mixed media approach. More info below: Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions. Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings and on Artforum. Aldrich's work is textural and alchemical; she matches materials – often industrial sealants – and techniques to the subject matter they look like, thereby approaching a likeness without realistic rendering. She attributes her appreciation of mystery and the possibility of transformation in her work to her Catholic upbringing, in which materials were transformed and images held power over life. Her work intersects modernist painting, her own experiences, and the physicality of the body. Sometimes her work is about the application – paint is combed, piped, sprinkled and sprayed, reflecting traditional feminine work and crafts. Often the subject matter acts as a metaphor. The lines of a lawn chair seat serves as a veiled reference to the grid, and its breakdown – presumably by human weight – to an imagined encounter with the human body. *Make sure to use the "view in a room...

"Girl with Seagull Tattoo" uses caulking to create the texture of lace as the prominent physicality of the clothing is juxtaposed against a background of browns and pastels. The figu...

"Lawn Chair with White T-shirt" is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matt...

"Reader in a Lawn Chair" is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matter to convey her mixed media approach. More info below: Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions. Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings and on Artforum. Aldrich's work is textural and alchemical; she matches materials – often industrial sealants – and techniques to the subject matter they look like, thereby approaching a likeness without realistic rendering. She attributes her appreciation of mystery and the possibility of transformation in her work to her Catholic upbringing, in which materials were transformed and images held power over life. Her work intersects modernist painting, her own experiences, and the physicality of the body. Sometimes her work is about the application – paint is combed, piped, sprinkled and sprayed, reflecting traditional feminine work and crafts. Often the subject matter acts as a metaphor. The lines of a lawn chair seat serves as a veiled reference to the grid, and its breakdown – presumably by human weight – to an imagined encounter with the human body. *Make sure to use the "view in a room...

This Limited Edition abstract print, "Some Time Ago," by Elwood Howell measures 53" x 53" and is an edition of 100. The limited edition giclee it is printed on canvas, and framed i...

This abstract landscape limited edition print by Elwood Howell features a warm, yellow and orange-hued landscape with a high horizon line and warm undertones. What appears to be a sm...

Artist: Nick Wallis Title: More Afterthoughts 10 Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 48 x 48 inches (121.92 x 121.92 cm)

Blue, orange, and yellow abstract impressionist landscape by Houston, TX artist Henri Gadbois. The painting depicts a sunset with blue and orange skies in a mountainous landscape. Si...

"Dalmatian" is a unique trial-proof screen print on canvas by AI artist Tom White. This piece was created using neural networks trained on images of real Dalmatians to create an abst...

"Basketball" is a unique screen print on canvas by AI artist Tom White. This piece was created using neural networks trained on images of actual basketballs to create an abstracted i...