Items Similar to Antonio Frasconi mid-century exhibition poster (Puerto Rican artist)

Frank Stella - The Waves: Squid

Gene Davis - Series 2

Katerina Krotenko - Invisible treasures # 1 architectural serigraphy

Harvey Daniels - Shy Smile

Harold Cohen - Derrynan IV (Artist's Proof) - Early Digital Artist

Want more images or videos?

Request additional images or videos from the seller

1 of 11

Lorenzo Homar
Antonio Frasconi mid-century exhibition poster (Puerto Rican artist)
1965

Name: Antonio Frasconi mid-century exhibition poster (Puerto Rican artist)
Brand: Lorenzo Homar
Price: 560 USD
Availability: InStock

About the Item

Rare exhibition poster by Puerto Rican artist, Lorenzo Homar (1913-2004). Grabados de Antonio Frasconi, 1965. Screen print poster on paper. Minor wear and creasing as depicted in detail photos. No stains, tears or conservation. Ships rolled in tube with glassine paper. Painter and printmaker. Lorenzo Homar moved to New York when he was very young and studied at the Art Students League there (1930) and at the Pratt Institute (1939). He worked for ten years as a jewelry designer at Cartier Jewelers, while he studied painting and printmaking at the School of the Brooklyn Museum of Art under Rufino Tamayo, Arthur Osler, and Gabor Peterdi. On his return to Puerto Rico in 1950, Homar co-founded the Center for Puerto Rican Art. From 1951 to 1956 he worked as a graphic artist and director of the Graphics Section of Division de Educación a la Comunidad (DivEdCo) and in 1957 organized the Graphic Arts Workshop at the Instituto de Cultura Puertorriqueña, which he directed until 1973. Homar is one of the most important figures of the “Fifties Generation” of Puerto Rican artists, and is recognized as a towering figure in the Puerto Rican graphic arts tradition. In addition, during his years in the Graphic Arts studios he taught two generations of Puerto Rico’s finest graphic artists; his influence on the Puerto Rican graphic arts tradition cannot be overstated. His painstaking print technique is paralleled in his painting, both of which are done in a realistic style characterized by the precision of color and line. Antonio Rudolfo Frasconi was born 28 April 1919 on a boat between Argentina & Uruguay and was raised in Montevideo, Uruguay.[1] He had parents of Italian descent. They had moved to South America during World War I. Frasconi's mother managed a restaurant whilst his father was frequently unemployed. Frasconi frequently quotes his mother and her view of his talents. He said that his mother talked of art at the church where she was brought up as if it had been done by God rather than man. She felt that if Frasconi had been born with a gift, he would already be a famous artist rather than working like her each day. His mother worked in the restaurant, cared for Frasconi and his two sisters and still found time to be a seamstress[2] By the age of twelve, he was learning a trade at a printers after abandoning a course at Círculo de Bellas Artes.[3] During his teenage years he admired Gustave Doré and Goya, whilst indulging in creating caricatures of political figures.[2][3] During the war, an exhibition of impressionism and post-impression was organised by the French in Latin America. Artists such as Van Gogh and Cézanne captured his imagination. However it was the woodcuts of Paul Gauguin that he was attracted to most.[3] Frasconi says he became intrigued by American writers and musicians. He would hear Jazz on the radio and read American authors like Walt Whitman.[3] Frasconi moved to the United States in 1945 at the end of World War II. He worked as a gardener and as a guard at the Santa Barbara Museum of Art. It was at that museum that he had his first dedicated show. His recognition was beginning to grow and within twelve months he had a similar show at the Brooklyn Museum of Art.[3] Frasconi was a Guggenheim Fellow in 1952.[4] In 1955, Frasconi's woodcuts were exhibited at the Summit Art Association, now known as Visual Arts Center of New Jersey, in Summit, NJ. This show was an extensive traveling exhibition organized by the Smithsonian Institution. In 1959 he was a runner-up for the Caldecott Medal from the U.S. children's librarians, which annually honors the illustrator of the best American picture book for children. Thus The House That Jack Built, which he also wrote, is retrospectively termed a Caldecott Honor Book.[5] In 1962 Frasconi won a Horn Book Fanfare award for The Snow and the Sun - La Nieve y el Sol a book he had created in two languages.[6] He has frequently produced multilingual books. Also in 1962, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1969. In 1982 Frasconi was the Distinguished Teaching Professor of Visual Arts at the State University of New York at Purchase. Frasconi's students have included Martha Zelt,[7] Adrian Lee Kellard and Ron Rocco. Between 1981 and 1986 he created a series of woodcuts under the name "Los desaparecidos" (The Disappeared). This series refers directly to the people who were tortured and killed during the Civic-military dictatorship of Uruguay. Antonio Frasconi died on 8 January 2013.

Creator:

Lorenzo Homar (1913 - 2004, American)

Creation Year:

1965

Dimensions:

Height: 30 in (76.2 cm)Width: 18 in (45.72 cm)

Medium:

Screen

Movement & Style:

Abstract

Period:

Mid-20th Century