de Staël, Composition, Nicolas de Staël: Peintres d'aujourd'hui (after)

1960

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Mark Tobey: Peintres d'aujourd'hui, 1961. Published by Fe...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 118, published by Aimé Maeght, Éditeur, Paris; printed by Éditions ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Mark Tobey: Peintres d'aujourd'hui, 1961. Published by Fernand Hazan, Paris; lithographic plates produced by Clichés Union, Paris; printed by Lecot printing and Daniel Jacomet, Paris, 1961. Excepted from the folio (translated from French), Three hundred, seventy-five examples of this edition, numbered from 1 to 375, and shot on the presses of Daniel Jacomet, in Paris. MARK TOBEY (1890-1976) was an American painter. His densely structured compositions, inspired by Asian calligraphy, resemble Abstract expressionism, although the motives for his compositions differ philosophically from most Abstract Expressionist painters. His work was widely recognized throughout the United States and Europe and came in the wake of Picasso and Braque. Along with Guy Anderson, Kenneth Callahan, Morris Graves, and William Cumming, Tobey was a founder of the Northwest School. Senior in age and experience, he had a strong influence on the others; friend and mentor, Tobey shared their interest in philosophy and Eastern religions. Similar to others of the Northwest School, Tobey was mostly self-taught after early studies at the Art Institute of Chicago. In 1921, Tobey founded the art department at The Cornish School in Seattle, Washington.Tobey was an incessant traveler, visiting Mexico, Europe, Palestine, Israel, Turkey, Lebanon, China and Japan. After converting to the Baháʼí Faith, it became an important part of his life. Whether Tobey's all-over paintings, marked by oriental brushwork and calligraphic strokes, were an influencer on Jackson Pollock's drip paintings has been left unanswered. Born in Centerville, Wisconsin, Tobey lived in the Seattle, Washington area for most of his life before moving to Basel, Switzerland in the early 1960s with his companion, Pehr Hallsten...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Mark Tobey: Peintres d'aujourd'hui, 1961. Published by Fe...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 50, published by Aimé Maeght, Éditeur, Paris; printed by Éditions P...

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, André Derain entre 1935 et 1949, V, Collection Pierre Levy, 1970; published...

Richard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...

Richard Florsheim created this color lithograph entitled “Approaching Storm” in 1967 in an edition of 125 pieces. Published by Associated American Artists and printed by Mourlot Press, Paris, this impression is signed and inscribed “Artist Proof.” It is in good condition with full original color. The printed image size is 28.25 x 19 3/4 inches and the paper size is 31.12 x 22 inches. RICHARD ABERLE...

Artist: Alexander Calder (1898-1976) Title: Sky Swirl (from the Braniff International Airways Flying Colors Collection) Year: 1974 Medium: Lithograph on Arches paper Size: 20 x 26 i...

"Tree in Ranchitos II" (New Mexico) is a lithograph initialed lower right by artist Andrew Michael Dasburg (1887-1979) from 1975. Presented in a custom frame measuring 30 ½ x 36 ¼ inches. Image size is 16 ½ x 23 ¼ inches. About the Artist: Born France, 1887 Died New Mexico, 1979 Andrew Dasburg was born in Paris, but emigrated to New York City in 1892 with his mother. A childhood sickness left him lame, and his artistic propensities were first recognized by a teacher at the crippled children’s school. She enrolled him in the Art Students League in 1902. There he studied under Kenyon Cox, Frank Vincent Dumond, and Birge Harrison. Later, he began taking night classes from Robert Henri at the New York School of Art. Dasburg spent 1908-1910 in Paris, where he was introduced to the great impressionist painters Matisse and Cezanne. Inspired by the work of the European modernists, Dasburg returned to the United States, where he moved to Woodstock, New York. In Woodstock, he and his wife, Grace Mott Johnson, lived with Morgan Russell...

Franz Eggenschwiler The Hanging Gardens of Babylon (Eggenberger 1970.8), 1970 Lithograph with Embossing Hand signed and numbered 26/200 on the lower front 19 3/4 × 25 3/4 inches Unfr...

Gregory Amenoff (Contemporary American abstract painter, b. 1948), Title: Haven, STATE II Lithograph, 1986 Edition 4/4 Printer Proof Image Size 21.5 x 30.75" Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...