Patricia A. Pearce

"Zeni" Embossed Symbolic Composition (Bronze Version)

circa 1980s

Delicate embossed composition by Patricia A. Pearce (American, b. 1948). This piece has been painted in a bronze tone that shimmers and morphs depending on the light source and angle...

Modern and bold abstract geometric composition of Mayan sculpture Chac Mool in sky blue by Marilyn Kruger (American, 20th Century). Numbered, titled, and signed ("1/5 Chac #2 Marilyn Kruger") along the lower edge. No frame. Chac Mool is sculpture of a reclining male figure holding a bowl on his torso. They were given the invented name Chac Mool by nineteenth-century explorers during an archaeological expedition to Chichen Itza...

Orange Deadpan - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C), heavily textured in hu...

Deadpan Pink - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Heavily textured in hues...

"Poles" Minimalist Abstract Lithograph on Paper Bold abstracted lithograph by Arnold Mesches (American, 1923-2016). Negative space is filled in wi...

Augmented (Hand painted) screenprint by Patricia A. Pearce (American, b. 1948). Presented in a new double mat of black and gray. Unsigned, but was acquired with a collection of Pearc...

"BB" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's primary mediu...

"Big Butterfly" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber...

"Three Eye" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper....

AGNES MARTIN Praise, 1976 Lithograph on Dalton Natural Bond paper. Gold stamped signature on the front An unnumbered proof, aside from the regular edition of 1000 Accompanied by the ...

Peter Halley (American, born 1953) Organizational Charts, 1990 Medium: Portfolio of four silkscreens on mylar Dimensions sheet 1, Is it an Arrival or a Departure?: 83 x 57 cm Dimensi...

Sol Lewitt Black with White Lines, Vertical, Not Touching, from Conspiracy: The Artist as Witness (Krakow 1970.07; 3. Kornfeld), 1971 Lithograph on Wove Paper Edition AP (A rare Artists Proof, aside from the regular edition of 150) Hand-signed by Sol Lewitt: pencil signed on the reverse (see photos), annotated Artists Proof, blindstamp of the publisher; copyright stamp reads: COPYRIGHT 1971 BY SOL LEWITT Published by: Bank Street Shorewood Atelier Frame included: Held in original vintage metal frame Measurements: Framed: 25 inches x 28 inches Sheet: 17 inches x 23 ½ inches This one-color lithograph pulled by hand from stone on Arches paper at the Shorewood Bank Street Atelier in New York by American master Sol Lewitt is a classic example of pure Minimalist art from the early 1970s - the most influential and desirable era. A very rare Artists Proof, aside from the regular edition of 150. "Vertical Lines Not Touching (Black)" was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman...