Robert Natkin
Untitled. Very large original screen print
1986

Name: Untitled. Very large original screen print
Brand: Robert Natkin
Price: 4250 USD
Availability: InStock

About the Item

This artwork "Untitled" 1986 is a large original color screen print on Wove paper by noted American abstract expressionist artist Robert Natkin, 1930-2010. IOt is hand signed, dated and numbered 12/90 in pencil by the artist. The image size is 42 x 30 inches, sheet size is 48 x 36 inches. It is in excellent condition, the color are fresh and bright, it has never been framed. Will ship in a 8 inches diameter tube. About the artist: Robert Natkin is an American abstract painter, who has been working since the early 1950s to create lyrical paintings, which are represented in the permanent collections of major museums as well as in corporate and private collections and galleries in the USA, Europe and Japan. In a 1991 book entitled The Many Masks of Modern Art, Theodore F. Wolff notes that Natkin is far from being "a formal purist, a designer and architect of abstract compositions intended to stand strictly on their own." Wolff describes Natkin's paintings as "subtle evocations of the gentler, more ineffable levels and dimensions of our physical and spiritual universe" and sums up their impact by calling the artist "a visual poet whose apparently abstract images actually exist to enchant us with intimations and evocations of things we can sense but never quite see." Natkin's style has evolved through several series of paintings, sometimes revisited. As influences that have affected his work he names American jazz vocalists such as Nina Simone and Billie Holliday as well as Post-Impressionist, Cubist and Abstract Expressionist painters. Born in Chicago in 1930, Natkin encountered Abstract Expressionism in 1949 through an article in Life magazine. At that time a student at the Art Institute of Chicago, he later lived briefly in New York, where he felt deeply influenced by Willem de Kooning's paintings. Returning to Chicago, he became closely associated with other Chicago artists, including his future wife, Judith Dolnick, and opened a gallery in which their work was exhibited in the late 1950s. These artists, including Natkin, were prominent in Chicago's 1957 Momentum exhibition; and in 1960 Natkin was included in the Young America exhibition at the Whitney Museum in New York. Among the museums now holding his art in their collections are the Metropolitan Museum of Art, the Whitney Museum of American Art, the Museum of Modern Art, the Brooklyn Museum of Art and the Guggenheim, as well as the Art Institute of Chicago, the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, DC, the Albright-Knox Art Gallery in Buffalo, NY, the Museum of Fine Arts, Houston, and the San Francisco Museum of Art, to name only a few in this country; plus the Centre Pompidou in Paris and the National Gallery of Australia in Canberra, Australia.

Creator:

Robert Natkin (1930-2010, American)

Creation Year:

1986

Dimensions:

Height: 48 in (121.92 cm)Width: 36 in (91.44 cm)Depth: 0.01 in (0.26 mm)

Medium:

Screen

Movement & Style:

Abstract Expressionist

Period:

Late 20th Century

Condition:

Gallery Location:

San Francisco, CA

Reference Number:

Seller: nat/unt/011stDibs: LU66639911732

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Robert Natkin

Robert Natkin was born in Chicago on November 7, 1930 into a large family of Russian Jewish immigrants. In 1945 the family moved to Tennessee though soon returned to Chicago where Natkin would attend the Art Institute of Chicago (1948-1952). The museum’s collection of Post-Impressionist paintings, especially those of Pierre Bonnard and Henri Matisse and the whimsical abstractions of Paul Klee, were significant influences on the young artist. Natkin’s influences outside the art world included frequent trips to the Field Museum of Natural History where he was exposed to stylized Native American and Peruvian textiles. Introduced to Abstract-Expressionism in New York in 1952, Natkin was especially drawn to the works of Willem de Kooning who’s agitated marks he began to emulate though after returning to Chicago in 1953 he abandoned ties to action painting and began to form what would become his familiar color field abstraction motif. In 1957 Natkin, now married to fellow artist Judith Dolnick, opened the Wells Street Gallery which showed the works of like-minded Chicago artists including sculptor John Chamberlain and photographer Aaron Siskind as well as New York artists they admired. Due to limited patronage however this was a short-lived venture and, seeking greater opportunities, the couple moved to New York in 1959. Natkin continued to develop bold bright fields of color and texture in his paintings finding success among the Poindexter Galleries stable of up-and-coming artists. Immersed in New York’s dynamic art scene through the 1960s and 70s, Natkin continued to evolve his style through his Apollo series, Field Mouse series, and Intimate Lighting series which includes Remembrance is the Secret of Redemption, Forgetfulness Leads to Exile. Other series followed in a long and successful career. Natkin died in Danbury, Connecticut, on April 20, 2010. Robert Natkin has been the subject of numerous one-man exhibitions and has been included in many more group exhibitions. His work is in the permanent collections of dozens of national and international museums including New York’s Museum of Modern Art, the Art Institute of Chicago, the Los Angeles County Museum of Art, the National Gallery of Australia, and the Centre Pompidou in Paris. Additionally Natkin’s colossal 20 x 42 foot mural, executed in 1992, can be seen in the lobby of New York’s Rockefeller Center.