William Tillyer

The Circular House - The Eileen Gray Chair

2018

William Tillyer William Tillyer The Mulgrave Suite 2023 Etching, aquatint and embossing with hand colouring in watercolour on paper, Edition of 35, Set of 7 Image size: 40 x 40 cms ...

William Tillyer William Tillyer The Mulgrave Suite 2023 Etching, aquatint and embossing with hand colouring in watercolour on paper, Edition of 35, Set of 7 Image size: 40 x 40 cms ...

William Tillyer The Ruswarp Suite 3 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

William Tillyer The Mulgrave Suite 2023 Etching, aquatint and embossing with hand colouring in watercolour on paper, Edition of 35, Set of 7 Image size: 40 x 40 cms (15 3/4 x 15 3/4...

William Tillyer The Mulgrave Suite 2023 Etching, aquatint and embossing with hand colouring in watercolour on paper, Edition of 35, Set of 7 Image size: 40 x 40 cms (15 3/4 x 15 3/4...

William Tillyer The Ruswarp Suite 4 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

Hand Signed. Artist's Proof. Very good conditions.

Composition is an original contemporary artwork realized in 1971 by the italian artist Leo Guida. Original Etching on paper. Dated and Hand-signed by the artist in pencil on the low...

Couple is an original etching realized by Leo Guida in 1988. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. One-off. Leo Guida...

Image dimensions: 23.7 x 17.7 cm Untitled is an amazing original black and white etching and aquatint on paper, realized by the Italian artist Cesare Peverelli ( Milan, 1922-Paris, 2000). Hand-signed and numbered in pencil and in Arabic numerals on lower margin. From an edition of 100 prints. This is a really beautiful synthetic and geometrical composition, in which the artist exercises his hatching and his mix with the dots with excellent results. In excellent conditions. This is a perfect artwork for your home decor, could adapt to your sophisticated furniture ! Cesare Peverelli (Milan, 1922 - Paris, 2000) Cesare Peverelli began his artistic career in 1939 when he attended the Brera Academy of Fine Arts and was a pupil of Achille Funi and Carlo Carrà. Through Ennio Morlotti he came into contact with the Corrente group, preferring however to the chromatic lighting of the neo-cubism the tonalism of Giorgio Morandi. He tied himself to the Argine Numero magazine and was in 1946 among the signatories of the Oltre Guernica poster. In 1947, at the Italian art exhibition today. Turin Prize, he won the Grosso Award, met Cesare Pavese and began to collaborate with the Einaudi publishing house, and produced the cover of La nausea by Jean Paul Sartre (1948). In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery, where in 1949 he held a solo show accompanied by a poem by Aimé Césaire...

Image dimensions: 23.7 x 17.7 cm Senza Titolo is an original black and white etching on paper, realized by the Italian artist Cesare Peverelli (Milan, 1922-Paris, 2000) and printed in 1973 by La Nuova Foglio, a publishing house of Macerata, as the dry-stamp reports on the lower right corner. Hand-signed and numbered in pencil and in Arabic numerals on lower margin. From an edition of 100 prints. This is an instinctive composition showing a very rapid line and remembering the Surrealist lesson of the automatic written. Cesare Peverelli (Milan, 1922 - Paris, 2000) Cesare Peverelli began his artistic career in 1939 when he attended the Brera Academy of Fine Arts and was a pupil of Achille Funi and Carlo Carrà. Through Ennio Morlotti he came into contact with the Corrente group, preferring however to the chromatic lighting of the neo-cubism the tonalism of Giorgio Morandi. He tied himself to the Argine Numero magazine and was in 1946 among the signatories of the Oltre Guernica poster. In 1947, at the Italian art exhibition today. Turin Prize, he won the Grosso Award, met Cesare Pavese and began to collaborate with the Einaudi publishing house, and produced the cover of La nausea by Jean Paul Sartre (1948). In search of an engagé painting not dominated by ideologies, he was one of the founders in 1946 of the Numero Pittura magazine and with Roberto Crippa he opened the Painting gallery, where in 1949 he held a solo show accompanied by a poem by Aimé Césaire...

Composition of Figures is an original etching and drypoint print on paper realized by Gian Paolo Berto, in 1975. Good conditions except for a small damaged part of the whitish frame...