Items Similar to The Picador Incites the Bull.
Want more images or videos?
Request additional images or videos from the seller
1 of 6
James McBeyThe Picador Incites the Bull.1911
1911
About the Item
The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the image; otherwise fine original condition. A rich impression with drypoint burr printed on antique laid paper. Signed and numbered in ink. Housed in a 16 x 20-inch archival mat.
The bullfight series was one of the artist's early successes, bringing him local and international acclaim.
Hardie writes: "The picador, on horseback, with his spear held downwards, is on the left. The bull, with head slightly lowered, faces him on the right' while further to the right is a second picador."
- Creator:James McBey (1883 - 1959, British)
- Creation Year:1911
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33521110743
James McBey
Born in Aberdeenshire, James McBey was a self-taught artist and etcher, best known for his prints, which coincided with an etching revival in the 20th century. After training himself in various techniques, in 1911 he gained an exhibition opportunity at the Goupil Gallery, London. From this point on his prints were published in London and Glasgow. During the First World War McBey was appointed official war artist to the Palestine Expeditionary Force. McBey's work is held in a variety of galleries across the UK and beyond, with Aberdeen Art Gallery holding the vast majority.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
701 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- The Butterfly.By Edmund BlampiedLocated in Storrs, CTEdmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...Category
Early 20th Century Modern Animal Prints
MaterialsDrypoint, Etching
- Night Time, Dieppe.By Edmund BlampiedLocated in Storrs, CTNight Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...Category
1920s Modern Figurative Prints
MaterialsDrypoint, Etching
- A Fierce BullBy James McBeyLocated in Storrs, CTA Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...Category
1910s Modern Animal Prints
MaterialsDrypoint, Etching
- The Matador.By James McBeyLocated in Storrs, CTThe Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...Category
1910s Modern Animal Prints
MaterialsDrypoint, Etching
- The Flight into EgyptBy Robert Sargent Austin, R.A., P.R.E., P.R.W.S.Located in Storrs, CTc.1925. Line engraving. 6 1/2 x 10 3/8 (sheet 10 1/4 x 17). A rich impression with plate tone printed on cream laid paper. Signed and dated in pencil. Housed in a 16 x 20-inch archi...Category
1920s Modern Figurative Prints
MaterialsEngraving
- Fetching the Doctor (In Haste for the Doctor)By Edmund BlampiedLocated in Storrs, CTFetching the Doctor (In Haste for the Doctor) 1930. Lithograph. Appleby Lithographs 24. 11 x 16 (sheet 13 3/8 x 18 1/2). Edition 50. Illustration used as a ...Category
Early 20th Century Modern Animal Prints
MaterialsLithograph
You May Also Like
- Horse - Original Drypoint by Helen Norton - 1930By Helen NortonLocated in Roma, ITHorse is an original artwork realized by the American artist Helen Norton in 1930. Original drypoint on paper. Hand-signed and dated in pencil by the artist on the lower right corne...Category
1930s Modern Animal Prints
MaterialsDrypoint
- Barnacle Geese AffrightedLocated in Middletown, NYEtching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...Category
Mid-20th Century Modern Animal Prints
MaterialsHandmade Paper, Drypoint, Etching
- The Cat - Etching and Drypoint by Giselle Halff- 1950sBy Giselle HalffLocated in Roma, ITThe Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca. Good conditions with some foxing.Category
1950s Modern Figurative Prints
MaterialsEtching, Drypoint
- "Combat Equestre, " Original Drypoint Etching signed by Claude WeisbuchBy Claude WeisbuchLocated in Milwaukee, WI"Combat Equestre" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (24/100) in the lower left. This piece depicts mu...Category
1970s Modern Figurative Prints
MaterialsEtching, Drypoint
- "Le Bouclier, " Original Drypoint Etching signed by Claude WeisbuchBy Claude WeisbuchLocated in Milwaukee, WI"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...Category
1970s Modern Figurative Prints
MaterialsEtching, Drypoint
- Study of Five Heads - Original Etching by J.-J. BoissieuBy Jean-Jacques de BoissieuLocated in Roma, ITStudy of Five Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810). Five study of heads of which two profiles (a female and a male) are lightly sketched with the drypoint technique, and we could appreciate the incredible draftsmanship. Instead, the bigger three portraits are very detailed and etched with a superb technique. Although the subjects are drawn in different scales and with different degrees of finish, each portrait has the dignity of a unique piece and the composition is very balanced. In particular on the lower margin at the center there is the portrait of "Le Père Cotrot, Garçon Teinturier à Lyon'", an elderly man, toothless and with a large-nosed, slightly turned to left, with a hat and unbuttoned jacket over waistcoat, shows all his wrinkles in a very realistic way. Signed on plate on lower right margin “De Boissieu”. This old master’s original print with fresh impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time and light foxing along the margins, do not affect the image. Jean-Jacques de Boissieu (Lyon,1736 –1810) Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught. His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...Category
Late 18th Century Old Masters Animal Prints
MaterialsEtching, Drypoint