Damien Hirst

Picolinic Acid

2011

Artist: Hirst, Damien Title: Quinizarin Series: Spots Date: 2011 Medium: Woodcut Unframed Dimensions: 8" x 20" Signature: Pencil signed, numbered on the reverse Edition: 39/5...

Artist: Hirst, Damien Title: Cinchonidine Series: Spots Date: 2004 Medium: Aquatint Unframed Dimensions: 44" x 43" Framed Dimensions: 51" x 49.75" Signature: Pencil signed Ed...

Artist: Quinn, Marc Title: Untitled 07 Series: Eye of History Date: 2013 Medium: Color Etching on 350gsm paper Unframed Dimensions: 35.9375" x 35.5625" Framed Dimensions: 4...

Artist: Hirst, Damien Title: H10-3 Theodora Series: The Empresses Date: 2022 Medium: Laminated Giclée print on aluminium composite, screen printed with glitter Unframed Dimensio...

Artist: Hirst, Damien Title: Liberty Series: In a Spin Volume 1 Date: 2002 Medium: Etching on 350gsm Hahnmuhle paper Unframed Dimensions: 35.875" x 28" Framed Dimensions: 43....

Artist: Hirst, Damien Title: N-Methyl L-Aspartic Acid Series: Spots Date: 2011 Medium: Screenprint in colors, on Somerset paper, with full margins. Unframed Dimensions: 23.5" x...

Butterfly Rainbow (small) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on alumin...

Butterfly Heart (small) - Damien Hirst, Contemporary Art, 21st Century, YBAs, Colorful, Giclée Print, Brush Stokes, Paint, Glossy, Limited Edition Laminated Giclée print on aluminiu...

Silkscreen, 2016, on Somerset wove, signed and numbered from the edition of 25, published by Shapero Modern, London, printed by K2 Screens, London, imag...

Frozen Sky 1999 A screen print on Somerset Satin 410 gsm paper Paper image size: 70.0 x 66.0 cm Edition 45 with 11 artist’s proofs Proofed editioned at Advanced Graphics, London Published by Alan Cristea Gallery Langlands & Bell are two artists who work collaboratively. Ben Langlands (born London 1955) and Nikki Bell (born London 1959), began collaborating in 1978, while studying Fine Art at Middlesex Polytechnic in North London, from 1977 to 1980. Their artistic practice ranges from sculpture, film and video, to innovative digital media projects, and full-scale architecture. Their work focuses on the complex web of relationships linking people with architecture and the built environment, and on a wider global level, the coded systems of mass-communications and exchange we use to negotiate an increasingly fast-changing technological world. In the mid-1980s, they became known for making monochromatic sculptures and reliefs, often in the form of furniture or architectural models, which employed an analytical and almost archeological approach to architecture and design typologies to explore human social interaction in terms ranging from the personal, to the socio-aesthetic, and socio-political. Langlands & Bell have exhibited internationally throughout their career including in exhibitions at Tate Britain and Tate Modern, the Imperial War Museum, the Serpentine Gallery, and the Whitechapel Art Gallery in London, at IMMA, Dublin, Kunsthalle Bielefeld, Germany, MoMA, New York, the Central House of the Artist, Moscow, Venice Biennale, Seoul Biennale, and CCA Kitakyushu and TN Probe, Tokyo in Japan. Their work was first purchased by Charles Saatchi in 1990 and 1991 from exhibitions at Maureen Paley Interim Art, London. It was subsequently exhibited in the first of the Young British Artists exhibitions at the Saatchi Collection, Boundary Road in 1992, and again in the 1997 Sensation exhibition at the Royal Academy in London. Sensation toured to the Hamburger Bahnhof, Berlin and the Brooklyn Museum, New York in 1998/99. In 1996-1997, a major survey exhibition Langlands & Bell Works 1986–1996 co-curated by the Serpentine Gallery, London, and Kunsthalle Bielefeld, Germany also toured to Cantieri Culturali alla Zisa, Palermo, Italy, and Koldo Mitxelena, San Sebastián, Spain. In 2002, Langlands & Bell were commissioned by the Art Commissions Committee of the Department of Art at the Imperial War Museum, London, to travel to Afghanistan to research "The Aftermath of September 11 and the War in Afghanistan". In 2004, they won the BAFTA Award (British Academy of Film & Television Arts) for Interactive Arts Installation for The House of Osama bin Laden, the trilogy of art works resulting from their visit. In 2004 Langlands & Bell were also short-listed for the Turner Prize for the same work. Artworks by Langlands & Bell are in the permanent collections of many prominent international art museums including the British Museum, Imperial War Museum, (Focusing on contemporary images of conflict, violence, war and peace, ‘Caught in the Crossfire’ drew from the permanent collection of the Herbert Art Gallery, including works by Banksy, Graham Sutherland, Langlands & Bell, Ori Gersht and Terry Atkinson...

These Feelings Were True - Tracey Emin, Contemporary, Young British Artiststs, Lithograph, Blue, Portrait, Limited Edition 2 colour lithographs on Somerset Velvet Warm White 400gsm (Poprtfolio of 8) Edition 25 of 50, the full Set is offered in matching edition numbers Signed, numbered, and dated by the artist In mint condition, as acquired from the publisher with the original cardboard portfolio Published by Counter Editions Please note: images are for illustrative purposes only, the edition number offered is 25 of 50 Tracey Emin's new set of 8 lithographs depicting herself are incredibly personal auto portraits and revelatory. Viewed almost as an intimate tiny sketchbook of herself, a visual diary. These editions are great examples of Emin's radical painting style which has been influenced by Expressionism. These works showcase universal feelings, raw and bittersweet emotions, which are Emin’s constant subject surrounded around the idea of love, loss, intimacy, and longing. In making herself the subject of her work, and concentrating intensely on figuration, Emin creates bridges with the rich art-historical tradition of the female figure and female nudes. She shows strong emotive force in these pictures, as seen for example in the work of male painters Munch and Schiele, which Emin admires and studied throughout her artistic oeuvre. Emin has said that “when I saw that these portraits did not look like me, I then realized I was actually drawing how I felt inside my head. An expression of myself in different moments, and this idea doing a few of them would be very honest and will be really free… the idea is how I am feeling.” When referencing her previous portraiture practice, Emin said “I would put my face in the work and then I would black it out, it is too much for me to have me in the work, and now it is so weird, I am thinking that it is time for me to start having an entrance to my work. Because I have a good reason to do it. I should be celebrating me as a person and things that make me, me.” TRACEY EMIN A prominent member of the Young British Artists (YBAs), Tracey Emin´s production encompasses different mediums including film, painting, neon, embroidery, drawing, writing, installation and sculpture. Her work is intensely personal, revealing intimate details of her life with honesty and humour. "There should be something revelatory about art. It should be totally creative and open doors for new thoughts and experiences."—Tracey Emin Tracey Emin uses all aspects of her life in her art, turning her autobiography into broader statements about sex, love, death, freedom, and everyday life. This audacious and confessional approach earned her a nomination for the Turner Prize in 1999. The artist received notable acclaim, among others, for her installation My Bed, featuring her unmade bed surrounded...

Pyramus and Thisbe Etching, c.1906 Signed along bottom edge in pencil "Augustus E John" Edition: 25 Reference: Dodgson 91 ii/II Condition: Excellent Plate: 5 1/8 x 4" (13.02 x 10.16 ...