DeFeure, Georges

Chimeres et Grimaces/Chansons De Xavier Privas,

1897

Tristesse ou Jalousie. 1896. Color lithograph. One of 50 on laid Japan paper from the deluxe edition of "Le Centaure;, blind stamp lower left. Signed in ink and annotated W; in blue ...

Hotel Pachenoir, 1900. Color lithograph. On Linen 51 x36. ( Image Size: 48 x33 3/4.) Jules-Alexandre Grünwas a French post-impressionist painter, poster artist, and illustrator. ......

Grasset, Eugene. Belle Jardinaire. Proof for the Calendar, "Belle Jardinaire",1896, on China paper produced for the month of December. 12 7/8 x 9 7/8"

Grasset, Eugene."Belle Jardinaire," Proof for the calendar "Belle Jardinaire" 1896. On China paper produced for the month of August, 12 7/8 x 9 7/8"

The Old Man and the Sea. 1901. Color lithograph, On Linen. Framed. Maurice Amédée Louis Bias (shortened as Maurice Biais) (30 December 1872 – 8 April 1926) was a French painter, draughtsman and illustrator. From 1899, he designs furniture for La Maison Moderne...

LOUIS J. RHEAD (1858-1926) THE BOOKMAN / CHRISTMAS NUMBER. Circa 1895. 19x11 1/2 inches, Dodd, Mead & Company, New York. Color Lithograph. Good condition. No rips or tears or folds. Good color. Framed. Ref: Das Plakat...

Artemis Color lithograph, 1898 Signed in the stone lower right (see photo) Published in L’Estampe Moderne with their blindstamp lower right corner, Lugt 2790 Edition 2000 Printed by ...

Paper Size: 28.5 x 19.75 inches ( 72.39 x 50.165 cm ) Image Size: 24.5 x 19.25 inches ( 62.23 x 48.895 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or...

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...

"From: Ilsee, Princess of Tripoli Recto: "Title Page" Verso: "Art Nouveau Motif" is an original by Alphonse Mucha. Exquisite double-sided lithographs from "Ilsee, Princesse de Tripo...

Original vintage Danish poster: ODENSE, DENMARK. THE NATIVE TOWN OF HANS CHRISTIAN ANDERSEN. Great condition original. Linen backed origina...

BAC (Ferdinand Bach), 'Yvette Guilbert, Tous les Soirs SCALA', vintage color lithograph, 1893. Signed, dated, and titled in the stone. A superb, richl...