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(after) Georges BraqueVase De Fleurs Jaune1958
1958
About the Item
This artwork is an original color etching with aquatint by artist Georges Braque (French, 1882-1963). Titled Vase De Fleurs Jaune, created in 1958, hand signed in pencil by the artist, this is a remarkable piece by one of the most renowned Cubist artists. It is printed on B.F.K. Rives paper and numbered 79/300 in pencil.
Published by Maeght Editeur, Paris. With the blind stamp of the publisher "Maeght Editeur" at lower left corner. Referenced and pictured in the artist's catalogue raisonne by Dora Vallier and Maeght plate #1039. The image size is 18.75 x 13.25 inches, sheet size is 25.75 x 19.75 inches, including frame is 36.5 x 29.5 inches.
In very good condition, the edge of the sheet slightly toned. Framed in a custom wooden veneer frame, with fabric matting and brown color bevel.
Georges Braque was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most important contributions to the history of art were in his alliance with Fauvism from 1906, and the role he played in the development of Cubism.
- Creator:(after) Georges Braque (1882 - 1963, French)
- Creation Year:1958
- Dimensions:Height: 36 in (91.44 cm)Width: 29.5 in (74.93 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:
(after) Georges Braque
Braque began his artistic career painting in a Fauvist style, strongly influenced by friends Raoul Dufy and Henri Matisse. In 1907, however, after befriending Pablo Picasso, Braque began focusing on Cubist compositions and a more muted color palette. He and Picasso would work closely until 1914 when Picasso began focusing on symbolism and portraiture, while Braque sought to explore “pure composition” void of meaning and symbolism. A 1922 exhibition at the Salon d’Automne in Paris launched Braque further into fame. He won several important prizes over the next few decades, including First Prize at the Carnegie International and the main prize for painting at the Venice Biennale. In 1961, Braque became the first living artist to ever have his work displayed at The Louvre. Throughout the 1930s and 40s, Braque created many works featuring Greek and Roman mythological imagery such as this print, though his hope was to use the images simply as visual objects stripped of their histories, lore, and symbolism.
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