Carlos Merida

1945 Mexican Modernist Silkscreen Serigraph Print Regional Folk Art Dress Mexico

1945

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz. Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city. Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life. As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde. Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s. In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985. As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris. Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz. Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city. Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life. As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde. Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s. In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985. As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris. Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz. Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city. Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life. As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde. Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s. In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985. As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris. Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...

The Wounded One (El Herido) from Violence (La Violencia) 1969 signed, dated and titled in pencil Dimensions: sheet: 22 1/16 x 30 1/16" (56 x 76.4cm) Rafael Canogar ( Toledo , 1935) is a Spanish painter, one of the leading representatives of abstract art in Spain. Disciple of Daniel Vazquez Díaz (1948-1953), in his first works he found a way to reach the avant garde and, very soon, to study abstraction deeply. He initially used a sculpture technique: with his hands he scratched or squeezed the paste that vibrated on flat colored backgrounds. It was a painting in which the initial gesture comes directly from the heart. At this point, Canogar embodied the best of painting material . In 1957 he founded with other artists the EI Paso group. With artists like Luis Feito, Manolo Millares, Pablo Serrano, Manuel Rivera and Antonio Saura, he begins the Spanish avant-garde movement and continues to do so until 1960. It is influenced by Action painting. They defended, between 1957 and 1960 , an informal aesthetic and the opening of Franco Spain...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered Signature on the corner. Edition 44 of 45. metallic silver aluminum. Baj was an Italian artist best known for his political collages, prints, paintings, and sculptures. He was close to the surrealist and dada movements, and was later associated with CoBrA. Italian artist Enrico Baj (1924-2003) was born in Milan into a wealthy family, but left Italy in 1944 having upset the authorities and to avoid conscription. He studied at the Milan University law faculty and the Brera Academy of Art. Italian Surrealist Pop Art. Artist, attorney, ironist, writer, sharp critic, and political dissenter, Enrico Baj brought an urgent, refreshing and unique voice to the art of his time. In 1951 he founded the Movimento d'Arte Nuclear...

Motif (Abstract) in orange abstract. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combination. Viola Burley Leak, American (1944 - ) Viola Leak was born in Nashville, Tennessee, she received a B.A. in Art from Fisk University, a B.F.A. in Fashion Design from Pratt Institute, Brooklyn, an M.A. from Hunter College, NY and an M.F.A. in Media from Howard University, Washington, DC. Leak was an art consultant for both the New York State Board of Education and the Metropolitan Museum of Art's Print Department, in addition to working for the Experimental Gallery of Art at the Smithsonian Institute. Her mixed media work often references religious motifs and those of her African-American experience and heritage. She is a multimedia artist, her works include printmaking, textile designing, soft sculpture, appliqué tapestries, doll making, and multi-media. Viola has studied with many renowned artists such as Aaron Douglas, Romare Bearden, Robert Blackburn, and Charles White. Her works can be found in the collections of World Federation of United Nations, New York State Office Building, Manufacturers of Hanover Trust Company, Atlanta Life Insurance Company and many more organizations. Viola's exhibition experience is extensive - more than 100 showings over a decade, national and international. Her quilts exude a miraculous and magical presence. They have traveled in two international shows and three national quilt projects in the past three years. A proud moment for her was being featured in the December 20, 2000 of the Smithsonian magazine; the article praised her mural "Afro Dance Scan" as one of the outstanding artworks in the "When the Spirit Moves: African American Dance...

Figurative abstract woodcut print titled "Copula Negra" circa 1990, by Cecelia Sánchez Duarte. Pencil signed with "P/A" (Artist Proof), title, and signature bottom margin. Image, 31....

Figurative abstract wood cut print titled "Copula Amarilla" by Cecelia Sánchez Duarte. Pencil signed with edition number "3/10", title, and signature bottom margin. Image, 31.25"H x ...

Figurative abstract woodcut print titled "Serpientes Cafe" by Cecelia Sánchez Duarte. Pencil signed with "P/A" (Artist Proof), title, and signature bottom margin. Image, 31"H x 23.25"W. Sanchez Duarte is a visual artist and a cultural activist. Cecelia also teaches Art History at Escuela Profesional de Danza de Mazatlán, is the Fine Arts Coordinator at Centro Municipal de Artes, cofounder of the new Técnico en Artes Plásticas and founder of a painting workshop for children. She has had more than 300 collective exhibits internationally as well as 17 solo shows. Cecelia Sánchez Duarte lives in Mazatlán, Mexico. Cecilia Sánchez Duarte became the new director of the Art Museum of Mazatlan in 2017. Cecilia Sanchez Duarte works in printmaking at the Taller Experimental de Estampa Jose Guadalupe Posada...

An allegorical, mid-century woodcut print titled, "Queremos Chuva!", or "We want rain!" (trans. from Old Portuguese) by Brazilian artist Isa Aderne (b. 1923). ...

THE GUN by Rocky Dobey is an intaglio print from an acid-etched copper plate, chine-collé with Japanese paper on archival Hahnemuhle paper, mounted...

Thomas Lanigan-Schmidt Untitled, from from the Artsounds Collection, 1986 Lithograph on paper Signed and numbered from the edition of 200 in ink on the back; also bears artist's stamped name and provenance - Art Sounds portfolio. 12 × 12 inches Unframed Signed and numbered from the edition of 200 in ink on the back; also bears artist's stamped name and provenance - Art Sounds portfolio. This terrific offset lithograph print exemplifies the combination of religion and kitsch that Lanigan Schmidt is best known for. This print was created in the 1980s for the famous Artsounds portfolio, which featured prints by Marcel Duchamp, Jonathan Borofsky among others. Lanigan-Schmidt was a subject of a 2013 retrospective at PS1 MOMA and is on the faculty of the School of Visual Arts in New York. Provenance: Artsounds Portfolio About Thomas Lanigan-Schmidt: Thomas Lanigan-Schmidt is represented in the collections of the Metropolitan Museum of Art, Whitney Museum of American Art, MoMA, Brooklyn Museum, Ludwig Forum für Internationale Kunst, Ackland Art Museum, Columbus Museum of Art, and Wadsworth Atheneum Museum of Art, among others. He has exhibited extensively throughout the United States and Europe, including the 1980 and 1984 Venice Biennales, the 1991 Whitney Biennial, and the 1999 exhibition The American Century: Art and Culture, 1950-2000, Whitney Museum of American Art, New York, NY. Recent solo exhibitions include Tenemental: With Sighs Too Deep for Words, Howl! Happening, New York (2018); Thomas Lanigan-Schmidt: Mysterium Tremendum, Rockland Art Center, NY (2013); and Ecce Homo: Thomas Lanigan-Schmidt & The Art of Rebellion, Pavel Zoubok...