Items Similar to Devil Chicken Dinner /// Contemporary Funny Screenprint Black and White Man
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Dan MayDevil Chicken Dinner /// Contemporary Funny Screenprint Black and White ManCirca: 1995
Circa: 1995
About the Item
Artist: Dan May (American, 1955-)
Title: "Devil Chicken Dinner"
*Signed by May in pencil lower left
Circa: 1995
Medium: Original Screenprint on unbranded white cotton rag laid paper
Limited edition: test print, (a trial proof aside from the standard edition)
Printer: the artist May himself, Oakland, CA
Publisher: the artist May himself, Oakland, CA
Sheet size: 22.38" x 12.5"
Image size: 18" x 8.25"
Condition: In excellent condition
Biography:
Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting.
Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing, painting, and emotions." The themes of May's prints borrow from his fantasies, memories, and the people and places he has seen in life's checkout lines and waiting rooms. "My work allows me to be a voyeur, to see through the walls into life's secrets, and unveil the hidden stories of everyday life," he says.
Color and design are essential elements in May's work. Exploring and playing with color is a huge source of enjoyment and passion for May. "Working with color combinations, playing color against color to create an electric contrast, never ceases to excite me," he says. May finds working color with design elements and balancing compositions is challenging, frustrating, and supremely rewarding.
Today, Dan May lives and works in Oakland, California. He has shown his paintings and prints in galleries predominantly throughout California and his work is in numerous private and corporate collections throughout the United States and the world.
- Creator:Dan May (1955, American)
- Creation Year:Circa: 1995
- Dimensions:Height: 22.38 in (56.85 cm)Width: 12.5 in (31.75 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121211588372
Dan May
Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges drawing, painting, and emotions." The themes of May's prints borrow from his fantasies, memories, and the people and places he has seen in life's checkout lines and waiting rooms. "My work allows me to be a voyeur, to see through the walls into life's secrets, and unveil the hidden stories of everyday life," he says. Color and design are essential elements in May's work. Exploring and playing with color is a huge source of enjoyment and passion for May. "Working with color combinations, playing color against color to create an electric contrast, never ceases to excite me," he says. May finds working color with design elements and balancing compositions is challenging, frustrating, and supremely rewarding. Today, Dan May lives and works in Oakland, California. He has shown his paintings and prints in galleries predominantly throughout California and his work is in numerous private and corporate collections throughout the United States and the world.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2015
1,224 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Saint Augustine, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel ArtBy Michael BurghersLocated in Saint Augustine, FLArtist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper Limited edition: Unknown Printer: John Baskett, London?, UK Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK Sheet size (irregular margins): 17.25" x 10.5" Image size: 14.75" x 9.5" Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors Very rare Notes: Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK. In the foreground, John the Evangelist, holding a pen and writing...Category
1680s Old Masters Figurative Prints
MaterialsWatercolor, Engraving, Etching, Laid Paper, Intaglio
- Le Bouquet de Violettes (The Bouquet of Violets) /// Figurative ImpressionistBy Manuel RobbeLocated in Saint Augustine, FLArtist: Manuel Robbe (French, 1872-1936) Title: "Le Bouquet de Violettes (The Bouquet of Violets)" *Signed by Robbe in pencil lower right Year: 1903 Medium: Original Hand-Colored Etc...Category
Early 1900s Impressionist Figurative Prints
MaterialsEtching, Aquatint, Watercolor, Laid Paper, Intaglio
- Mrs. Fitzherbert /// Richard Cosway Full Length Portrait Engraving Old MastersLocated in Saint Augustine, FLArtist: (after) Richard Cosway (English, 1742-1821) Title: "Mrs. Fitzherbert" Year: 1792 Medium: Original Hand-Colored Stipple Engraving and Etching on cream laid paper Limited editi...Category
1790s Old Masters Figurative Prints
MaterialsEngraving, Etching, Laid Paper
- A View of the House of Commons /// George II English Parliament London EnglandLocated in Saint Augustine, FLArtist: Benjamin Cole (English, c. 1697-1783) Title: "A View of the House of Commons" Portfolio: The History and Survey of London from its Foundation to the Present Time Year: 1756 (...Category
1750s Old Masters Figurative Prints
MaterialsLaid Paper, Engraving, Etching
- The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old MastersLocated in Saint Augustine, FLArtist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...Category
16th Century Old Masters Figurative Prints
MaterialsEtching, Laid Paper
- L'Avant-Foyer de l'Opera /// French Impressionist Etching Figurative Lady ManBy Tony MinartzLocated in Saint Augustine, FLArtist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Not framed, but matted with 100% cotton rag matting from Holland, gold filet from Italy, and foam board backing. All archival Matted size: 17" x 14.5" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...Category
Early 1900s Impressionist Figurative Prints
MaterialsIntaglio, Laid Paper, Etching
You May Also Like
- "Fish Dish"- Figurative Abstract Still-LifeBy Morag MuirLocated in Soquel, CA"Fish Dish" by Morag Muir (Scottish, b. 1960). Screen print on paper Signed "Morag Muir" and dated "87" lower right. Titled "Fish Dish" center and numbered "...Category
1980s Abstract Expressionist Figurative Prints
MaterialsScreen, Printer's Ink, Laid Paper
- "Conception" - Portrait of a Native American on a Vision QuestLocated in Soquel, CA"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...Category
1990s Realist Figurative Prints
MaterialsLaid Paper, Screen
- UntitledBy Manuel MendiveLocated in Miami, FLBeautiful Serigraph print on paper by the Cuban artist Manuel Mendive. Manuel Mendive is an eminent Afro-Cuban painter, sculptor, and performance artist. His colorful, evocative pai...Category
21st Century and Contemporary Surrealist Figurative Prints
MaterialsLaid Paper, Screen
- Four Swans - Paper CompositionBy Patricia A. PearceLocated in Soquel, CAImpressed design layered with mulberry paper by Patricia A. Pearce (American, b. 1948). This pieces is unsigned, but was acquired directly from the artist with a collection of other ...Category
1980s Contemporary Abstract Prints
MaterialsMulberry Paper, Lithograph, Laid Paper
- Purple Kimono with Red StripesBy Patricia A. PearceLocated in Soquel, CAPurple and red kimono by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of Pearce's work. No frame. Image, 27.5"H x 22.5"W Patrici...Category
1980s Contemporary Abstract Prints
MaterialsPaper, Ink, Laid Paper, Gouache
- Passages - A Suite of 16 Prints by Patricia Pearce and other artistsBy Patricia A. PearceLocated in Soquel, CAPassages - A Suite of 16 Prints by Patricia Pearce and other artists A set of lithographs by College of San Mateo class of 1992, instructed by Patricia A. Pearce (American, b 1948). Each print is on laid paper, meaning they all have ragged edges. Presented in a black folio with title sheet, table of contents, and ties. Includes protective tissue paper dividers between each piece. Each piece is numbered, titled, and signed by the artist. Patricia Pearce is a California artist who attended San Francisco State and UC Irvine and is the adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo, San Francisco Exhibitions: Montalvo, California Center for the Arts; Pacific Prints, Palo Alto. Other artists in the collection include: Tom Attix Donna Catalini I. Colon Nancy Conner Judith Gaulke (American, b. 1946) is originally from Hood River, Oregon. Gaulke has been working in oils on canvas most of her life, painting seriously since 1988 when she had her first showing, then her first gallery representation in 1990. She is attracted to lone objects and scenes not yet populated — table settings, chairs, boats — all interpreted to give the viewer a sense of calm. Gaulke now resides in Atherton, California with her husband Michael. Together they created the Michael and Judith Gaulke Chair of Electrical Engineering and Computer Science at Oregon State University, an endowment for the College of Engineering. Exhibitions: “Varied Visions” - Main House at Holbrook-Palmer Park, Atherton, CA - 1998 Solo Show - Wente Vineyards, Livermore, CA - 1998 Atherton Arts Foundation Show - Jennings Pavilion, Holbrook-Palmer Park, Atherton, CA - 2006, 2009-2011 Pacific Art League 95th Anniversary Exhibition - Palo Alto, CA - 2016 Betty Gong M. A. Gothan Gretel Hadland Tokuko Ikeda Michelle P. Kern (American, 20th C) has lived and worked in Northern California all her life. Educated in art in the Bay Area, she has worked in art and arts education for several decades. She has a BFA and MFA in Ceramics from California College of the Arts. Kern has taught ceramics for the College of San Mateo since 2006. She has also taught for the Summer Enrichment Program for California College of the Arts, the Richmond Art Center, the California State Summer School for the arts, and for the summer program for the Crystal Springs Uplands School. Kern was the recipient of the Ernie Kim...Category
1990s Contemporary Abstract Prints
MaterialsMixed Media, Laid Paper, Lithograph
Recently Viewed
View AllMore Ways To Browse
Vintage Cotton Prints
Man Waiting
Vintage Chicken
Devils Work
Chicken Print
Prints With Chickens
Vintage Devil
Screen Test
Funny Vintage Art
Vintage Devil Art
Black White Woodblock
Woodblock Black And White Print
Art Chickens Original
California Woodblock Print
French Chicken Painting
David Hockney Screen
Richard Diebenkorn Etching
Vintage Devil Drawing