Eric GillThe Harem1925
1925
About the Item
- Creator:Eric Gill (1882 - 1940, British)
- Creation Year:1925
- Dimensions:Height: 12.68 in (32.2 cm)Width: 10.01 in (25.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:
Eric Gill
Arthur Eric Rowton Gill ARA was an English sculptor, typeface designer and printmaker. Following Chichester Technical and Art School, Gill moved to London in 1900 to train with the ecclesiastical architect W.D. Caröe. Finding architecture somewhat pedestrian, he took stonemasonry lessons at Westminster Technical Institute and calligraphy lessons at the Central School of Arts and Crafts, coming under the influence of Edward Johnson, the designer of the London Underground's typeface. In 1903, he ceased his attempts to become an architect, instead of becoming a monumental mason, letter-cutter and calligrapher.
Based in Ditchling, Gill began direct carving of stone figures, the semi-abstract figures taking their influence from medieval statuary, mixed with influences from Classical statuary from the Greeks and Romans, with a little Post-Impressionism added in. Gill was offered major commissions from Westminster Cathedral for its Stations of the Cross (1914); a series of war memorials including the Grade II* memorial in Trumpington; three of the sculptures for Charles Holden's 1928 headquarters of London Underground at 55 Broadway, St James's; and a series of sculptures for the new 1932 Broadcasting House — the list continues. Never one to rest on his laurels, he was at the same time engaged in typographical adventures.
Gill had collaborated with Edward Johnson on the latter's initial thoughts on his London Transport typeface, but in 1925, Gill designed Perpetua on his own, and Gill Sans between 1927–30. For the Golden Cockerel Press, he created, in 1929, a bolder typeface to complement wood engravings. And of course, Gill was publishing decorated books. His 1929 Canterbury Tales was an epic work, with a whole series of beautiful wood engravings.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Dilecti Mei PulsantisBy Eric GillLocated in London, GBOriginal wood engraving, 1930-31, 14.6 x 6.7 cm. (5.7 x 2.6 in.)Category
1920s Modern Figurative Prints
MaterialsWoodcut
- Les Portraits Imaginaires: One PlateBy Pablo PicassoLocated in London, GBLithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an America...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Les Portraits Imaginaires: One PlateBy Pablo PicassoLocated in London, GBLithograph in colours, 1969, on wove paper, with the artist's printed signature as issued, numbered from the French edition of 250 and inscribed with an ‘F’(there was also an America...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Henry's Arrival on the Art World Causes Gravity, from The Geldzahler PortfolioBy James RosenquistLocated in London, GBLithograph in colours, 1997, on Arches Cover paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Universal Limited Art...Category
1990s American Modern Figurative Prints
MaterialsLithograph
- Fumeur à la Cigarette BlancheBy Pablo PicassoLocated in London, GBEtching and aquatint in colours, 1964, on Richard de Bas wove paper, signed in pencil and numbered 41/50 from the edition of 50, printed by Pennequin for Atelier Crommelynck, publish...Category
1960s Modern Figurative Prints
MaterialsEtching
- Paris sans finBy Alberto GiacomettiLocated in London, GBFirst edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...Category
1960s Art Nouveau Figurative Prints
MaterialsLithograph
- Dawn of Glory - Woodcut by Ettore di Giorgio - Early 20th CenturyLocated in Roma, ITDawn of Glory is an Original Woodcut Print on paper realized by Ettore di Giorgio in the Early 20th Century Good Conditions. The artwork is depicted through strong strokes in well-...Category
Early 20th Century Modern Figurative Prints
MaterialsWoodcut
- The Painter - Original Woodcut Print by Max Kurzweill - 1916Located in Roma, ITThe Painter in an original woodcut print realized by Max Kurzweill in 1916. Good conditions. The artwork is depicted through harmonious colors in a well-balanced composition.Category
1910s Modern Figurative Prints
MaterialsWoodcut, Paper
- Ex Libris Fereng - Original Woodcut - 1950sLocated in Roma, ITEx Libris Fereng is an original Modern Artwork realized in the 1950s. Original Ex Libris. Original B/W woodcut on ivory-colored paper. The work is glued on cardboard. Total...Category
1950s Modern Figurative Prints
MaterialsWoodcut
- Portrait - Original Woodcut Print by Mario Vellani Marchi - 1925By Mario Vellani MarchiLocated in Roma, ITThe Portrait is an original Woodcut print realized by Mario Vellani Marchi (1895 – 1979) Good conditions. The artwork is depicted through perfect hatching in a well-balanced compos...Category
1920s Modern Figurative Prints
MaterialsWoodcut, Paper
- Infantryman - Original Woodcut by Gino Barbieri - Early 20th CenturyLocated in Roma, ITInfantryman is an Original Woodcut Print on paper realized by Gino Barbieri in the Early 20th Century Good Conditions. The artwork is depicted through strong strokes in well-balanc...Category
Early 20th Century Modern Figurative Prints
MaterialsWoodcut
- Portrait - Original Woodcut by Sergio Sergi - Early 20th CenturyLocated in Roma, ITPortrait is an Original Woodcut Print on paper realized by Sergio Sergi in the Early 20th Century Good Conditions. The artwork is depicted through strong strokes in well-balanced c...Category
Early 20th Century Modern Figurative Prints
MaterialsWoodcut