Giuliano Sturli

The Magic Sign - Lithograph by Giuliano Sturli - 1976

1976

The Night 2 is an original photolithograph realized by Claudio Cintoli (Imola, 1935 – Rome, 1978) in the end of the '70s. Conceptual work of the artist. Signed and numbered by the ...

The Night 1 is an original photolithograph realized by Claudio Cintoli (Imola, 1935 – Rome, 1978) at the end of the '70s. Conceptual work of the artist. Signed and numbered by the ...

The Night 3 is an original photolithograph realized by Claudio Cintoli (Imola, 1935 – Rome, 1978) at the end of the '70. Conceptual work of the artist. Signe...

The magic sign is a lithograph realized by Giuliano Sturli in 1976 Hand-signed and dated on the lower margin. Numbered of the lower left. Edition of 50. Original title: Il seg...

The Night is an original photolithograph realized by Claudio Cintoli (Imola, 1935 – Rome, 1978) at the end of the '70. Conceptual work of the artist. Signed and numbered by the art...

False Diamonds is a beautiful color photographic print realized by the German artist Martina Schumacher (1972-) in 1998. Dye transfer. Hand-signed, numbered, dated and titled in pen...

Artist: George Deem Title: Composition in Red and Black Year: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: AP 40 Image Size: 26 x 18 inches Paper Size: 30 i...

Artist: Will Mentor, American (1958 - ) Title: How to Grow an Onion Year: 1997 Medium: Lithograph and Chine colle, Signed and numbered in Pencil Edition: 11/36 Paper Size: 36 x 28 in...

Dennis Oppenheim Image Intervention (Hand Signed), 1984 Offset Lithograph (hand signed and dated by Dennis Oppenheim) Hand signed and dated on the middle front 28 × 20 inches Unframe...

Artist: Helene Guetary, French/American (1957 - ) Title: Move X Year: circa 1979 Medium: Lithograph on Arches, Signed and numbered in pencil Edition: 200, AP Size: 38 in. x 25.5 in. ...

Artist: George Deem Title: Hands of Mayakovsky Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 19 x 17 inches Paper Size: 25.5 in. x 21 ...

Joseph Beuys Stripes from the House of the Shaman (Hand Signed), 1980 Offset lithograph hand signed by Joseph Beuys Boldly signed on the recto in graphite pencil by Joseph Beuys Published by: Anthony D'Offay Gallery, London Frame included: held in original vintage frame From the estate and collection of artist Tom Levine. Very rare when hand signed as is the present work. Vintage frame is included with this work. (see other photos) Measurements: Framed: 32.5 inches (vertical) by 24 inches (horizontal) by 1 inch (depth) Print: 28.5 inches (vertical) by 19.5 inches (horizontal) More about Joseph Beuys: Joseph Beuys, who is recognized as one of the most influential artists of the postwar period, had a grand and ambitious goal for his work: the transformation of Western culture into a more peaceful, democratic, and creative milieu. His multifaceted career, which included sculpture, performance, lectures, activism, and even a campaign for elected office, were all part of an “expanded concept of art” that was aimed at advancing his utopian vision. In all its forms, his work is dense and highly allusive and draws on much of the accumulated knowledge of Western civilization, including history, religion, natural sciences, economic theory, and myth. A charismatic teacher, Beuys was mentor to a generation of younger artists who were inspired by his passionate fusion of art, life, and activism. Service in World War II Beuys was born in Krefeld, Germany, and as a youth pursued dual interests in art and the natural sciences. In 1940, at age 19, he joined the German air force. During his 5 years of service, he was wounded several times and interned in a British prisoner-of-war camp. He returned home in 1945 physically and emotionally depleted, and spent nearly a decade recuperating on a friend’s farm, where he made hundreds of drawings and small sculptures. Coming to terms with his involvement in World War II would be a lifelong process that informed much of his art. Teaching at the Düsseldorf Art Academy, Sled After the war, Beuys decided to dedicate himself to art. In 1961, he was appointed to a professorship at the Düsseldorf Art Academy and soon became the school’s most sought-after teacher. At the same time, he began to develop his sculptural practice. One of his best-known works from this period is Sled (1969), which he called a “survival kit”: an elemental means of transport carrying a felt blanket...