Items Similar to Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)

Henry Moore - Moore, Three Reclining Figures (Cramer 180), XXe Siècle (after)

Francis Bacon - Bacon, Portrait of George Dyer Crouching, Derrière le miroir (after)

Francis Bacon - Bacon, Portrait of George Dyer Staring at Blind Cord, Derrière le miroir (after)

Francis Bacon - Bacon, Portrait of Henrietta Moraes, Derrière le miroir (after)

Roger de la Fresnaye - de La Fresnaye, Visage, Roger de La Fresnaye (after)

André Derain - Derain, Composition, Derrière le miroir (after)

Want more images or videos?

Request additional images or videos from the seller

1 of 7

Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
1937

About the Item

Etching on vélin d'Annonay, des frères Montgolfier paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Dix filles dans un pré. Ballet imaginaire. Avec quatre gravures à l'eau-forte de Marie Laurencin, 1926. Published by Au Sans Pareil, Paris; printed by Lacourière, Paris, 1926. Excerpted from the volume (translated from French), 20 copies on tank vellin, with a double sequence of engravings, including one in first condition. These copies, reserved for Friends of the Unparalleled and printed in their name, are numbered from 1 to 20; 35 examples; 60 copies on Holland Van Gelder, with a series of engravings (Nos. 56 to 115); 80 copies on Holland Van Gelder (Nos 116 At 195); 800 copies on velly of Annonay, of the brothers Montgolfier (Nos. 196 to 995), and some non-commercial copies, marked J. R. B., and all signed by the publisher. MARIE LAURENCIN (1883-1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier, and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." She had a forty years long love relationship with fashion designer Nicole Groult .

Creation Year:

1937

Dimensions:

Height: 11.688 in (29.69 cm)Width: 5.313 in (13.5 cm)

Medium:

Lithograph

Movement & Style:

Modern

After:

Max Beckmann (1884-1950, German)

Period:

1930-1939