Philip Sutton

Heather 1967 Signed Limited Edition Woodblock

1967

Philip Sutton St. Ives - 1967 Print - Woodcut 34'' x 27'' Edition: signed and numbered in pencil 25/25 Image Size; 18"x 18" Condition Note; Handling Creases. Philip Sutton studied ...

Philip Sutton Nude with Birds - 1966 Print - woodcut 27'' x 33'' Edition: signed and numbered in pencil 16/30 Image Size; 18"x 18" Condition Note; Handling Creases. Philip Sutton s...

Philip Sutton Artist Mother - 1967 Print - Woodcut 29'' x 24.25'' Edition: signed and numbered in pencil 7/25 Image Size; 18"x 18" Condition Note; Handling Creases. Philip Sutton s...

Norman Rockwell Title: Convention. Year: 1976 Medium Type: 7-Color Collotype on Rives BFK paper Size-Width Size-Height: 25" x 31" Signed Edition Size: Signed by the artist 9/200 ...

Signed Limited Edition Art Etching by Charles Bragg. Women in Golf Suite : #18 1988 Etching 13" x 14.5" inches Signed in pencil, titled and marked 95 /300 Unframed Step into the ...

Signed Limited Edition Etching by Charles Bragg. Women in Golf Suite : FORE! 1988 Etching 13" x 14.5" inches Signed in pencil, titled and marked 94/300 Unframed Charles Bragg (1...

Nelson Dominguez (Cuban, 1947) 'La mujer del tabaco', 2012 Woodcut 124.5 x 84.5 cm. (49 x 33.3 in.) Edition of 10 Unframed

Nelson Dominguez (Cuban, 1947) 'La mujer del café', 2012 Woodcut 124.5 x 84.5 cm. (49 x 33.3 in.) Edition of 10 Unframed

Tim Engelland (American, 1950-2012) Little Owl, 2006 Combined lino/woodcut 5 1/2 x 6 1/2 in. Inscribed bottom: 6/50, Little Owl - For Naomi Rosenblum, T. Engelland, 06 This "Little Owl" print was produced as a "thank you" for those who attended or purchased paintings at a show in New York. The key block originally appeared as an illustration for The O-O's Party by Paul Muldoon - published by The Gallery Press, Ireland. Redesigned to accommodate a tonal block, it is limited to an edition of fifty signed copies, printed by the artist on a 19th century proof press with archival inks and papers. A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue standing in the school’s Memorial Building. Along with John O’Brien and Peter Fallon, Tim founded the Deerfield Press, publisher of limited-edition illustrated poems and stories; James Dickey, John McPhee, and Seamus Heaney are among the authors whom the Press published. For several decades, Tim served on the faculty at the Advanced Placement Summer Institute in St. Johnsbury, Vt., and as a consultant to the College Board. He spent sabbaticals in New York City and Boston, and he has exhibited in galleries in those cities and many other venues. His work can be found in the National Library of Ireland, Boston’s Museum of Fine Arts, and in private collections worldwide. In 2004, Tim returned to Indiana. He was married to Susan Karen Carpenter...

FRANCES H. GEARHART and Sisters (THE GEARHARTS) FRUIT FOR SALE c.1928 Color block print. Unsigned. This is an original block print from “Let’s Play”, an intended but unpublished children’s book done in collaboration with her sisters Edna and May in 1928. Image 8 x 7 inches. On a tissue thin laid paper. Irregular sheet 9 3/8 x 8 1/2. The entire series consisted of over 20 children's images. There were very few printed. The editions of the various children varied but likely no more than 50. This impression very well printed with good colors, Very good condition. The margins are likely as issued with the irregular edges. The margins and paper used for this series varies from one print to the next. A bit of tape remnants at top center sheet edge. A very nice example of this print. It is not unusual for impressions of this series to be unsigned, although many are signed "The Gearharts" The Provenance of this example is fascinating. It was acquired from a gentleman who knew the Gearharts as a child in the early 50's in Pasadena. It was part of a collection given to him by Frances. In his adult years he was in the military and took the collection with him as he traveled around Europe, After 81 years, based on the original prints, this book was published by the “California Book...

HERBERT GURSCHNER (Austrian / English (1901-1975) VILLAGE SCENE / TOWN FESTIVAL ca.1924 Color woodcut 4 ¾ x 5 3/8” Signed in pencil. Good strong colors. On thin paper. Faint darkeni...

Imi Knoebel, Una's Haus Contemporary, 21st Century, Linocut, Limited Edition, Abstract Art Linocut Edition of 100 69 x 100 cm (27.1 x 39.3 in) Signed, accompanied by Certificate of ...