Trois Esquisses de maternite (Three Studies of Maternity)

1893

Avril (April) Color aquatint and etching, c. 1906 Signed in pencil lower right Edition: c. 100 Excellent impression, fresh colors Reference: Merrill Chase Volume 1, No. 9 Condition: ...

(after) Mary Cassatt In the Fitting Drypoint & aquatint printed in colors, 1991 Signed with the artist's initials in the bottom edge center Note: This is a limited edition reproduct...

Lola De Valence Etching, 1862 Signed in the plate lower left: “Ed Manet” Printed on chine collee paper, without watermark From the first edition, published by Cadart and Luquet, Paris, before the removal of the inscription “ Ed. Manet sculpt” From the 1863 edition, before the 1874 Portfolio, 1890 Portolio. 1894 Dumont edition and the Strolin edition of 100 in 1905 Pencil inscription with title below the plate in the lower margin Conditiono: Excellent Image size: 10 7/8 x 6 7/8 inches Plate size: 18 3/4 x 13 inches Reference: Harris-Manet 33 iii/III Guerin-Manet 23 vi/VIII The painting that this etching is inspired by is in the collection of the Musee d'Orsay, Paris. "Lola de Valence is a painting by the painter Édouard Manet in 1862 . The canvas represents a dancer dressed intraditional Spanish clothes...

Noon Time Lull Etching, c. 1930 Signed by the artist in pencil lower right (see photo) Note: An image done in South Carolina. An impression of this image is in the permanent collecti...

Le Gamin (The Kid) Etching on laid paper, 1862 Signed in the plate upper left (see photo) As published in Theodore Duret, L'Histoire d'Edouard Manet et de Son Ouvre, 1902 (The first ...

L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes) Etching, 1881 Unsigned (as usual for this state) From: L'enfant prodigue, (The Prodigal Son, five plates) Ed...

This etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...

This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It is also hand numbered in pencil from the edition of 150, at the lower ...

Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...

"Study 6" - 1975 Figurative Lithograph on Paper Abstract figurative lithograph by Jim Smyth (American, b. 1938). The nude figure is seen with one hand above her head, holding a cloth, as she gazes down. Numbered, titled, signed and dated along bottom. "5/12", "Study 6", "Smyth 75." Presented in a brown mat. Mat: 16"H x 12"W Paper: 10 1/2"H x 8"W Image:9 1/4"H x 6 1/2"W Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld...

Prairies de Bazincourt by Camille Pissarro (1830-1903) Etching and aquatint 8.1 x 12 cm (3 ¹/₄ x 4 ³/₄ inches) Stamped with initials lower left, C.P. and numbered 3/18 lower right T...

Artist: Theo Tobiasse Title: Couler Voyage Pour Attaper Year: 1983 Medium: Aquatint Etching with Carborundum, signed and numbered in pencil Image Size: 40 x 28 inches Paper Size: 53....