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Robert Longo
The Freud Cycle, 1938 (portfolio)- Contemporary, 21st Century, , Limited Edition

2004

About the Item

Robert Longo, The Freud Cycle, 1938 (portfolio) Contemporary, 21st Century, Pigment Print, Limited Edition Pigment print (set of 9) Edition of 30 Various dimensions Signed and numbered, accompanied by Certificate of Authenticity In excellent condition, as acquired from the publisher On June 4, 1938, having paid the “German Reich Escape Tax” and the “Jew Property Tax,” Sigmund Freud left his apartment at 19 Berggasse forever. A few days before his emigration from Vienna to London, photographer Edmund Engelmann courageously and secretively recorded Freud's legendary residence, documenting it in photographs that were eventually published. An old volume of these photographs was presented to artist Robert Longo in 1993, acting as the catalyst and primary source material for the 30 large-size charcoal works that constitute The Freud Drawings. "The book, with its extraordinary photographs, sat around my studio and eventually insinuated itself into my consciousness, pushing me to take action." — Robert Longo In Longo's version of Freud's house, light barely penetrates darkness, even through generous windows. The prints are a visual cliche of psychoanalysis as the illumination of the soul's darkness. In Longo's version of Freud's house, the place is deserted, as if its occupants left in haste. In this way, the artist draws attention to the absurdity of the historical events by emphasizing that Freud was working on his psychoanalysis during the time when Nazis were in Vienna and he had to leave in hast. ROBERT LONGO Best known for his photorealistic drawings, Longo explores imagery within a complex social and cultural forces. Robert Longo was born in 1953, in Brooklyn, New York, and has had a childhood fascination with mass media: movies, television, magazines, and comic books, which continue to deeply influence his art. One of the quintessential artists of the 1980s, Longo is perhaps best known for the writhing, dancing figures in his iconic Men in the Cities series. The American artist´s drawings are, perhaps, his most iconic. They are as much about the content they depict as they are about the artist´s intense devotion to the practice of drawing. His amazingly deep, anthracite charcoal drawings show emotional motives. “As an artist, we’re reporters. Our job is to report what it’s like to be alive now. We’re one of the few professions left in the world that has the opportunity to try to tell the truth.” —Robert Longo Perhaps the best known photorealist series of Robert Longo´s is Men in the Cities, depicting contorted, life-size human figures in an urban setting. Robert Longo´s art focuses on his never-ending investigation of the themes of power and authority, which also permeate his series of blackened American flags (Black Flags, 1989–91), and oversized handguns (Bodyhammers, 1993–95). Longo´s series, Monsters, which depict massive breaking waves, and The Sickness of Reason, featuring atomic bomb blasts, followed in 2002 and 2004. It was during the 1980s that Robert Longo started to produce editions, mainly lithographs. He then gradually developed a high-end print technique, Pigment Print, which allows him to reproduce his drawings perfectly. Robert Longo´s prints capture the same level of detail and emotional impact of the original drawings.
  • Creator:
    Robert Longo (1953, American)
  • Creation Year:
    2004
  • Dimensions:
    Height: 43.31 in (110 cm)Width: 68.51 in (174 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Zug, CH
  • Reference Number:
    1stDibs: LU156228114292
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