Idolum Nomine Bel - Lithograph - 1967

1967

Still Life is a color lithograph realized by Fernand Léger (1881-1955) and published by éditions Falaize, Paris, 1951. With the additional values of the blue ink signature and an ...

Image dimensions: 38 x 48 cm. Hand signed and numbered. Edition of 125 prints. Very good conditions. Massimo Campigli (July 4, 1895 as "Max Ihlenfeld" - 1971) was a Italian pai...

Hand signed. “Le Passeggiatrici” (“The Promenaders”) is a lithograph by Massimo Campigli, dated 1957. Two elegant female figures are the protagonists of this composition. The diffe...

Hand signed. In “La Tessitrice” (“The Weaver”), an hand signed lithograph by Massimo Campigli, the artist represents a weaver. The female figure protagonist of the composition is wor...

Young Boy is a black and white lithograph realized by Jean Cocteau, French draftsman, poet, essayist, playwright, librettist, film director, and actor, who lived from 1889 to 1963. ...

The Motherhood is an original lithograph on paper by Carlo Levi in 1960s Hand-signed on the lower right. Artist's proof. good conditions except for a lon...

Numbered and signed rf Lichtenstein and dated '75 in pencil lower right by the artist. Blindstamp Styria Studio chop lower right. From the America: The Third Century Portfolio. Publi...

CITY GRACES is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed using hand lithography techniques on archival printmaking paper 1...

PASSING CROWD is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed using hand lithography techniques on archival ARCHES paper 100% acid free, full bleed image, no margins. In PASSING CROWD, a group of fashionable city women and men walking...

Nude figurative by Patricia A. Pearce (American, b. 1948). Initialed "PP" on verso with the artist's name. Presented in a new cream mat with foamcore backing. Image size: 13"H x 11"W...

BACKYARD by the artist James Denmark is an original hand drawn, limited edition lithograph printed on archival Somerset paper, 100% acid free using traditional hand lithography techniques. BACKYARD is one of Denmark's colorful collage compositions of everyday African American life - a soulful Southern country folk scene featuring a standing woman wearing a flaming red orange skirt, multicolored wallpaper floral print top, and dark indigo print head wrap; her male companion dressed in blue denim jeans, dark indigo print shirt and denim hat sitting in the backyard as the patchwork quilts flutter on the clothesline. Vivid coloration and textures captivate the eye with variety - deep violet, reds, fiery orange, touches of yellow, dark black and shades of blue - a very strong impression and fine example of hand lithography! Print size - 38 x 23 inches, unframed, mint condition, pencil signed and numbered by James Denmark Edition size - 250, plus proofs Year published - 1996 James Denmark, born in Winter Haven, Florida in 1936 is one of the few masters of collage. He utilizes an exacting process to cut and assemble brightly hand colored papers, fabric and objects into familiar figures and images. Denmark’s grandmother, a wire...

Yue Minjun, Backyard Garden Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. Backyard Garden belongs to the set of twenty lithographs from the “Snatched Ecstasy of Yue Minjun”, which comes as a limited edition of 130 rare books. The work of Yue Minjun is instantly recognizable with its uniform laughing faces, the artist's faces. Minjun creates various realities against which the laughing figures are rendered, thus creating ambiguous images, often with the sinister atmosphere, which comes as his personal cynical reaction to various social and political dimensions of contemporary Chinese realities. Immediately humorous and sympathetic, Yue Minjun’s paintings offer a light-hearted approach to philosophical enquiry and contemplation of existence. Yue’s self-portraits have been describe by theorist Li Xianting as “a self-ironic response to the spiritual vacuum and folly of modern-day China”, thus the acidic tones and commercialized vacuity of his works are used to underscore the insincerity of his figures’ mirth. “Art should be an expression of one's particular feelings and should be direct and deep. So I drew one person, and then added another and another until there were crowds of them. Then I felt my emotions to be fully expressed.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming...