Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Unknown
Sphinx - Ancient Roman Art - Original Etching - 18th Century

18th Century

About the Item

Sphinx - Ancient Roman Art, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Anonymous Artist in the 18th century. Monogrammed on the plate. Good condition. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”), an eight-volume volume of engravings of the finds from the excavation of the ruins of Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the Regia Stamperia, and copies were delivered to selected recipients across Europe. Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites of Herculaneum: Resina and Portici. The Bourbon King Carlo appointed fifteen scholars creating a new “Herculaneum Academy” to study the artifacts and publish the results of the archaeological excavations of the sites. The engravings are of high quality and the accompanying text shows a large scholarship. They were realized by 25 prominent artists involved by the King to prepare drawings and engravings on the finds, among which we can find Giovanni Elia Morghen, Carlo Nolli, Luigi Vanvitelli and Giovanni Battista Casanova. The “Antiquities” was designed more to amaze readers with the quality of the objects in the collection of the King of Naples than to be used in research., following and increasing the interest of 18th century society for the classical culture and Art in particular. Through the exaltation of the classical concept of proportions and harmony, the book was of inspiration to the neoclassical movement in Europe, giving artists and decorators access to a huge shop of Hellenistic motifs. Ref.: National Gallery (Washington), Mark J. Millard Architectural, IV (2000), no. 1; L. Garcia y Garcia, Nova bibliotheca pompeiana (2 v., 1998); Royal Institute of British Architects, British Architectural Library ... Early printed books, 1 (1994), no. 112. U. Pannuti, 'Incisori e disegnatori della Stamperia Reale di Napoli nel secolo XVIII: la pubblicazione delle Antichità di Ercolano', in Xenia antiqua, 9 (2000), p. 151-178; V. Trombetta, 'L'edizione de Le Antichità di Ercolano esposte' in Rendiconti dell'Accademia di Archeologia, lettere e belle arti di Napoli , 59 (1984), p.151-172.
  • Creation Year:
    18th Century
  • Dimensions:
    Height: 4.73 in (12 cm)Width: 9.45 in (24 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1251241stDibs: LU65039017122
More From This SellerView All
  • Telephe guéri, from "Le Temple des Muses"
    By Bernard Picart
    Located in Roma, IT
    Black and white etching on wire rod paper, representing the myth of Telephus and his healing. Plate with fresh impression, from the volume “Le Temple des Muses...
    Category

    1740s Old Masters Figurative Prints

    Materials

    Etching

  • Assassinat de Basseville à Rome - Original Etching by P.G. Berthault - 1793
    By Pierre Gabriel Berthault
    Located in Roma, IT
    Assassinat De Basseville à Rome is an original black and white etching realized by Pierre Gabriel Berthault, after Jacques François Joseph Swebach-Desfontaines in 1793. Title with caption on plate on the lower center: "Assassinat de Basseville, à Rome/ le 13 Janvier 1793, ou 23 Nivose An Ier de la République". Below the image on the lower margin, "Swebach Desfontaines onv. et del. / Berthault sculp." is etched on plate. This modern artwork is numbered "N. 76", because it is from the series Les Tableaux historiques de la Révolution française. As a matter of fact, Pierre-Gabriel Berthault is well-known for having engraved plates from this collection with the collaboration of the engraver Jean Duplessis-Bertaux. A work - hanging in the balance between news and history - with illustrations of salient or minimal events occurred during the French Revolution. As a celebration of the new ideals of brotherhood, justice, and equality, Les Tableaux immediately became a point of reference for journalism at the time. Of traditional cut, namely showing a view with many human figures, the engraving simplified the lines to be immediately readable for the general public. In our specific case, this original print represents the murder of Hugou de Bassville or Basseville (7 February, 1743 – 13 January, 1793), a French journalist and diplomatist, and protector of the radical Jacobins in Rome. In excellent conditions, except for a usual yellowing of the paper on the edges and a light trace of oxidations on the lower and right margins, beyond the marginal line of the matrix. Pierre-Gabriel Berthault (Saint-Maur-des-Fossés, 1737 - Paris, 1831) was a French master who made engravings from drawings by Jean-Claude Richard de Saint-Non (known as the Abbot of Saint-Non) and from paintings by Louis François Cassas. He depicted many views of Italy and created the collections Voyage à Naples and Voyage pittoresque de la Syrie, de la Palestine et de la basse-Egypte. Before the French Revolution, he was famous for being the author of the Vues intérieures de Paris and for tables with architectural elevations.
    Category

    1790s Old Masters Landscape Prints

    Materials

    Etching

  • Le Chaos, from "Le Temple des Muses" - Original Etching by B. Picart
    By Bernard Picart
    Located in Roma, IT
    Black and white etching on wire rod paper, representing the myth of Chaos. Plate from the volume “Le Temple des Muses”, published in Amsterdam in 1742 by Zacharias Chatelain. Capture (under the image) and author "B. Picart del. 1731" inscribed under the frame engraved on the lower left margin. In good conditions, except for a normal yellowing of the margins. This was an illustrated book of Ovid's most popular fables published in 1733 in Dutch (Tempel der Zanggodinnen), in 1738 in English, and in 1742 in French by Zacharias Chatelain. The engravings had captions in four languages: French, English, German, and Dutch. The artists involved were Michel de Marolles, Bernard Picart, Jacques Favereau, Abraham van Diepenbeeck...
    Category

    1740s Old Masters Figurative Prints

    Materials

    Etching

  • Les Danaïdes, from "Le Temple des Muses"
    By Bernard Picart
    Located in Roma, IT
    Black and white etching on wire rod paper, representing the myth of the Danaids, "condemned to fill bored vessels with water". Plate with fresh impression, from the volume “Le Temple des Muses...
    Category

    1740s Old Masters Figurative Prints

    Materials

    Etching

  • Œnée, from "Le Temple des Muses" by B. Picart
    By Bernard Picart
    Located in Roma, IT
    Black and white etching on wire rod paper, representing the Greek myth of Œnée, "the king of Calydon, having neglected Diana in a sacrifice, is punished for his impiety" as the capture reports. Beautiful plate with fresh impression, from the volume “Le Temple des Muses...
    Category

    1740s Old Masters Figurative Prints

    Materials

    Etching

  • Tithon, from "Le Temple des Muses" by B. Picart
    By Bernard Picart
    Located in Roma, IT
    Black and white etching on wire rod paper, representing the Greek myth of Tithonus. Beautiful plate with very fresh impression, from the volume “Le Temple des Muses...
    Category

    1740s Old Masters Figurative Prints

    Materials

    Etching

You May Also Like
  • Descending from the Cross, by Torchlight
    By Rembrandt van Rijn
    Located in New York, NY
    Rembrandt Harmensz. van Rijn 1606 Leiden – Amsterdam 1669 The Descent from the Cross by Torchlight 1654 etching and drypoint; sheet 213 x 163 mm (8 3/8 x 6 7/16 inches) Bart...
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Drypoint, Etching

  • Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
    By Giovanni Battista Piranesi
    Located in Alamo, CA
    This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
    Category

    Early 18th Century Old Masters Figurative Prints

    Materials

    Etching

  • Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
    By Rembrandt van Rijn
    Located in Middletown, NY
    Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...
    Category

    18th Century Old Masters Figurative Prints

    Materials

    Handmade Paper, Etching, Laid Paper

  • The Windmill by François Vivares, after Rembrandt
    By Rembrandt van Rijn
    Located in Middletown, NY
    Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
    Category

    Mid-18th Century Old Masters Landscape Prints

    Materials

    Handmade Paper, Laid Paper, Etching

  • Judith Grasping The Head Of Holofernes... by Giovanni A. Sirani after Guido Reni
    By Guido Reni
    Located in Middletown, NY
    Judith Grasping The Head Of Holofernes By The Hair And Looking To The Left, and Old Woman to the Right. circa 1640 Etching on cream laid paper with a foolscap watermark, 10 x 7 inche...
    Category

    Mid-17th Century Old Masters Portrait Prints

    Materials

    Laid Paper, Etching

  • Fountains of Rome
    By Giovan Battista Falda
    Located in Middletown, NY
    A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, as the fountain was design...
    Category

    Early 17th Century Old Masters Landscape Prints

    Materials

    Engraving, Etching, Laid Paper

Recently Viewed

View All