Items Similar to Saruwaka-machi District and Kinryûzan Temple Seen from Matsuchiyama
Want more images or videos?
Request additional images or videos from the seller
Utagawa Hiroshige (Ando Hiroshige)Saruwaka-machi District and Kinryûzan Temple Seen from Matsuchiyama1853
1853
About the Item
Three women in the Saruwaka-machi District with a view of Kinryûzan Temple seen from the famous landmark Matsuchiyama. The woodblock print is from the series "Famous Places in Edo". The woodblock print is printed on rice paper. The print is not framed.
Artist Biography: Utagawa Hiroshige, born Andō Hiroshige (1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques.
For scholars and collectors, Hiroshige's death marked the beginning of a rapid decline in the ukiyo-e genre, especially in the face of the westernization that followed the Meiji Restoration of 1868. Hiroshige's work came to have a marked influence on Western painting towards the close of the 19th century as a part of the trend in Japonism. Western artists, such as Manet and Monet, collected and closely studied Hiroshige's compositions. Vincent van Gogh even went so far as to paint copies of two of Hiroshige's prints from One Hundred Famous Views of Edo.
- Creator:Utagawa Hiroshige (Ando Hiroshige) (1797-1858, Japanese)
- Creation Year:1853
- Dimensions:Height: 9.5 in (24.13 cm)Width: 14 in (35.56 cm)Depth: 0.004 in (0.11 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Wear is consistent with age.
- Gallery Location:Houston, TX
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1969
1stDibs seller since 2014
783 sales on 1stDibs
Typical response time: 10 hours
- ShippingRetrieving quote...Ships From: Houston, TX
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Edo Landscape Japanese Woodblock PrintBy Utagawa Hiroshige (Ando Hiroshige)Located in Houston, TXEdo Meisho woodblock print of a famous Japanese coastal dock. This woodblock is most likely apart of the series "One Hundred Famous Views of Edo." The woodblock print is printed on r...Category
1850s Edo Landscape Prints
MaterialsWoodcut
- Nihon Embankment in Yoshiwara Japanese Woodblock PrintBy Utagawa Hiroshige (Ando Hiroshige)Located in Houston, TXWoodblock print from the Edo period. The print was apart of a series that Hiroshige did titled, "One Hundred Famous Views of Edo". The woodblock print is printed on rice paper. The p...Category
1850s Edo Figurative Prints
MaterialsWoodcut
- Boat with Houses Landscape Woodblock Print (Possibly Woodstock School of Art)Located in Houston, TXSmall black and white woodblock print depicting boat with houses. Possibly from the Woodstock School of Art. Inscribed and signed by artist. ...Category
Mid-20th Century Expressionist Landscape Prints
MaterialsWoodcut
- "Nara" Japanese TownscapeBy Kiyoshi SaitōLocated in Houston, TXLandscape print of small Japanese city, Nara (A). Signature and seal lower right. Mat board covers the margins which may have date, title and edition. Non-glare glass makes inspection and photography difficult. Visible Area: H 15 in. x W 20.5 in. Artist Biography: Kiyoshi Saito was born in Fukushima prefecture in 1907. At the age of five he moved to Otaru in Hokkaido, where he would come to serve as an apprentice to a sign painter. Saito became infatuated with art after studying drawing with Gyokusen Narita and moved to Tokyo in 1932 to study Western-style painting at the Hongo Painting Institute. He began experimenting with woodblock prints and exhibiting his works with Nihon Hanga Kyokai in 1936. Saito mainly worked in oil painting until his invitation from Tadashige Ono...Category
20th Century Modern Landscape Prints
MaterialsWoodcut
- Neoclassical Landscape Engraving of Fishermen In the Style of Joseph VernetBy Claude-Joseph VernetLocated in Houston, TXNeoclassical landscape etching in the style of Joseph Vernet. The work includes a group of fishermen with nets and a boat set against an idealized backgr...Category
Late 19th Century Academic Landscape Prints
MaterialsEtching
- "The Cove" Abstract Landscape of a Desert with Mother and Child LithographLocated in Houston, TXGray toned abstract landscape of a desert with mother and child walking by coves. Original print is at the Portland Art Museum collections. Signed and titled by the artist. Framed and matted in a black wooden frame. Dimensions Without Frame: H 12 x W 17.38 Artist Biography: William Givler was one of the most influential artists and teachers in Oregon. He devoted forty-two years to the Museum Art School, beginning in 1931 as an instructor, interrupted by service as a forester during World War II, and then as dean from 1944 until his retirement in 1973. He established the four-year degree program and secured accreditation for the school. In 1949 Givler inaugurated the first Print Annual at the Portland Art Museum. In 1953 Givler, Carl Hall, and two Washington artists exhibited in a four-person show at the Seattle Art Museum. He had many one-person shows throughout the United States during his long career: Seattle Art Museum, Portland Art Museum, Santa Barbara Museum of Art, University of Virginia, and others. In 1959 Givler painted an oil, Mt. Hood, for Timberline Lodge...Category
1950s Abstract Landscape Prints
MaterialsGraphite, Lithograph
You May Also Like
- Japanese Beauty Admiring Kirifuri WaterfallBy Yoshu ChikanobuLocated in Burbank, CAA beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...Category
1890s Edo Landscape Prints
MaterialsMulberry Paper, Handmade Paper, Woodcut
- Beauties on the Beach with view of Mount FujiBy Yoshu ChikanobuLocated in Burbank, CAShichirigahama, Sagami Province. A beauty in the foreground waves to her young companions, who run towards her on the beach. The beauty at left wears a western-style golden ring. We ...Category
1890s Edo Landscape Prints
MaterialsMulberry Paper, Handmade Paper, Woodcut
- "Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on PaperLocated in Soquel, CA"Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on Paper This print, sometimes titled "Chidori No Tamagawa" "Plovers at Tamagawa", is from the series Mu Tamagawa ("Six Views of Tama River", also known as "Six Jewel Rivers" or "Six Crystal Rivers") by Kubo Shunman...Category
Late 18th Century Edo Landscape Prints
MaterialsPaper, Ink, Woodcut
- "Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paperBy Toyohara KunichikaLocated in Soquel, CA"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple. Mat size: 16"H x 20"W Paper size: 14.75"H x 9.88"W Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...Category
1880s Edo Figurative Prints
MaterialsInk, Rice Paper, Woodcut
- Study of Utagawa Hiroshige's "View of Hara-Juku" 53 Stations of the Tokaido RoadBy Utagawa HiroshigeLocated in Soquel, CAStudy of Utagawa Hiroshige's "View of Hara-Juku" 53 Stations of the Tokaido Road Hand painted study of Utagawa Hiroshige's "View of Hara-Juku", (by unknown artist), from "53 Station...Category
1920s Edo Landscape Prints
MaterialsWoodcut, Paper, Ink
- The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year .....By Utagawa YoshitoraLocated in Middletown, NYThe Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185) Tokyo c. 1830 Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art. The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...Category
Early 19th Century Edo Figurative Prints
MaterialsHandmade Paper, Watercolor, Woodcut
Recently Viewed
View AllMore Ways To Browse
Temple Mount
Woodcut Mount
Famous Japanese Woodblock Prints
Edo Period Woodblock
Edo Period Woodblock Prints
Hiroshige Woodcuts
Japanese Woodblock Prints Hokusai
Hiroshige Woodblock Print
Hokusai Woodblock Prints
Meiji Woodblock
Antique Japanese Woodblock Prints Hiroshige
Antique Japanese Rice Paper Art
Antique Rice Paper Paintings
Hokusai Fuji
Antique Japanese Rice Paper Paintings
Set Of 5 Posters
Vintage Exhibit Posters
1908 Posters