William Harry Warren Bicknell

Portrait of an Elderly Woman Praying at a Table Etching

1914

Etching of a woman dressed in turn of the century attire looking out at the viewer. The work is signed in pencil by the artist. The etching is not framed. Artist Biography: William...

Sepia lithograph print of four women from different age groups. They appear to be chaperoned by the women dressed in black and the three girls are dressed in turn of the century whit...

Black and white portrait of a woman with a kerchief. The work is signed, titled and editioned by the artist. It is framed in a black frame with a tan matte. Dimensions without frame:...

Black and white etching of a young woman named Jessie Magdalene Brewer. This piece features Beth Secor's iconic swirling and knotted brushwork that echo the dense weave of a tapestry...

Monochromatic abstract figurative etching by Italian artist Giacomo Manzú. The piece depicts an image of Jesus Christ with a distinct facial expression on wove paper. Signed and editioned 98/200 by the artist at the bottom. Glass framed in a natural wooden frame. This particular work is included in the 1975 Portfolio "Omaggio a Michelangelo" (Homage to Michelangelo) which comprises 13 prints (8 partly colored etchings and 5 color lithographs). The portfolio includes other original signed and editioned prints by artists Horst Antes, Jorge Castillo, Emilio Greco, Renato Guttuso, David Hockney, Jean Ipoustéguy, Fiacomo Manzù, Marino Marini, André Masson, Henry Moore, Eduardo Paolzzi, Fritz Wotruba, and Paul Wunderlich. Dimensions Without Frame: H 31 in. x W 23.5 in. Artist Biography: Giacomo Manzù, original name Giacomo Manzoni, (born December 22, 1908, Bergamo, Italy—died January 17, 1991, Ardea), Italian sculptor who, in the mid-20th century, revived the ancient tradition of creating sculptural bronze doors for ecclesiastical buildings. His sober realism and extremely delicate modeling alternately achieved austere severity and sensuousness of form and surface, lending a new spirit of vitality to figurative bronze sculpture. Manzù had to leave school at an early age to learn a trade, and he was apprenticed to local craftsmen who taught him to carve wood and to work in metal and stone. After service in the Italian army from 1927 to 1928, Manzù went to Paris to try his luck as a sculptor, but after three weeks he collapsed from hunger and was deported back to Italy. He settled in Milan, and, after receiving a commission in 1929 to decorate a chapel at the Catholic University, he devoted himself to sculpting full-time. Manzù’s early works were nudes, portraits, and biblical subjects, executed in a style that at first was influenced by Etruscan, Egyptian, and medieval art. However, he soon adopted the Impressionist techniques of the Italian sculptor Medardo Rosso...

Colorful abstract contemporary painting by Houston, TX artist Saralene Tapley. This painting features a portrait of a pair of female models set against...

Visage de Femme is a modern artwork realized by Ignace Joseph de Claussin in the early 19th century. Original etching portraying the face of an old woman. Collection: Dikeos. Dime...

Self-portrait. Paper, linocut, 31x21.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1...

Garibaldi is an original lithograph realized by an anonymous artist in 1980 ca. In good condition. Passpartout: 50 x 35 The artwork represents general Garibaldi. the artwork is de...

Gerald Leslie Brockhurst (1890-1978) The Ideal Head (Portrait of Fabian) • Probably a Lithograph, sheet ca. 58 x 44 cm (v. thick paper/thin card) • Plate size ca. 41 x 31 cm • Imag...

Hermann Kätelhön (German, * 22. September 1884 in Hofgeismar; † 24. November 1940 in München) Workers - Lithograph, Sheet ca. 56 x 41 cm - Signed bottom right - The photographs show the sheet behind its tired vintage paper mount - The sheet however has become loose, as the glue has dried out. Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Already as an adolescent Hermann Katelhön showed great interest in art and went on to be educated from 1903 to 1905 at the Kunstakademie of Karlsruhe, Germany. He then moved on to the Münchener Akademie to continue his studies under Peter Halm from 1906 bis 1907. By 1919 Hermann Käthelhön had established himself and was well known for his numerous drawings, etchings and woodcuts of people and landscapes of the Schwalm in Willingshausen. He portrayed peasants with great care, was fascinated by the Willingshausen landscape and captivated by the motifs of field work. He portrayed the people at work and he was particularly impressed by the traces that the hard physical work left behind on people. Hermann Kätelhön died...

Hermann Kätelhön (German, * 22. September 1884, Hofgeismar; † 24. November 1940, München) Coal Miners • Woodcut, sheet measures ca. 55 x 40 cm • The sheet is mounted (fixed at the the two upper corners) behind a tired paper mount • Signed in pencil bottom right Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Already as an adolescent Hermann Katelhön showed great interest in art and went on to be educated from 1903 to 1905 at the Kunstakademie of Karlsruhe, Germany. He then moved on to the Münchener Akademie to continue his studies under Peter Halm from 1906 bis 1907. By 1919 Hermann Käthelhön had established himself and was well known for his numerous drawings, etchings and woodcuts of people and landscapes of the Schwalm in Willingshausen. He portrayed peasants with great care, was fascinated by the Willingshausen landscape and captivated by the motifs of field work. He portrayed the people at work and he was particularly impressed by the traces that the hard physical work left behind on people. Hermann Kätelhön died 1940...