Yosha Zuko Fuzu

Oxcart with 5 Men and 1 Ox

1900

Samurai Warriors Meiji 33 ( 1900) Woodblocks Original Hand-Color Woodblock printing flowered in the Edo Period in Japan, mid to late 19th century, and is still considered an art form of great precision and beauty. This style captures both the vitality and life inherent to the flower. Following the artist’s sketch, an image is carved into a block of wood to be transferred to paper in the same manner in which a painter applies his art to a canvas. Black inks form the outline of the flower and color inks are applied following nature’s guide. The woodblock is then pressed to hand-made screened paper which is then hung to dry. This lengthy process of composing a single image can take weeks. These images reflect a quality similar to watercolor and graphite resulting in a stunning and life-like portrayal. Samurai were the military nobility of medieval and early-modern Japan. According to translator William Scott Wilson...

Yosha Zuko Fuzu Meiji 33 (1900) Woodblock with Original Hand-Coloring Writer: Kosugi Onson, Imaizumi Teisuke Publisher: Yoshikawa Hanshichi The Japanese litters and palanquins...

Yosha Zuko Fuzu Meiji 33 (1900) Woodcut with Original Hand-Coloring Writer: Kosugi Onson, Imaizumi Teisuke Publisher: Yoshikawa Hanshichi The Japanese litters and palanquins a...

Beautifully hand-colored lithograph illustrating Roman architecture.

REISHIN GACHO (Album of Beautiful Designs) Japanese Kimono Designs Matsui Yuoku, Painter Japan, 1900 (Meiji 33) Honda Ichijirou, Publisher Woodblock P...

Kono Bairei (1844 – 1895) Kacho-ga. (Birds and Flowers) Japan, c1880 Woodblock Print. 15 x 11. Okura Magobei, Publisher. The enthusiasm for nature prints transcends the centuries. “One Hundred Flowers” is a mid-nineteenth century work illustrating varieties of flowers in naturalistic styles. Traditional woodblock printing enhances the beauty of each work. The artist must carve different woodblocks for every color he wishes to transfer to paper. In this style of printing it is imperative that the register of each woodblock be exact as they must match perfectly to create an image without blurring. In addition to his illustrated flower books...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Untitled - Carrying Fruit Medium: Silkscreen, signed in pencil Edition: EA Size: 47 x 20.5 in. (119.38 x 52.07 cm)

Artist: Theophile Alexandre Steinlen (Swiss, 1859-1923) Title: Les Voila Year: 1915 Medium: Original lithograph Edition: Numbered 73/100 in pencil Paper: Wove Size image: 16 ...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Untitled - Man and Sun Medium: Silkscreen, signed in pencil Edition: EA Size: 30 x 22 in. (76.2 x 55.88 cm)

"The Marriage of Saint Margaret and King Malcolm" is an etching by Scottish artist Alexander Runciman. There is an engraved signature with the artist's monogram followed by "pinxit et fecit," indicating that Runciman both designed the original drawing and likely executed the etching on the metal plate. On the left, a young woman with a halo in fine dress stoops slightly and gathers her skirts as she leans over to accept the ring that the man on the right is reaching to place upon her finger. He is also young, dressed finely, and wearing a crown. Between them, a church official with a pointed hat and a long flowing beard recites the appropriate prayers for the occasion, while onlookers crowd in the background. The tiled floor demonstrates the use of one-point perspective, and the church appears to be in the Gothic style. Art size: 8 3/4" x 7 1/4" Frame size: 26 1/2" x 22 3/8" Alexander Runciman (Edinburgh 15 August 1736 – 4 October 1785 Edinburgh) was a Scottish painter of historical and mythological subjects. He was the elder brother of John Runciman, also a painter. He was born in Edinburgh, and studied at the Foulis Academy, Glasgow, and from 1750 to 1762 he was apprenticed to the landscape painter Robert Norie, later becoming a partner in the Norie family firm. He also worked as a stage painter for the Theatre Royal in Edinburgh. In 1767, he went to Rome, where he spent five years. His brother John accompanied him, but died in Naples in the winter of 1768–69. During Runciman's stay in Italy he became acquainted with other artists such as Henry Fuseli and the sculptor Johan Tobias Sergel...

Maurice DENIS (1870 - 1943) Mary Magdalene Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 32,5 x 47...

ARTISTE: after Auguste RODIN TITLE : Dante & Virgilus MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" INFOR...