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Maurice UtrilloMaurice Utrillo - Parisian Street - transfer lithograph1927
1927
About the Item
Maurice Utrillo - La Place Ravignan, Montmartre - transfer lithograph
Dimensions : 13 x 10".
Paper : Rives vellum.
Edition : 200 copies.
Printed signature, as issued
1927
From Tableaux de Paris, Emile-Paul Freres, Paris
The place is now called "La Place Emile-Goudeau"
Maurice Utrillo (1883 - 1955)
The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo y Molins in 1891. As a painter Maurice Utrillo is an autodidact, he learns the skills from his mother, who wants to keep him away from his addiction to alcohol. His first paintings are made around 1903, mostly views of Paris, street scenes, alleys and houses, views of Montmartre and the suburbs, pictures that have a certain poetic charm.
His paintings up until 1907 are dominated by the colors yellow, turquoise, wine red and zinc white. From 1909 to 1914 he confines his palette to white and shades of gray. In order to attain a greater realistic effect with his paintings, Maurice Utrillo mixes sand and gypsum into the paint. This so-called "Periode blanche" (White Period) marks the highlight of Utrillo's creation.
In 1912 he participates in the Salon d'Automne. As of 1914 his paintings become less and less colorful. He also makes numerous still lifes, mostly of flowers that he accentuates with dabs of shiny colors. People in his paintings appear as beings that are lonely and isolated from society.
The Galérie Bernheim-Jeune sets up an exhibition with works by Utrillo and his mother Suzanne Valladon in 1923. A year later he tries to commit suicide, but fortunately fails. In 1935 he marries Lucie Pauwels, widow of a Belgian collector. She begins to paint under the pseudonym Lucie Valore, mostly making portraits, landscapes and still lifes.
The artist is honored with a large retrospective in the Salon d'Automne in 1943. Maurice Utrillo dies in the Southern French town of Dax on November 11, 1955.
- Creator:Maurice Utrillo (1883 - 1955, French)
- Creation Year:1927
- Dimensions:Height: 13 in (33.02 cm)Width: 10 in (25.4 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16121831963
Maurice Utrillo
Maurice Utrillo, initially Maurice Valadon, was born in Paris, December 26, 1883, the illegitimate son of the artist Suzanne Valadon. She, who had become a model after a fall from a trapeze, ended her chosen career as a circus acrobat, found that posing for Berthe Morisot, Pierre-Auguste Renoir, Henri de Toulouse-Lautrec and others provided her with an opportunity to study their techniques; in some cases, she had also become their mistress. She taught herself to paint, and when Toulouse-Lautrec introduced her to Edgar Degas, he became her mentor. Eventually she became a peer of the artists she had posed for. Meanwhile, Valedon's mother was left in charge of raising the young Utrillo, who soon showed a troubling inclination toward truancy and alcoholism. When a mental illness took hold of the twenty-one year old Utrillo in 1904, he was encouraged to paint by his mother. Under her tutelage, he began painting the streets of his childhood neighborhood, Montmartre. Working in the tradition of the conventional veduta, he depicted streets, buildings, fountains, and avenues, which he captured at different seasons of the year in a style influenced by the lyrical realism of Camille Pissarro and Albert Sisley. However, by deploying a subtle palette - mainly yellows, turquoise, maroon and zinc white - he suffused the scenes with atmospheric* qualities that evoke feelings either of familiarity or of alienation in the viewer. Known as his 'White Period' (période blanche), the years between 1909 and 1914 represent the acme of Utrillo's creativity. During this time, he reduced his palette to white, shading into grays. He also mixed his paints with sand, plaster, and lime to render the physical substance of his subject matter, walls in particular. In 1910, art critics F. Jourdan and E. Faure discovered the artist. Their appreciation of his talent enabled Utrillo to take part for the first time in the 1912 Salon d'Automne*. Until 1914, Utrillo traveled in Brittany and Corsica; his works assumed an increasingly luminous* quality, which greatly enriched his earlier ascetic conception of reality. In 1924, he exhibited with his mother at the Galerie Bernheim-Jeune in Paris and was offered a contract for a year. However, that same year he also attempted to commit suicide, which was probably the result of years of alcohol abuse. A powerful natural talent, Utrillo made an enormous contribution in consolidating painterly structure and texture. He was also important as a draughtsman*. In 1926, he designed stage scenery and costumes for Djaghilev's Ballets Russes. He received public recognition in 1928, when he was made a member of the Legion of Honour. Starting where Impressionism* left off, Utrillo became the best-known portrayer of Paris, especially Montmartre, painting both from nature and from postcards. His poetic interpretations of the streets and squares of Montmartre contributed substantially to popularizing a romantic image of that quarter. However, when he painted people, they were always represented as solitary beings, lost in social isolation.
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