Items Similar to Laguna Veneta.
Want more images or videos?
Request additional images or videos from the seller
Otto Henry BacherLaguna Veneta.1880
1880
About the Item
Laguna Veneta. 1880. Etching. 5 x 7 1/4 (sheet 8 3/4 x 11 1/4). Venetian series, #22. A rich impression printed on chine collé mounted on white wove paper.
Printing fold in the right-hand margin, well outside the image. Signed 'Otto' and dated 'August 23 80' in the plate; "Otto H. Bacher" in pencil. A similar impression is in the Hood Museum of Art, Dartmouth, New Hampshire.
Housed in a 16 x 20-inch archival mat, suitable for framing.
The view is looking towards the Salute. Laguna Veneta is the bathing ground where Whistler practiced diving.
Otto Henry Bacher was a book illustrator and etcher. He joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1880 the 'Duveneck boys', a group that also included John White Alexander, Robert Frederick Blum, Charles Abel Corwin, George Edward Hopkins, Harper Pennington, Julius Rolshoven and Theodore M. Wendel, travelled to Venice where they formed friendships with James Abbott McNeill Whistler and Henry James.
The young painters were in awe of Whistler's experience and reputation. JW, who enjoyed their admiration, happily discussed his work and gave advice to the students. He used to come and sketch from the windows of the Casa Jankowitz on the Riva San Biagio in Castello where the group were staying.
Bacher, who collected Rembrandt etchings, was himself a proficient etcher. He became an apprentice and collaborator with Whistler, who described him as 'one of his favourite pupils'. JW, who was having difficulties with equipment in Venice, made use of Bacher's printer's ink and printing press from June to August 1880. Bacher began to collect Whistler's Venice etchings. Bacher's etchings show the influence of both Whistler and Duveneck, the former in the small format and Duveneck in the strength of line and complexity. Bacher in turn felt Whistler to be influenced by his method of tonal printing, his 'Bachertypes'.
- Creator:Otto Henry Bacher (1856-1909, American)
- Creation Year:1880
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Margins grubby; the image in excellent condition.
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU3352905333
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
700 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- The Church Across the WayBy Childe HassamLocated in Storrs, CTThe Church Across the Way. 1916. Etching. Cortissoz, Clayton 66. 8 1/4 x 4 3/8 (sheet 10 1/16 x 6 1/8). A fine impression with carefully-wiped plate tone printed on white laid paper ...Category
1910s American Impressionist Landscape Prints
MaterialsEtching
- The Little Wheelwright'sBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...Category
Mid-19th Century American Impressionist Figurative Prints
MaterialsEtching
- The Venetian MastBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...Category
1870s American Impressionist Landscape Prints
MaterialsDrypoint, Etching
- Automne (Autumn)By Georges RouaultLocated in Storrs, CTAutomne (Autumn). 1938. Aquatint print in colors. Chapon/Rouault 288C. 19 1/2 x 25 1/2 ( sheet 22 5/8 x 30 3/4). Edition 175, #44 Published by Vollard. A rich impression with bright...Category
Mid-20th Century Impressionist Figurative Prints
MaterialsAquatint, Color
- Barcarolle.By James McBeyLocated in Storrs, CTBarcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...Category
1920s Impressionist Landscape Prints
MaterialsDrypoint, Etching
- The Steam Launch, Chelsea Embankment.By Theodore Casimir RousselLocated in Storrs, CT1888-89. Etching. Hausberg 18. 3 1/4 x 4 3/4 (image and sheet). Edition about 30. Agnew's label verso. A rich impression with plate tone, printed on off-white paper. A rich impressio...Category
Late 19th Century Impressionist Landscape Prints
MaterialsEtching
You May Also Like
- Mending the TearsBy Winslow HomerLocated in New York, NYWinslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie...Category
1880s American Impressionist Figurative Prints
MaterialsEtching
- "Woman, Boy and Goats", Original Signed Etching by John E. CostiganBy John CostiganLocated in New York, NYThis original, limited edition etching, was realized by the esteemed American artist John E. Costigan, who is represented in the collections of the Metropolitan Museum, the Philips Memorial Gallery in Washington and the Brooklyn Museum, to name only a few of the many institutions that feature his work. This print, with its highly considered composition and its loose style of figuration- deftly balances realism and abstraction- helps to explain his acclaim. This etching features a mother walking with her child and two goats in a forested glen. It is a Classic pastoral scene rendered in Costigan's inimitable style- somewhere between Theodore Rousseau and Thomas Hart Benton. These offer a beautiful glimpse of a bygone American pastoral...Category
1930s American Impressionist Figurative Prints
MaterialsEtching
- "Drowsy Bums" - Mid Century Figurative San Francisco Dock LandscapeBy John StollLocated in Soquel, CAFigurative landscape capturing dock workers' afternoon break by John Theodore Edward Stoll (b. Germany; 1889, d. California; 1974). Signed "John Stoll" lower right. Titled "Drowsy Bu...Category
1940s American Impressionist Landscape Prints
MaterialsEtching, Paper, Printer's Ink
- Over Cape CodBy Frank W. BensonLocated in New York, NY"Over Cape Cod" is an etching created by Frank W. Benson in 1932. Benson only printed trial proofs of this plate - there is no edition. This impression is a first state of four. There are six impressions of the first state, three impressions of the second, four impressions of the third, and eight of the fourth state have been recorded. Signed in pencil in the lower left under the image. The image size is 7 15/16 x 14 7/8" (20.1 x 37.8 cm) and sheet size 11 9/16 x 18 3/8" (29.3 x 46.7 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...Category
Mid-20th Century American Impressionist Figurative Prints
MaterialsEtching
- Village in FranceBy David RosenthalLocated in San Francisco, CAArtist: David Rosenthal (American 1876-1949) Title: Village in France Year: c.1927 Medium: Color Etching with aquatint Image (Plate mark) size: 13.5 x 10 inches Sheet size: 14.75 x 11.25 inches Signature: Hand signed and numbered 9/50 in black ink by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...Category
Early 20th Century American Impressionist Landscape Prints
MaterialsAquatint, Etching
- Bayfront Park, Miami, FloridaBy David RosenthalLocated in San Francisco, CAArtist: David Rosenthal (American 1876-1949) Title: Bayfront Park, Miami Florida Year: c.1940 Medium: Color Etching with aquatint Image (Plate mark) size: 9 x 11 inches Sheet size: 10 x 12.25 inches Signature: Hand signed, titled and numbered 6/150 in pencil by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...Category
Early 20th Century American Impressionist Landscape Prints
MaterialsAquatint, Etching
Recently Viewed
View AllMore Ways To Browse
Rembrandt Etching
Rembrandt Etchings
Alexander Theodore
June Felter
Theodore And Alexander
Henry M Print
Charles M Young
Antique Printing Press
Antique Printing Presses
Printing Press Antique
George White Etching
Mount Hood
Antique White Window Frame
19th Century Pencil Sketch
19th Century American Etching
John White Alexander
Antique White Felt
Etchings By Whistler