Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

Paulémile Pissarro
Paysage à Asquins by Paulémile Pissarro - Wood Engraving Print

About the Item

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE SOLD UNFRAMED Paysage à Asquins by Paulémile Pissarro (1884 - 1972) Wood engraving 9.7 x 15.5 cm (3 ⁷/₈ x 6 ¹/₈ inches) Signed lower right, Paulémile-Pissarro, titled and numbered lower left, 2/5 No 14 Artist's Biography Paulémile Pissarro, Camille Pissarro’s youngest son, was born in Éragny in 1884 where he was brought up within the creatively fertile environment of his family home and, encouraged by his father, began drawing at an early age. Paulémile’s godfather was Claude Monet, who became his teacher and legal guardian after Camille’s death in 1903. In 1905 Paulémile exhibited at the Salon des Indépendants for the first time. Although his father had supported Paulémile’s desire to be an artist, his mother was eager for him to learn a more practical trade. Therefore in 1908 he put aside his artistic pursuits to work as an automobile mechanic and test-driver, then later as a lace and textile designer, allowing him only a limited time to paint. Paulémile only fully dedicated himself to painting following a letter from his brother Lucien in London, who wrote to invite him to take part in an exhibition held in London. Subsequent to the successful sale of a number of watercolours he had sent over, the young artist became inspired to leave the textile factory and pursue a career in art. By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees Van Dongen, Raoul Dufy, Maurice de Vlaminck and André Dunoyer de Segonzac. In 1922 Paulémile purchased a house in Lyons-la-Forêt, a small village within the region of his hometown of Éragny and Giverny, where he moved in with his first wife Berthe Bennaiche. During this time, he developed a form of Cubism inspired by Paul Cézanne whom he dearly admired, creating some wonderful paintings of the river Eure and its surrounding villages. There he formed a close friendship with his neighbour, the famous Art Deco designer Émile-Jacques Ruhlmann, who designed a stunning Art Deco studio for Paulémile adjacent to his house. In 1930 he visited and fell in love with the Swiss Normandy area in the Calvados region, in particular the River Orne which runs through the valley adjacent to the villages of Clécy and St. Remy. The combination of rolling hills, bold meadows and the calm river weaving its way through the landscape offered Paulémile a new burst of inspiration. With his second wife Yvonne Beaupel, Paulémile eventually moved to Clécy in 1935, where he would remain for the rest of his life. Of their three children, both H. Claude and Yvon also became artists. With his house backing on to the river Orne, Paulémile developed a new way of working using a boat as a floating studio, where he spent countless days painting the calm waters from between the riverbanks. Here the influence of his godfather Claude Monet became apparent, particularly in Paulémile’s depiction of water, which was revolutionised by the Impressionist icon. He also applied Monet’s lessons in horticulture to the creation of an abundant garden, offering him many more motifs for his new paintings. Alongside these river landscapes, he also painted the neighbouring hay fields, various snow scenes, some interiors and still lives. The most ambitious work in his oeuvre was a fresco painted on all four walls of his own dining room, depicting the adjacent river in which he includes family members, neighbours and friends. In 1967 Paulémile had his first one-man show in the United States at Wally Findlay Galleries in New York. This led to widespread recognition and a degree of professional success that few Pissarro artists knew during their lifetime. Since his death in 1972, Paulémile remains one of the best known of Camille’s sons.
  • Creator:
    Paulémile Pissarro (1884 - 1972, French)
  • Dimensions:
    Height: 3.82 in (9.7 cm)Width: 6.11 in (15.5 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU261212622882
More From This SellerView All
  • Kerfany by Ludovic-Rodo Pissarro - Wood engraving
    By Ludovic-Rodo Pissarro
    Located in London, GB
    Kerfany by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 10.9 x 13.9 cm (4 ¹/₄ x 5 ¹/₂ inches) Initialled and titled in the plate Signed lower right, Ludovic Rodo and numbered low...
    Category

    20th Century Post-Impressionist Landscape Prints

    Materials

    Engraving

  • Effet de pluie by Camille Pissarro - Landscape etching
    By Camille Pissarro
    Located in London, GB
    Effet de pluie by Camille Pissarro (1830-1903) Etching, aquatint and drypoint 15.9 x 21.3 cm (6 ¹/₄ x 8 ³/₈ inches) Stamped with initials C.P. lower left and numbered 7/14 lower righ...
    Category

    1870s Impressionist Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

  • Jardin de la Villa à Brantôme by Paulémile Pissarro - Etching Print
    Located in London, GB
    *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Jardin de la Villa à Brantôme by Paulémile Pissarro (1884 - 1972) Etching 20.5 x 28.5 cm (8 ⅛ x 11 ¼ inches) Sign...
    Category

    20th Century Landscape Prints

    Materials

    Etching

  • Le Café Georges à Cannes by H. Claude Pissarro - Pastel
    By Hughes Claude Pissarro
    Located in London, GB
    *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Le Café Georges à Cannes by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signe...
    Category

    21st Century and Contemporary Post-Impressionist Landscape Prints

    Materials

    Pastel

  • Veronique on the Pass by Lélia Pissarro - Coloured etching
    By Lelia Pissarro
    Located in London, GB
    Veronique on the Pass by Lélia Pissarro (b. 1963) Coloured etching 9.5 x 12 cm (3 ³/₄ x 4 ³/₄ inches) Signed lower left, Lélia Pissarro Numbered lower right, 1/15 Artist biography: Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro...
    Category

    21st Century and Contemporary Landscape Prints

    Materials

    Color, Etching

  • Quincaillerie by Ludovic-Rodo Pissarro - Wood engraving
    By Ludovic-Rodo Pissarro
    Located in London, GB
    Quincaillerie by Ludovic-Rodo Pissarro (1878 - 1952) Wood engraving 10.4 x 12.6 cm (4 ¹/₈ x 5 inches) Initialled in the plate, signed lower right, Ludovic Rodo and numbered, 1 Exhib...
    Category

    1910s Post-Impressionist Landscape Prints

    Materials

    Woodcut

You May Also Like
  • Salvador Dalí, Manto, La Divine Comédie (M/L.1039-1138; F.189-200)
    By Salvador Dalí­
    Located in Fairfield, CT
    Artist: Salvador Dali (1904-1989) Year: 1963 Medium: Wood engraving in colors on Rives BFK paper Inscription: Unsigned and unnumbered, as issued Edition: 4765 in French; 3188 in Ital...
    Category

    1960s Surrealist Figurative Prints

    Materials

    Engraving

  • "In the Forest" Aquatint - Mid Century Engraving Landscape
    Located in Soquel, CA
    Charming vintage Aquatint/etching titled "In the Forest" from the Paris Etching Society by French artist Pierre Maulin (France, late 19th-early 20th Cent...
    Category

    1930s Impressionist Landscape Prints

    Materials

    Engraving, Aquatint, Paper, Ink

  • Une rue de Rouen
    By Maxime Lalanne
    Located in Middletown, NY
    Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
    Category

    Late 19th Century French School Landscape Prints

    Materials

    Etching, Drypoint, Laid Paper

  • Salvador Dalí, The Flatterer (M/L.1039-1138; F.189-200)
    By Salvador Dalí­
    Located in Fairfield, CT
    Artist: Salvador Dali (1904-1989) Suite: Göttliche Komödie (The Divine Comedy) Year: 1974 Medium: Wood engraving in colors on BFK Rives wove paper tipped to Arches paper mounts Inscr...
    Category

    1970s Surrealist Figurative Prints

    Materials

    Engraving

  • Drongo / Duc; Pl. 140
    Located in Mount Vernon, NY
    Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
    Category

    19th Century Animal Prints

    Materials

    Engraving

  • The Sheldonian and Clarendon, Broad Street, Oxford engraving by Basire
    Located in London, GB
    To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. James Basire II (1769 - 1822) after Edward Dayes...
    Category

    Early 1800s Realist Landscape Prints

    Materials

    Engraving

Recently Viewed

View All