Sasa Markinkov

The Tree

‘The Protest’ 2019 Image 5.25 x 7.5 cm wood engraving (available from edition of 40. 30 prints) Artist’s statement My preferred method of making images is through relief printmaking. I like exploring this expressive language in a dialogue between positive and negative, representation and abstraction, control and accident. I use lino...

‘Corvids Watching’ 2020 Image 49.5 x 44.5 cm woodcut (available from edition of 40. 35 prints Artist’s statement My preferred method of making images is through relief printmaking. I like exploring this expressive language in a dialogue between positive and negative, representation and abstraction, control and accident. I use lino...

‘Black Birds Gathering’ 2018 Image 38 x 56 cm woodcut (available from edition of 40. 30 prints) Artist’s statement My preferred method of making images is through relief printmaking. I like exploring this expressive language in a dialogue between positive and negative, representation and abstraction, control and accident. I use lino...

DAVIES, Peter (b.1953) ‘Solstice Sun’ 2019 Linocut on paper 15.0 x 10.0 cm (6 x 4 in.) Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used a mechanical, rather than lyrical or painterly, approach. This probably puts my observational paint – by – numbers pictures at a creative and expressive disadvantage. But it doers prove conducive to a structural or compositional kind of drawing over which are applied layers of oil paint to deliver idiosyncratic textural and atmospheric effects. Furthermore, a Ben Nicholson – inspired dichotomy between foreground rooftops or architecture and a naturalistic marine or landscape background makes a chosen plastic and temperamental approach apt. So when in 2004 I was inspired by the much loved master relief printmaker John Liddell 1925-2005) to try my hand at linocut I found a process ideally suited to my mechanical bent it has been a love affair ever since. The workshop he founded in 1991 Poole Printmakers is a safe haven, an intimate co-operative near Poole Quay, and some of the most scenic terrain in Britain. It is also an area where my art career started in 1978 and inspired my early book Art in Poole and Dorset, published by Poole Historical Trust, 1987. Many blissful and absorbing hours over the last 13 years have yielded a large body of linocut prints in which I exercise those mechanical and reproductive qualities proper to the medium. Peter Davies...

BREWSTER , Martyn (b.1952) Landscape Series No.11, Woods & Fields Image: 14.5 x 15.0 cm (5 3/4 x 6 ins.) Paper: 25.0 x 25.0 cm (9 7/8 x 9 7/8 in...

BREWSTER , Martyn (b.1952) Landscape Series No.11, Woods & Fields Image: 14.5 x 15.0 cm (5 3/4 x 6 ins.) Paper: 25.0 x 25.0 cm (9 7/8 x 9 7/8 in...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: No Room for Horses Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 39...

Anna Harley Cornish Coastal Path, near Lamorna Limited Edition Silkscreen Print Edition of 12 Size: H 76cm x W 56cm x D 0.1cm Sold Unframed Please note that insitu images are purely ...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Tar Wells Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 39 x 27 in. (99.06 x 68.58 cm)

Ruth Leaf (1923-2015) was an American artist and a Pioneer in the discipline of printmaking, specifically etching. She authored the book, “Etching, Engraving and Other Intaglio Printmaking Techniques” (Watson-Guptil Publications) in 1976 while teaching at her namesake studio in Long Island and it remains the textbook used today in many schools. This etching is signed and numbered 34/60. The etching sits in a beautiful organic carved raw wood...

Richard Long (British, b. 1945) Two Sahara Works, 1988 Medium: Set of 1 grano lithograph and 1 silkscreen, on rag paper Dimensions: each 63 x 93 cm (24¾ x 36½ in) Edition of 75: each...

"Garden of Dreams" by Eyvind Earle Media: Serigraph on Paper Image Dimensions: 37 1/4 x 28" Year Produced: 1990 Edition: 68/205 Signed and numbered by the artist The artwork is in ex...