Pencil More Prints

Jim Dine Untitled from the Castelli Sonnabend Collection, 1973 Screenprint on rag paper in original portfolio sleeve Hand signed and numbered 158/300 by Jim Dine on the front. Printe...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 3...

Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, H...

This art print on recycled paper captures the chic aesthetic of times past. Vintage style has an enduring appeal in the fashion world. Personalize your space with this fashionable st...

This series of four art prints on recycled paper features strong yet minimalist figurative compositions. A blend of detailed and expressive pencil work balances the contrast between ...

Richard Anuszkiewicz The Paris Review, 1965 Silkscreen on Beckett 90 lb. Hi-White paper with vellum finish 31 × 26 inches Edition 23/150 Signed lower left; dated and numbered lower r...

Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark 15 × 22 inches Hand signed and nu...

LUDWIG SANDER Untitled geometric abstraction Artists Proof, aside from the regular edition of 90 Hand signed and annotated AP on the front Elegantly matted and framed in white wood m...

Walter Darby Bannard Siciliian Magician, 1980 Silkscreen on wove paper Pencil signed, titled and dated by the artist on the front Unframed Provenance: Bart Gallery, Providence, RI Th...

Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...

KEITH SONNIER Untitled, 1995 Letterpress on Sumerset Paper Edition 91/100 Signed and numbered in graphite from the edition of 100, recto Frame included Measurements: Sheet: 6 inches ...

Roy Lichtenstein Girl With Spraycan (Deluxe hand signed edition of the 1 Cent Life Portfolio, from the estate of artist Robert Indiana), 1964 Limited E...

Cleve Gray Untitled, 1970 Silkscreen Boldly signed and numbered 32/100 in graphite pencil by Cleve Gray on the front 30 × 22 1/2 inches Signed and numbered 32/100 by artist on the fr...

Robert Indiana Colby ART (Sheehan, 80), 1973 Silkscreen in Colors on White Wove Paper Pencil signed and numbered 69/100 on the front with artist's copyright @Robert Indiana lower right front Published by Robert Indiana with copyright; Printed by Seri-Arts, Inc. Vintage metal frame included Classic early 1970s work. There was a time, we are told, when every prestigious collector in Germany would have an edition of Robert Indiana's iconic ART print prominently hanging in their home. This is an uncommon and desirable Robert Indiana piece from the early 1970s. Boldly signed in graphite on the recto (front), numbered and bearing the artist's copyright: @ Robert Indiana 1973...

SAM FRANCIS Affiche Moderna Museet Stockholm (Catalogue Raisonne L-16, p.66), 1960 Color lithograph on Rives BFK Paper with deckled edges Pencil signed lower right of center; numbered 39/75 lower left of center Published by Kornfeld and Klipstein, Bern; printed by Emil Matthieu at Emil Matthieu Atelier, Zurich (Catalogue Raisonne L-16, p.66) 37 1/4 × 27 inches Provenance: Estate of Wolf Kahn and Emily Mason Unframed Editions of this iconic Sam Francis work have been exhibited in museums throughout the world over the past half center; many remain in the permanent collection of major museum and institutions . In addition to this pencil signed and numbered lithograph, there was, separately a poster edition of 500 (unsigned) published by Moderna Museet featuring the same image on different paper. About Sam Francis B. 1923, SAN MATEO, CALIFORNIA; D. 1994, SANTA MONICA, CALIFORNIA Samuel Lewis Francis was born on June 25, 1923, in San Mateo, California. He began painting in 1944 after being diagnosed with spinal tuberculosis, resulting from a U.S. Army Air Corps accident. In 1947 he studied privately with painter David Park, and soon gave up his intended medical studies, earning a BA in 1949 and an MA in 1950 at the University of California, Berkeley. He experimented with the dominant and emerging styles of the late 1940s, particularly Abstract Expressionism and Surrealism, eventually developing a personal style of abstraction focused on dripping, cell-like forms, an allover instability, and sensitivity to color and light, as in Opposites (1950). In 1950 Francis moved to Paris and attended the Atelier Fernand Léger, where he was exposed to the work of Pierre Bonnard and Henri Matisse, which reinvigorated his interest in light and vibrant color, visible in his 1953 painting Big Red. Producing such work led to his association with Art Informel, although Francis never fully associated with any movement. A visit to Japan in 1957 coincided with an opening up of expanses of white space in much of his work, and his subsequent move to a larger studio in Paris resulted in the production of large-scale paintings and mural commissions, including a 1959 painting...

Sol Lewitt Black with White Lines, Vertical, Not Touching, from Conspiracy: The Artist as Witness (Krakow 1970.07; 3. Kornfeld), 1971 Lithograph on Wove Paper Edition AP (A rare Artists Proof, aside from the regular edition of 150) Hand-signed by Sol Lewitt: pencil signed on the reverse (see photos), annotated Artists Proof, blindstamp of the publisher; copyright stamp reads: COPYRIGHT 1971 BY SOL LEWITT Published by: Bank Street Shorewood Atelier Frame included: Held in original vintage metal frame Measurements: Framed: 25 inches x 28 inches Sheet: 17 inches x 23 ½ inches This one-color lithograph pulled by hand from stone on Arches paper at the Shorewood Bank Street Atelier in New York by American master Sol Lewitt is a classic example of pure Minimalist art from the early 1970s - the most influential and desirable era. A very rare Artists Proof, aside from the regular edition of 150. "Vertical Lines Not Touching (Black)" was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman...

Medium: Print Condition Print in good condition and has been stored flat since purchase. Signature Hand-signed by artist, Hand Signed and Numbered by the Artist in Pencil, CB HOYO. ...

Christo and Jeanne-Claude, Ugo Mulas Wrapped Monument to Vittorio Emanuele II (Hand Signed by Christo) Gelatin silver print on thin board Hand signed and annotated H.C. (Hors Commer...

Mark di Suvero Future Shadow II, ca. 2001 Lithograph on Arches 88 Paper with Deckled Edges Signed and numbered from an edition of 5 by the artist on the front 32 × 23 inches Unframed The work was gifted directly by the artist to the present owner. This is a variation of a print the artist created as a donation to the Venice California...

Wonderful original surreal artwork by German artist Piet Morell (b.1939). Titled in German "The Worshiper of a Beautiful Watering Can". Signed bottom right. Work is B&W pencil on ...

Richard Paul Lohse Mid Century Modern Geometric Abstraction, ca. 1969 Silkscreen on velincarton 39 1/4 × 39 1/4 inches Edition 43/100 Signed and num...

James Siena at PACE Gallery, 2019 Offset lithograph exhibition invitation (Hand signed by James Siena) 19 1/2 × 14 1/2 inches Unframed This exquisite fold...

A very good impression of this scarce, early color lithograph with additions in pencil and crayon on Auvergne à la main (Richard de bas) ivory laid paper. Signed, dated and numbered 15/45 in pencil, lower margin. Printed by Robert Blackburn...

Book with sketch 11 × 8 in 27.9 × 20.3 cm Edition 547/1000

Chryssa Chinatown Portfolio II, Plate Three, ca. 1978 Silkscreen on thick wove paper 40 × 30 1/2 inches (Ships rolled in a tube measuring 35 x 5 x 5) Pencil signed and numbered 36/150 on the front; bears printers stamp on the back Unframed from the Chinatown Portfolio Printed by Atelier Arco in Paris (with stamp on the back of the print) from the Chinatown Portfolio Renowned Greek-American artist Chryssa was preoccupied with the concept of Chinese letters as art forms, which she explores in her Chinatown silkscreen series. Her deliberate experimentations yield an elegant and compelling result. Chryssa Biography Chryssa Vardea...

Millefleurs Unicorn by Kate Willows [2019] limited edition Ink and pencil on paper Edition of 50 Image size: H:20 cm x W:30 cm Sold Unframed Please n...

Days Like These i [2021] limited_edition Screenprint with watercolour pencils Edition number 15 Image size: H:60cm cm x W:60cm cm Complete Size of Unframed Work: H:65cm cm x W:65cm cm x D:400gsmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Days Like these i is the first in a series of coastal print editions seeking to connect to memories of moments away from our busy urbane lives. For the aesthetic of reverie and reflection, a vintage colour palette is used to capture the feeling of Halcyon Days. This series capture a stillness and a sense of calm where we can pause and catch a breath. This small limited edition of 15 prints is hand printed with multiple layers, using blends and experimental techniques to achieve a piece that is reminiscent of a painting. For contemporary, fine-art print-maker, Emma Reynolds...