Skip to main content
Want more images or videos?
Request additional images or videos from the seller

Jan Matulka
Spanish Woman with Guitar

1925

About the Item

Jan Matulka (1890-1972), Spanish Woman with Guitar, lithograph, 1925, an unsigned proof impression. Reference: Flint 13, only a few impressions known. In generally good condition except for faint soiling or spotting, trimmed near the margin at left, just outside the margin right and bottom, and well above the margin (although unevenly) top. 13 3/4 x 11 5/8, the sheet 15 x 11 3/4 (approx.) inches, archival window mat. A very good strong impression of this rarity, printed on a cream wove paper. The inky borders and irregular trimming (as well as the lack of signature) are characteristic of Matulka’s proof printing. Born in Prague, Czechoslovakia, in 1890, Jan Matulka became a leading American modernist working at the same time as Lozowick to develop the earliest American Precisionist work, and with Stuart Davis to evolve a new form of Americanized Cubism. In 1907, he came to the Bronx, New York where he had a poverty-ridden childhood with a mother who tried to raise a family by herself. From 1908 to 1917, he studied at the National Academy of Design, and in 1917, received the first Pulitzer traveling scholarship with which he traveled and painted in the Southwest and Florida. In 1919, he first went to Paris, where he was exposed to European modernism, (especially Cubism). Spanish Woman reflects both the realism that was always a theme in the Matulka’s work and also a Cubist idiom that he was to work with through the years. Matulka often varied his approach from rather conventional realism to cutting edge modernism, even during the same periods. Matulka had his first one-man exhibit in New York City in 1925, the year Spanish Woman was created. A reclusive and independent figure, he did not fashion his art or career for optimal art world recognition. Still, he has been the subject of great interest and regard over the years, especially among artists and curators, and his work is increasingly sought after among those interested in the evolution of American modernism.
  • Creator:
    Jan Matulka (1890-1972, American)
  • Creation Year:
    1925
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Condition as usual for a rare Matulka proof (there was no edition) so margins cut irregularly, otherwise as described; matrix fine.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU51531666633
More From This SellerView All
  • Dup...
    By Honoré Daumier
    Located in New York, NY
    Honore Daumier (1808-1879), “Dup…”, lithograph, 1832, from the series Celebrites de la Caricature, plate 171. Reference: Delteil 45, Daumier Register 45, only state. In generally goo...
    Category

    1830s Realist Portrait Prints

    Materials

    Lithograph

  • Le jour enfin paraît
    By Odilon Redon
    Located in New York, NY
    Odilon Redon (1840-1916), Le jour enfin paraît, lithograph, 1896, signed in pencil upper left, plate 24 from the portfolio The Temptation of Saint Anthony...
    Category

    1890s Symbolist Portrait Prints

    Materials

    Lithograph

  • The Black Hat (Emma in a Black Hat)
    By George Wesley Bellows
    Located in New York, NY
    George Bellows (1882-1925), The Black Hat (Emma in a Black Hat), lithograph, 1921. Reference: Morse 113. From the edition of 55. Signed in pencil by the arti...
    Category

    1920s American Realist Portrait Prints

    Materials

    Lithograph

  • Heywood Broun
    By Peggy Bacon
    Located in New York, NY
    Peggy Bacon (1895-1987), Heywood Broun, lithograph, 1930, signed lower right and titled lower left margin. Reference: Flint 92. In excellent condition (no trace of ever having been m...
    Category

    1930s American Realist Portrait Prints

    Materials

    Lithograph

  • The Barker (Self Portrait)
    By Max Beckmann
    Located in New York, NY
    Max Beckmann (1884-1950), The Barker (Self Portrait), drypoint, 1921, from Der Jahrmarkt. Reference: Hofmaier 191 IIB.b. From the edition of 125 on wove paper (there was also an edition of 75 on Japan). With the blindstamp of Mariees Gesellschaft, Munich. In very good condition, the full sheet, with deckle edges, 13 1/8 x 10 1/2, the sheet 20 3/4 x 15 inches, archival mounting. A fine impression. Only a few proofs were made of the first state; in the second state Beckmann strengthened some of the letters in the sign at the left but made no changes to the composition. Four proofs were made (this is Hofmaier’s IIA; then came the edition, IIB, in two sections, the 75 proofs on Japan, and the 125 on wove. In this introductory plate to the 10 drypoint set Der Jahrmarkt (The Fair) Beckmann is shown next to the small advertising card...
    Category

    1920s Expressionist Portrait Prints

    Materials

    Drypoint

  • Adresse Sagot - Two States, Before and After Lettering
    By Jacques Villon
    Located in New York, NY
    Jacques Villon (1875-1963), two drypoints, 1905, (Ginestet and Pouillion E156) each signed in pencil: an impression of the final state (third state of three) printed in bistre, with ...
    Category

    Early 1900s Impressionist Portrait Prints

    Materials

    Drypoint

You May Also Like
  • Time After Time.
    By Ann Chernow
    Located in Storrs, CT
    Lithograph with watercolor. 22 3/8 x 30 5/8. Edition 56 (plus 5 artist's proofs). A bright impression printed on the full sheet of Arches paper. Signed and numbered 4/56 in pencil. ...
    Category

    Late 20th Century American Modern Figurative Prints

    Materials

    Watercolor, Color, Lithograph

  • Seraphina II
    By Robert Kushner
    Located in New York, NY
    Robert Kushner is an American contemporary painter who is known especially for his involvement in Pattern and Decoration and has been called "a founder" of that artistic movement. In addition to painting, Kushner creates installations in a variety of mediums, from large-scale public mosaics to delicate paintings on antique book pages. Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O'Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu, Qi Baishi...
    Category

    Late 20th Century American Modern Portrait Prints

    Materials

    Lithograph

  • Chelsea Rags
    By James Abbott McNeill Whistler
    Located in Storrs, CT
    Chelsea Rags. Chelsea Rags. 1888. Lithograph. Way 22, Levy 35, Tedeschi, Stratis and Spink 26. 7 1/8 x 6 5/16 (sheet 12 3/4 x 8). Printed on cream laid paper. Provenance: Miss Rosalind Birnie Philip, Whistler's sister-in-law, her seal verso: (Lugt 405). Michael Parkin Fine Art, Ltd. from whom purchased in 1972. Christie's, King Street.Signed with the butterfly in the image. One of 13 impressions listed by Way, before the image was transferred to supplementary stones for the edition of 500-1,000 printed by Way and issued in the Albemarle, January, 1892. Signed with the butterfly in the stone and in pencil. Housed in an elegant silk mat with a silver liner, and in a 16 3/4 x 14 3/4-inch silver leaf frame decorated with fleur-de-lis decorations. "And his interest in London has not been restricted to the Thames. Seeing the beautiful, where other men might be discouraged by dullness, he has taken his subject, now in the little cheap shop opening a low window upon the street, now in the forgotten church hidden away in a lonely square. And Chelsea Rags, the Shops of Chelsea, the Drury Lane, as well as The Butcher's Dog, are impressions of vague Rembrandtesque interiors where figures, grim or graceful, peer from out deep shadows— shops as lovely in his prints as the halls of a Veronese, or the palaces of a Claude." Elizabeth Robins...
    Category

    Late 19th Century American Modern Figurative Prints

    Materials

    Lithograph

  • Tête-à-Tête in the Garden
    By James Abbott McNeill Whistler
    Located in Storrs, CT
    Tête-à-Tête in the Garden. 1894. Lithograph. Way 54, Levy 85, Tedeschi, Stratis and Spink 90. 8 x 6 1/2(sheet 10 7/8 x 8 1/2). Edition of 25-lifetime impressions plus a few proofs re...
    Category

    Late 19th Century American Modern Figurative Prints

    Materials

    Lithograph

  • Large George Grosz 1923 Lithograph Die Rauber German Expressionism WPA Realism
    By George Grosz
    Located in Surfside, FL
    From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...
    Category

    1930s American Modern Figurative Prints

    Materials

    Lithograph

  • Large George Grosz 1923 Lithograph Die Rauber German Expressionism WPA Realism
    By George Grosz
    Located in Surfside, FL
    From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on laid paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbered in ...
    Category

    1930s American Modern Figurative Prints

    Materials

    Lithograph

Recently Viewed

View All