Olga Higgins

"Young Boys" Monotype by California listed Olga Higgins

1960s

Alain Bonnefoit is a French figurative artist. His main subject depicts vast nonchalant scenes, where languid bodies assume softened poses. In this lithograph, as in the majority of ...

This lithograph is based on an artwork of the artist, Robert L. Mulder, who used a cut-out technique probably inspired by the favorite work of Henri Matisse. He painted the rolls of ...

For regulars of our online gallery, you won't be surprised to see another work by Brennan, Californian artist, very secretive about himself, whose prolific and intensely surprising work we follow again and again. Today's featured work is a watercolor and black-and-white ink piece entitled "Rocket Launch," which has a landscape layout that ingeniously facilitates storytelling - A highly humorist piece -. signed and dated 2021. The quality of the drawing, the simplified lines, and the extremely elaborate organization of the elements deliver a reading from left to right and from right to left of a rocket that seems to have taken off. On the left, the main character is a cosmonaut who ultimately did not participate in the “intergalactic trip.” His mouth is represented by a simple hyphen, two wide-open eyes like marbles, and the hilarious double presence of a horseshoe that will not be enough to protect him from his fears and give him enough confidence to board the rocket. It's astounding with what economy of details Brennan brings to life the cosmonaut's dilemma: “Should I board the rocket or stay on solid ground?” By creating a back-and-forth effect from left to right, Brennan brings the "I'm going, I'm not going" dilemma of the cosmonaut to humorous life, with his helmet glued to his knees. Brennan pays an amazing tribute to all the great illustrators who have been contributors to major magazines, such as Art Spiegelman for the New Yorker, demonstrating his astonishing ability to activate a whole tragicomic aspect in a single image. Christopher Mark Brennan...

The contemporary artwork titled "Marsden Spilling " (October 1969), attributed to an artist with an unfortunately illegible signature, serves as a homage to Marsden Hartley's 1937 pa...

This lithograph, as well as the 3 followings, has been done by Dutch artist Corneille, (1922-2016) who created lyrical, expressionist paintings bursting with color and who was one of...

The serigraph on paper signed and numbered 35/75 rests in a black lacquer frame. It features a multicolor zebras gathering, one very thought after subject from this artist. Chinese A...

Lonely dreamers 1992. Paper, etching, watercolor, 22x14 cm. Roman Lapp (1961. 24. VII Moscow) – painter Artist learned drawing to M. Zuhovickis. He graduated Art Academy of Latvia,...

Sleeping man. 2000. Paper, etching, watercolor, 19x13 cm

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits of Neil Armstrong. Cao seamlessly ties together two astronomical events from the ‘60s: Ali’s incredible career and the moon landing...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

The Order is an original drawing artwork in black marker and watercolor on paper realized by Mino Maccari in the 1960s. Hand-signed by the artist on the lower right. Good condition...

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...