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Rafael CanogarSpanish artist hand signed limited edition original art print monotype n12018
2018
About the Item
Rafael Canogar (Spain, 1935)
'Semana Santa I', 2018
monotype on dibond
13 x 39.4 in. (33 x 100 cm.)
1st edition
Unframed
ID: CAN1030-107
Hand-signed by author
____________________________________________________________
Spanish painter and sculptor, was born in Toledo in 1935.
Between 1949 and 1954 studied with the painter Daniel Vázquez Díaz. Then, between 1957 and 1960 was a founding member of the El Paso group.
Participated in numerous solo and group exhibitions in different parts of the world. In 1960 participated in an exhibition of New Spanish Painting and Sculpture at the Museum of Modern Art (MOMA) in New York. National Museum of Contemporary Art, Madrid (1971) and exhibitions in the Chambers of the Ministry of Culture, of the National Library of Madrid (1982).
Held various positions, such as: Member of the Board of Directors of the Fine Arts Circle of Madrid (between 1983 and 1986), Member of the Advisory Board of the General Directorate of Fine Arts of the Ministry of Culture (in the periods 1981-1982 and 1983- 1984), Member of the Board of Directors of the National Heritage (between 1984-1987) and formed part, since 1998, of the Royal Academy of Fine Arts of San Fernando.
Received several awards and distinctions, among them: Paleta de Oro at the International Painting Festival, Cagnes-Sur-Mer (1969), Bienal Prize of Sao Paulo, Brazil (1971 and 1972), the ""Golden Sun"" (1972), Grand Prize of the International Triennial of Painting, Sofia (1982), National Prize of Plastic Arts, Madrid (1982), Chevalier L`Orde des Arts et Lettres, France (1985), Commendation of the Order of Isabel La Católica, Madrid (1991), Full Member of the Royal Academy of Fine Arts of San Fernando, Madrid (1998). Tomislav Krizman Award of Honor of the second triennial of graphic work in Croatia, Prize Gerión 2001 of the Point of the Arts to the Group El Paso; In 2002 he was awarded the Gold Medal of the Community of Castilla La Mancha, Francisco Tomás Prieto Prize and in 2003 the Gold Medal of Merit in the Fine Arts. Appointed Doctor Honoris Causa by the U.N.E.D. in 2001; and in 2002 he was named ""Favorite Son of the City of Toledo"".
Collections: Carnegie Institute Pittsburgh, U.S.A; Galleria Civica D'Arte Moderna, Turin, Italy; Barcelona Contemporary Art Museum; Spanish Museum of Contemporary Art, Madrid; Museum of Abstract Spanish Art, Cuenca; Haags Gemeentemuseum, Lahaya, The Netherlands; Mills College Art Gallery, Oakland, California, U.S.A .; Goteborg Kunstmuseum, Sweden; Museum of Modern Art of Caracas, Venezuela; Museum Of Modern Art, New York, U.S.A .; Pasadena Art Museum, California, U.S.A .; Amon Carter Museum of Western Art, Texas. USES.; Grunwald Graphic Arts Foundation, U.C.L.A., Los Angeles, U.S.A .; Museum of Contemporary Art, Skopje, Yugoslavia; Stiftung Preubischer Kulturbesitz-Staatliche Museum, Berlin, Germany; Di Storia Dell'Arte Institute, Universita Degli Studi, Parma, Italy; Museum of Contemporary Art De Villafames Castellon; Museum of Contemporary Art of the University of Sao Paulo, Brazil; Museum of Contemporary Art of Seville; Municipal Museum of Fine Arts, Bilbao; Collection Of Art Of The Twentieth Century. Medellin Colombia; Hamburg Kunsthalle, Germany; XX Century Collection., Alicante.
- Creator:Rafael Canogar (1935, Spanish)
- Creation Year:2018
- Dimensions:Height: 13 in (33.02 cm)Width: 39.4 in (100.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU1854213308542
Rafael Canogar
Rafael Canogar (Toledo, 1935), painter and engraver, is considered as one of the leading figures of Spanish Abstract Art. Between 1948 and 1953 he was a disciple of Daniel Vázquez Díaz and focused on the study of the avant-garde and evolved rapidly to an informalist abstraction. In 1957, Canogar founded with Antonio Saura, Manuel Millares, Luis Feito, Manuel Rivera, Pablo Serrano, Juana Francés, Antonio Suárez and José Ayllón the El Paso group. Between 1957 and 1960 they all defended the informalism as an expression of freedom in an attempt to enter Spain in the international framework. In 1960 he participates in the "New Spanish Painting and Sculpture" show at MOMA New York. In 1963, he starts a new stage in his life in which he gradually gets close to figuration with a rising narrative content. In works of this period we find new materials such as newspaper clippings and photographs his subjects are close to the human and the nature of objects. As the critic Vicente Aguilera says about the works of this stage: "The themes do not express opinions or reflect facts, but facts are human tragedies, are encoded images where the human, object and amount, become symbolic hierarchy". In 1971 he is awarded with the Grand Prize of the Bienal de São Paulo. After 1975 we find in his work a return to an abstraction that quickly becomes a new iconography that represents man as a plastic element through masks and faces. Notable from this period are his still lifes, city scenes and the heads of Julio González. In 1982 he was awarded the National Prize of Plastic Arts.
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