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Richard BeerSt Augustine's Church, Watling Street, London 1970 etching by Richard Beer1970
1970
About the Item
Richard Beer (1928 - 2017)
St Augustine
Etching
63 x 43 cm
Titled and numbered 57/75 lower left and signed lower right, all in pencil.
From 'Ten Wren Churches'.
St Augustine's, Watling Street was first recorded in the 12th century, destroyed by the Great Fire of London in 1666, and then rebuilt as part of Christopher Wren's rebuilding of London. During the Second World War it was again destroyed, and the tower - restored in 1954 - is now a part of St Paul's Cathedral Choir School.
Richard Beer was a painter and printmaker who focused on architecture and landscapes. He studied at the Slade School of Art from 1945 to 1950 and then studied at the École des Beaux Arts in Paris on a French Government Scholarship. He then worked and studied at Atelier 17, an art school and studio run by the artist Stanley William Hayter (arguably one of the most significant printmakers of the 20th century). The atelier was highly influential in the study and promotion of 20th-century printmaking, and it was here that Beer developed his etching skills.
Beer then went on to work for the Royal Ballet choreographer John Cranko, designing the sets and costumes for “The Lady and the Fool” at the Royal Opera House in Covent Garden. He also produced several book illustrations and book jacket designs.
Beer taught printmaking at the Chelsea School of Art for 40 years and was also a founding member of the Printmakers’ Council. He travelled widely through Italy, France, Spain, and Morocco, sketching prolifically and painting rural and architectural landscapes. Beer would then make etchings and paintings in his Primrose Hill studio, inspired by the landscapes he had sketched and seen while travelling. Probably his greatest work was a collaboration with John Betjeman to produce a portfolio of prints of ten Wren Churches in the City of London for Editions Alecto, copies of which are in The Government Art Collection. That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds another seven. His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe.
- Creator:Richard Beer (1928, British)
- Creation Year:1970
- Dimensions:Height: 24.81 in (63 cm)Width: 16.93 in (43 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Some toning to margins, as illustrated.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU795314368872
Richard Beer
Born in London in 1928, just too late to serve in the Second World War, Richard Beer studied between 1945–50 at the UCL Slade School of Fine Art. Subsequently, a French Government scholarship allowed him to spend time in Paris at Atelier 17, working under Stanley William Hayter, one of the most significant printmakers of the 20th Century, he only returned to Paris in 1950. Subsequently, Beer studied at the École des Beaux-Arts, Paris. Working for John Cranko, choreographer for the Royal Ballet, Beer designed the sets and costumes for his The Lady and the Fool at Covent Garden, subsequently working for him following his move in 1961 to Stuttgart Ballet. Additionally, he produced book illustrations and designed book jackets. Beer taught printmaking at the Chelsea School of Art, where he was a popular teacher. Probably his greatest work was a collaboration with John Betjeman to produce a portfolio of prints of 10 Churches of Sir Christopher Wren in London for Editions Alecto, copies of which are in the Government Art Collection. That collection contains a total of 54 prints by Beer, and the Tate Gallery’s collection holds 7. His Oxford series was also produced for Editions Alecto as was a series of predominantly architectural views in Southern Europe. Most of his prints are of architectural subjects, where he explores the use of color in interesting fashions.
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