J Whiteman Parker

Primula Polyanthus (Primrose) Botanical Etching

Unique photo etching of a cup and saucer by Claudette McElroy (American, b. 1943). Numbered (6/8), titled (Cup & Saucer), and signed (C. McElroy) along the edge of the etching. "Ed. ...

Brightly colored lithograph still-life by Yves Ganne (French, b. 1931). Signed "Y. Ganne" in the lower right corner. Numbered "19/260" in the lower left corner. Presented in a tan ma...

Wonderful color botanical lithograph of tulips by Sam (Calman) Maitin (American, 1920-2004). Signed "S Maitin" on the original over-mat preserved on the back paper cover. "T.P" to in...

Vintage Floral study etching titled "Weeds" by Marina Payot (American, 20th century), 1983. Titled, signed, and dated lower edge. Artists Proof designation. Unframed. Image: 11.75"H ...

"Crystal and Jade" Still Life Lithograph in Ink on Paper Delicate and detailed lithograph of a crystal glass and jade vase by John Taylor Arms (American, 1887-1953). On the left side of the composition, there is a crystal martini glass, with intricate designs. Next to it is a jade vase or urn, with a carved surface. They are sitting on an ornate tablecloth, with a strand of beads, possibly a rosary. Numbered ("VI"), inscribed with a dedication ("To Georgiana Brewer and Jasper S. Mathews Jr from Dorothy and John Taylor Arms"), signed ("John Taylor Arms"), and dated ("1940") along the bottom edge. Presented in a wood frame with an off-white mat. Frame size: 16.5"H x 14.75"W Image size: 8.5"H x 7.25"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...

Michael Sansers Bicyclette Large Canvas Print Edition of 50 Sold Unframed (Please note that in situ images are purely an indication of how a piece m...

Still life 13/100. Paper, linocut, 5/100, 22x25 cm 1967 Olgerts Abelite (1909-1972) The subject matter of this linocut is a still life composition featuring a fish on a plate. Sti...

Represented by George Billis Gallery. This print is the framed size. Stott’s work is almost object portraiture, applying traditional still life compositions and lighting but ve...

Home with the catch By Gordon Hunt [2019] limited_edition Original painted in acrylic Edition number 120 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Gordon Hunt Home with the catch Limited Edition print Giclee Print Limited edition of 120 Images Size: H 30cm x W 30cm Sheet Size: H400cm x W 40cm x D 0.1cm Other sizes available from the same limited edition of prints Sold Unframed Please note that insitu images are purely an indication of how a piece may look. Home with the catch is a limited edition sailing print...

John Duffin Thames Bridges Limited Edition Etching Edition of Sheet Size: H 76cm x W 56cm x D 0.1cm Sold Unframed Please note that in situ images are pur...

RHINOCEROS (state II) by Tammy Maclay. Edition of 20. Photopolymer print with hand painted gold detail. 22.2 H x 29.5 W (inches) 56.4 H x 75 W (CM) Dürer’s iconic Rhinoceros print w...