Unknown

"La Paz de la Muerte" - Still Life Etching in Ink on Paper

1981

This charming large-scale 1973 screen print depicting various English cookies in sharp, masterful detail by Marc Foster Grant (American, b. 1947) is perfect for a bakery or biscuit l...

Delightfully detailed starfish at the shore by unknown artist J. Brown (20th Century). A starfish sits atop a rock at the edge of the water. The scene is rendered with great detail, ...

Clean, modern depiction of glasses of water on books by Ellen Ezorsky (American, b. 1956). Three glasses of water are sitting atop a few stacked books. While this piece is executed in black and white, Ezorsky has achieved a wide tonal range between the shadows and highlights, bringing the scene to life. Of particular note is the way she has captured the reflections in the water and the light that the glasses cast on the surfaces below them. Numbered, titled, signed, and dated along the bottom edge: 9/20 Water Glasses Ellen Ezorsky 11/81 Presented in a new white mat with foamcore backing. Mat size: 20"H x 16"W Paper size: 15"H x 10.75"W Ellen Ezorsky (b. 1956) was born in New York City. After graduating from highschool in New Jersey, she attended State University of New York at Purchase before moving to California. In California, she attended Cabrillo College in 1977 and ’78 before spending two years at Massachusetts College of Art in Boston. Ezorsky then returned to the west coast to attend and graduate from UC Santa Cruz with a BA in Studio Art. She then earned her MFA in Painting from the San Francisco Art Institute. Since graduating, Ezorsky has exhibited extensively and her paintings have been acquired for many private collections across the country. EXHIBITIONS 2005: MYTH, DREAM AND FANTASY; Juried show, Gallery 1581, Boston Graduate School for Psychoanalysis, MA 2002: ACTION/REACTION; Juried show, The Art Gallery at U.N.H.; Durham, NH 2001: THE ABSTRACTED IMAGE; Juried show, The Firehouse Art Center Gallery, Newburyport, MA 2001: UNFRAMED AND OUT OF THE BOX; Brickbottom Gallery; Somerville, MA 2000: HALLOWED GROUNDS; Juried show presented by the International Society, Tremont Street Gallery; Boston, MA 2000: SANCTUARY; 10th Annual International Women's Day Exhibit, Rothschild Gallery; Cambridge, MA 1999: SANCTUARY; 9th Annual International Women's Day Exhibit, Bunting Institute; Cambridge, MA 1998: SANCTUARY; 8th Annual International Women's Day Exhibit, Bunting Institute; Cambridge, MA 1997: Massachusetts Coalition for the Homeless Exhibition; Boston, MA 1996: PET PAINTINGS; Bernard Toale Gallery; Boston, MA 1996: FIRST ARTS/COLORS; Dudley House Arts Foundation, Harvard University; Cambridge, MA 1995: FIRST ARTS/COLORS; Dudley House Arts Foundation, Harvard University; Cambridge, MA 1994: ORDINARY THINGS, EXTRAORDINARY PERSPECTIVES; Cambridge Arts Council; MA 1993: The Jewish Community Center on the Palisades; Tenafly, NJ. (Solo Show) 1992-93: Jon Taner Gallery; Westwood, NJ 1991: JURY EXPOSITION; Synchronicity Space; New York, NY 1991: Bergen Museum of Arts & Science Juried Exhibition; Paramus, NJ 1990: The Stable Arts Center; Ridgewood. NJ 1989: San Francisco Art Institute MFA Exhibition; San Francisco, CA 1989: Prager & Co. Corporate Offices; San Francisco, CA 1988: Diego Rivera Gallery; San Francisco, CA 1998: Walter/McBean Gallery; San Francisco, CA 1987: Artists' Liaison Competition; Santa Monica, CA (Honorable Mention) 1986: Studio One; Oakland, CA 1985: The Point Gallery; San Francisco, CA 1985: 13th ANNUAL JURIED ART EXHIBITION, Hill County Arts Foundation; Ingram, TX 1985: 7th ANNUAL DESERT WEST JURIED ART SHOW, Antelope...

Unique photo etching of a cup and saucer by Claudette McElroy (American, b. 1943). Numbered (6/8), titled (Cup & Saucer), and signed (C. McElroy) along the edge of the etching. "Ed. ...

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...

Finely balanced etching by Benjamin Vasserman (Estonian, b 1949). A squash sits atop a small black box with a latch. There is a drapery behind the squa...

Rosie Emerson Ebony and the Swans Hand painted Photopolymer Etching on 300 gsm Somerset Satin Printmaking paper Edition of 5 +1 AP Paper size: 66 x 66 cm Image size: 60 cm round Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). Ebony and the Swans is a limited edition photopolymer etching by Rosie Emerson, this print has a mysterious and enchanting nature to it given composition and tonal colours. Rosie Emerson is an award winning contemporary artist from the Dorset, working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new from Artemis to the modern day super model. Inspired by her love of museums, architecture, theatre, silhouettes, shrines and rituals, she uses dramatic lighting, hand made costumes, set and prop making alongside printmaking and painting to create genre defying prints. Her Screen-prints are delicately embellished with bronze powders and more unusual materials including charcoal powder, ash and saw dust. These textural prints shift the focus of printmaking from precision and replication to the creation of unique, hand-finished prints. Career highlights include being Artist in residence at Somerset House, Exhibitions at the RWA, Bristol and the Southbank Centre. A Finalist for the Young Masters Prize and shortlisted for the Rise Art Print Award, Emerson was also commissioned by Hackney WickED Arts Festival to create a new Guinness World record and create the world’s largest Cyanotype photograph. Her work is widely collected and exhibited both in the UK, as well as internationally, through galleries, art fairs and museums. She has also been commissioned by brands including Sony, Triumph Underwear, Redbull, P&O Cruises, Toms, and Annoushka jewelry...

Atin Basak - Untitled - 11 x 15 inches (Plate Size) Etching on paper Inclusive of shipment in a roll form Style : Atin Basak says that his recent body of work represents the belief...

Wine and Grapes is an original print in Etching technique on ivory-colored paper, realized by Maxime Juan in 1955. Hand-signed and dated on the lower right. Numbered. Edition, 4/20...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...