Unknown

Orchid and Bamboo (Sensu-e)

c. 1920-1950

Color woodcut with pochoir embellishments on fine silver mica ground By Kano Shuho, or Yamakawa Shuho, 20th century Japanese Artist

Rittersporn und Fingerhut (Larkspur and Foxglove) Color woodcut, printed on wove paper with mica flecks, 1916 Signed lower right (see photo) Inscribed lower left (see photo) Reference: Merx 276 Condition: good-very good One spot of staining on the far left edge of the composition (see photo) Color very fresh and vibrant Full sheet as issued Image size: 19 x 13 3/8 inches Carl Thiemann...

Signed: Bakufu; Seal: Artist's seal (Bakufu) Publisher: Kyoto Hanga-in Printer: Hayakawa Carver: Matsuda Sheet: 15 3/4 x 11 1/4"; Plate: 15 1/2 x 10 5/8"

Shoe Box (D) Lithograph printed on BFK Rives Signed, dated, titled and numbered in pencil (see photos) From: Shoe Box-Exotic (Sculpture and seven original li...

Cluster of Grapes in Folded Napkin Etching, 2006 Signed and numbered by the artist (see photo) Edition: 25 (8/25), see photo Printed on Hahnemuhle pa...

Still Life No. 5 Lithograph, 1978 Signed, dated and numbered in pencil (see photos) Edition: 50 (24/50) Published by Solo Press, New York, 1978 Printer: Judith Solodkin, first femal master printer graduate of Tamarind Institute. Condition: Good large margins with tape residue from previous matting Image size: 18 x 22 1/2 inches Sheet size: 26 x 20 3/8 inches William Bailey studied art at the University of Kansas, Yale University and Yale School of Art...

Gael Stack Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges. Hand signed. Numbered. Printer's and Publisher's Blindstamp. Unframed. Hand signed and numbered on the lower recto (front) with printer's and publisher's blindstamp. Edition 38/50 20 × 15 inches Publisher Little Egypt Enterprises, Houston, TX Provenance Art Against AIDS Portfolio, numbered 38/50 This beautiful limited edition woodcut by Gael Stack was published in 1988 as part of the Art Against Aids portfolio, numbered 38/50. Superb provenance as it is was acquired from the original Art Against AIDS Portfolio published in Houston, Texas. This will be the first time the work will be removed from the portfolio. The late 1980s was the height of the AIDS epidemic, and this was one of many efforts by the creative community to raise funds to assist in fighting this deadly scourge that disproportionately affected the artistic community. Measurements: 20 x 15 inches (sheet) 8 1/4 x 12 inches(image) The complete Art Against AIDS Portfolio is comprised of 10 prints, in black and white and color, from 10 artists. About Gael Stack: Gael Stack is a Texas painter. She lives in Houston and has work in the permanent collections of several museums. Stack has worked as a professor at the University of Houston...

After Mexico in Kyoto (INV# NP3627) Betty Woodman color woodcut with chine collé 27.25 x 36.25” 1997 # P.P. 2/2, outside the edition of 30 signed Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium. Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay. It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...

Boardwalk Vase (INV# NP3628) Betty Woodman color woodcut with chine collé 37.88 x 36.75” 1998 # P.P. 2/2, outside the edition of 30 signed Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium. Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay. It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...

Kabuki Space (INV# NP3629) Betty Woodman color woodcut 37 x 25” # P.P. 2/2, outside the edition of 30 2000 signed Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium. Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay. It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...

Pompeian Garden (INV# NP3632) Betty Woodman color woodcut 29 x 34.75” 1992 # P.P. 2/2, outside the edition of 15 signed

Kimono Still Life Vase (INV# NP3630) Betty Woodman color woodcut with chine collé 27.5 x 41.5 1992 # W.P. 1/2, outside the edition of 15 signed