Items Similar to Old Houses in Amsterdam
Want more images or videos?
Request additional images or videos from the seller
1 of 7
T.F. SimonOld Houses in Amsterdam1909
1909
About the Item
Old Houses in Amsterdam
Drypoint, 1909
Signed and dedicated in pencil lower right.
"A Mr. H. A. Webster, bien sympathiquement, T.F. Simon, Paris 26/10"
Simon website gives edition at 150 impressions. This impression is fractionally numbered 2/10, implying an edition of 10.
Reference: Novak 119
Note: This is the same building depicted by Whistler in his etching "The Balcony Amsterdam", 1899 (K. 405iii)
Provenance: Herman Armour Webster (1878-1970)
Eric G. Carlson, art historian and art dealer
A brilliant impression with rich selective wiping of the ink to create a painterly effect.
Excellent original condition with slight wrinkling to top edge of sheet.
Plate/Image size: 10 1/4 x 6 1/2 inches
Sheet size: 16 x 9 3/4 inches
- Creator:T.F. Simon (1877-1942, Czechoslovakian)
- Creation Year:1909
- Dimensions:Height: 10.25 in (26.04 cm)Width: 6.5 in (16.51 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:A brilliant impression with rich selective wiping of the ink to create a painterly effect. Excellent original condition with slight wrinkling to top edge of sheet.
- Gallery Location:Fairlawn, OH
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
714 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Fairlawn , OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- Untitled (Venice canal, man departing the gondola)By Levon WestLocated in Fairlawn, OHUntitled (Venice canal, man departing the gondola) Drypoint, c. 1930-1931 Signed in pencil lower right (see photo) Annotated in the lower margin: "Just a souvenir made ___ Monclair Lecture" Levon West In a supplemental list prepared by Otto Torrington he lists seven views of Venice. No edition of these Vencie images was ever printed. Only rare proof exist. I cannot find another impression of this image on line or in reference books. Condition: Very good impression with selective inking to the plate. Imperfections on the bottom edge of the sheet. Image/Plate size: 14 5/16 x 8 3/8 inches Sheet size: 17 1/2 x 11 1/2 inches Also known as Ivan Dmitri, Levon West gained international fame for his portrayals in color photography, etchings and watercolors. During his youth, West moved throughout North Dakota, as his father was a congressional preacher. After graduating from high school he taught school for a year and enlisted in the United States Navy. West was the recipient of a scholarship to the University of...Category
1930s American Impressionist Landscape Prints
MaterialsDrypoint
- Un Debarquement en Angleterre (A Disembarking in England)By Félix Hilaire BuhotLocated in Fairlawn, OHUn Debarquement en Angleterre (A Disembarking in England) etching, drypoint, aquatint, roulette and spirit ground, 1879 Signed with the artist’s red owl stamp, Lugt 977 (see photo) ...Category
1870s Impressionist Landscape Prints
MaterialsDrypoint
- Desolation, S.C. or Deserted Cabins, Beauford, S.C.By Louis Oscar GriffithLocated in Fairlawn, OHDesolation, S.C. or Deserted Cabins, Beauford, S.C. Etching & Aquatint, c. 1930 Signed by the artist in pencil lower right (see photo) Annotated "Trial Proof" in pencil lower left co...Category
1930s American Impressionist Landscape Prints
MaterialsAquatint
- Brittany Landscape with FigureBy Louis Oscar GriffithLocated in Fairlawn, OHBrittany Landscape with Figure Etching & color aquatint, c. 1920 Signed lower right (see photo) Numbered lower left: "No. 21" (see photo) An early ...Category
1920s American Impressionist Landscape Prints
MaterialsAquatint
- New York BouquetBy Childe HassamLocated in Fairlawn, OHNew York Bouquet Lithograph, 1917 Edition: 93 Signed with the artist's cipher in pencil lower right (see photo) This lithograph is inspired by Hassam's oil painting of the same title...Category
1910s American Impressionist Landscape Prints
MaterialsLithograph
- White MondayBy Martin LewisLocated in Fairlawn, OHSigned in the plate lower left Note: Printed on September 26, 1980 in an edition of 4 restrikes. Reference: Paul McCarron, The Prints of Martin Lewis: A Catalogue Raisonne (Bro...Category
1970s Landscape Prints
MaterialsDrypoint
You May Also Like
- The RialtoBy James Abbott McNeill WhistlerLocated in New York, NYA superb, richly-inked impression of this etching and drypoint, printed in dark brownish black on antique cream laid paper. Second state (of 3). Edition of approximately 30. Signed w...Category
Late 19th Century American Impressionist Landscape Prints
MaterialsDrypoint, Etching
- The Venetian MastBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...Category
1870s American Impressionist Landscape Prints
MaterialsDrypoint, Etching
- Here They Come !By Frank W. BensonLocated in New York, NYThis impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...Category
1920s American Impressionist More Prints
MaterialsDrypoint
- "St. Nicolas du Chardonnet" Etching in Ink on PaperLocated in Soquel, CA"St. Nicolas du Chardonnet" Etching in Ink on Paper Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings. Stamp with coat of arms on verso. Artist's info written on verso. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 6.75"W Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...Category
1910s American Impressionist Landscape Prints
MaterialsPaper, Ink, Drypoint
- Corkscrew Willows with Stairs - Hand Colored Drypoint Etching California AdobeLocated in Soquel, CADelicate and detailed etching by Orpha Klinker (American, 1891-1964). At the edge of an old Adobe building, a staircase leads to the second floor. The stucco on the walls of the building is cracked, revealing the stonework below. Next to the building is a garden with Corkscrew Willow trees. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. Signed in plate, lower left. Paper size: 8.5"H x 10.5"W Mat size: 10"H x 12"W Orpha Klinker (American, 1891-1964) graduated from Polytechnic High School, L.A. and later studied at U.C.L.A. Art School and at the Cannon Art School. Artists Paul Lauritz and Anna A. Hills of Laguna Beach were her first art teachers. She continued her study of art at the Julian and Colarossi Academies in Europe. Some of her earliest work was in designing. Many pages of her fine pen work drawings appeared in Los Angeles newspapers, illustrating the fashions of the day, not only in clothes but in furniture and other things. Then for a time she did her work in New York City and later with the Ladies Home Journal in Philadelphia. One of her first projects with which Orpha impressed the public was a notable series of her large color portraits of California pioneers in the L.A.TIMES under the heading of "Speaking Of Pioneers." This led to another series on landmarks and famous tales of early California including oil paintings of historic adobes, buildings, and trees of California. From the Mexican border to Death Valley she roamed, meeting and painting portraits of such characters as Death Valley Scotty, Shoshone Johnny, the ancient Indian who supposedly saw the first white man come to Death Valley, Emanuel A. Speegle, "The Last of the 49'ers" (over 90 years of age) and others. Orpha was active in keeping alive the memory of one historical event in particular, the signing of the Treaty of Cahuenga ending the Mexican War...Category
1930s American Impressionist Landscape Drawings and Watercolors
MaterialsDrypoint, Watercolor, Paper
- Palm Springs Courtyard with Fountain - Drypoint Etching on PaperLocated in Soquel, CAPalm Springs Courtyard with Fountain - Drypoint Etching on Paper Stately drypoint etching of the courtyard of a Palm Springs house by Leland "Lee" Fuller (American, 1899-1962). The focus of this piece is the courtyard of a house with a fountain. Behind the garden and fountain, there is a section of the house with an arched doorway and tile roof. This was likely a house that Fuller designed. From the Robert Azensky Fine Art Mary Pickford...Category
1920s American Impressionist Landscape Prints
MaterialsPaper, Ink, Drypoint