Unknown

"Jenny"

1926

Colorful Catalina Island sailboat (in gouache) by Renner (LR) painted over a chart map of the waters off the coast of So California Art Sz: 14" x 17 1/4"W Frame Sz: 18 3/4" x 22 1/4"W

Rhoades Coat-of-Arms in red & silver colour gouache c1950s Art Sz: 7"H x 5"W Frame Sz: 14"H x 12"W w/ period ornamental frame

Art deco c1926 Tres Parisien fashion pochoir No. 8 w/ gouache highlights depicting two chic ladies of the day Art Sz: 10 1/2"H x 7"W Frame Sz: 13 1/4...

Classic armorial coat-of-arms depicting the Fairchild crest. Signed: Cal Yeaton (LL) c1960s Art Sz: 7 1/2"H x 6 1/2"W Frame Sz: 13"H x 12"W

Stylish equestrian cavalry colour plate w/ hand-gouache highlights depicting two gendarmerie officers en grande tenue Art Sz: 12"H x 8"W Frame Sz: 16 3/4"H x 12 1/2"W w/ coral mat...

Abstract 'playing cards' watercolor attributed to Piero Fornasetti (1913-1988) DAMA Ex- estate of D.D. Ryan (1928-2007) Manhattan socialite, fashion editor...

Il Corso is a beautiful etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work, which presents a remarkable quality of strokes and brilliant ...

Gert & Uwe Tobias (German, b. 1973) Untitled, 2008 Medium: Opaque white, gouache and pastel crayon over drypoint on wove paper (and artist’s book) Dimensions: 36 x 26.4 cm Unique edi...

Bold woodblock print by Byron Randall (American, 1918-1999). Titled "Schooner + Doryman", numbered "1st ed.", and signed and dated "Byron Randall '62" along the bottom edge. Small am...

RAPHAEL. Raffaello Sanzio d’Urbino. (1483 – 1520) Delle Logge di Rafaele nel Vaticano. Gateano Savorelli, artist. (1732- 1791) Ludovico Teseo, draughtsman. (1731-1782) Pietr...

Gouache Yvon Taillandier (1926–2007) was a French painter and lithographer known for his significant contributions to contemporary art. Born in Paris, Taillandier began his artistic...

Emil Ganso, 'Skaters', pochoir (color stencil) with hand painting, edition c. 50, 1938, Smith S-6. Signed in the image, lower right. A rich, painterly impression, with fresh colors, on buff wove paper; the full sheet with margins (7/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 15 1/4 inches; sheet size 18 3/4 x 13 3/4 inches. An impression of this work is in the permanent collection of the Philadelphia Museum of Art. ABOUT THE ARTIST Born in Germany, Emil Ganso (1895-1941) came to the United States with his family in 1912. After settling in New York City, he found night work in a bakery and concentrated on his art in the daytime—mostly self-taught at this time, he studied only briefly at the National Academy of Design. In 1924, Ganso showed his drawings to Carl Zigrosser, who organized the artist’s first solo exhibition, at the Weyhe Gallery. Soon afterward, Ganso enrolled in Eugene Fitsch’s printmaking class at the Art Students League. Although he considered himself primarily a painter, Ganso made prints in all media, including relief and stencil prints and complex intaglios, and even experimented with color lithography in the late 1920s. He also developed, with an engineer, the design and fabrication of an innovative etching press. In 1926, Ganso attended the Art Students League summer session in Woodstock, New York. There, he met Jules Pascin, and the two artists began a close friendship, briefly sharing a studio. Ganso followed Pascin to Europe in 1928. In 1929, Ganso returned to New York and showed his work regularly in group exhibitions. He continued working in Woodstock in the summer months, often printing lithographs for other artists. The Cleveland Print Club...