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London (England)

JULIUS BIEN (1826-1909) Bien Atlas of New Jersey. Geological Survey of New Jersey. Chromolithography. New York, 1883 - 1889 17 maps. 34” x 25” Paper Size. A lithographer and map engraver, Bien arrived in the United States in 1849. Born in Naumburg, Germany, he was schooled at the Academy of Fine Arts in Kassel and at the Stadel Art Institute in Frankfurt am Main. He participated in the political upheavals of 1848 and was forced to leave his country after the movement was crushed becoming one of the many talented German "forty-eighters" to begin life anew in America. From a tiny print shop in New York City, Bien built a hugely successful business. He received numerous awards for the maps he engraved for the Pacific Railroad surveys, for several decennial census reports and for many US Geological Survey atlases and military field maps. He was also the first president of the National Lithographers' Association. Geological atlases were elemental in the development of states in both population and commerce. Here is where Bien shines with comprehensive understanding of science and his unparelled technique in printing. Among the most collectible of historic maps, these surveys provided landmark research in building a nation. Bien's second magnum opus was his chromolithographic edition of John James Audubon's The Birds of America. Through the new medium of chromolithography Bien was commissioned both to reproduce the quality of Havell's aquatints and to capture the subtlety of Audubon's colors. The ambitious project was never completed. Some historians blame the Civil War while other suggest financial cheating, but probably it was the death of Audubon that terminated Bien's work. For more than forty years following the Audubon folio...

FLORA’S FEAST A Masque of Flowers Walter Crane, Illustrator Cassell & Co., Publisher Color Lithograph London, 1889 Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work. As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...

JULIUS BIEN (1826-1909) Bien Atlas of New Jersey. Geological Survey of New Jersey. Chromolithography. New York, 1883 - 1889 34” x 25” Paper Size. A lithographer and map engraver, Bien arrived in the United States in 1849. Born in Naumburg, Germany, he was schooled at the Academy of Fine Arts in Kassel and at the Stadel Art Institute in Frankfurt am Main. He participated in the political upheavals of 1848 and was forced to leave his country after the movement was crushed becoming one of the many talented German "forty-eighters" to begin life anew in America. From a tiny print shop in New York City, Bien built a hugely successful business. He received numerous awards for the maps he engraved for the Pacific Railroad surveys, for several decennial census reports and for many US Geological Survey atlases and military field maps. He was also the first president of the National Lithographers' Association. Geological atlases were elemental in the development of states in both population and commerce. Here is where Bien shines with comprehensive understanding of science and his unparelled technique in printing. Among the most collectible of historic maps, these surveys provided landmark research in building a nation. Bien's second magnum opus was his chromolithographic edition of John James Audubon's The Birds of America. Through the new medium of chromolithography Bien was commissioned both to reproduce the quality of Havell's aquatints and to capture the subtlety of Audubon's colors. The ambitious project was never completed. Some historians blame the Civil War while other suggest financial cheating, but probably it was the death of Audubon that terminated Bien's work. For more than forty years following the Audubon folio...

Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...

Jules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...

ARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Chromolithograph. Berlin, 1870. 13” x 19” Unframed. A fine German work by, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...

Original German vintage poster: International Leipzig Trade Fair Leipziger Messe in NYC. Beginning Feb. 28th, 1937. Held in New York City. Th...

This is a beautiful four-color lithograph of the Louvre by the Seine by Philippe Benoist. It is double-matted in light blue with a gold tone wooden frame. Phillip Benoist was a p...

Maurice DENIS (1870 - 1943) Portrait of a Model, Study for the Bacchanale, 1918 Original lithograph enhanced in pastel On light cream tinted vellum 35 x 26 cm (c. 13,7 x 10,2 inch) ...

Maurice DENIS (1870 - 1943) Nymph of Eurydice Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 40 x 24,5 cm (c. 15,7 x 9,6 inch) I...

Maurice DENIS (1870 - 1943) Mary Magdalene Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 32,5 x 47...

Balmoral by His Majesty King Charles III (formerly known as HRH Prince Charles, The Prince of Wales) - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with the artworks of HRH The Prince of Wales for over 25 years. Anna Hunter, gallery owner, wrote a handwritten letter to the Prince asking him if he would consider making signed lithographs from his beautiful watercolours which could be sold in aid of his charities. The gallery subsequently worked with the Prince for over 10 years publishing some 18 different editions and raising over £4million for the Prince’s Charitable Foundation. Lithographs were made from the Prince’s original watercolours under the guidance of Stanley Jones – a celebrated printmaker who had previously worked with Henry Moore for 30 years, and with Elizabeth Frink, David Hockney and others. Each one is hand-signed. “…One thing I have discovered in the course of my painting efforts is that Balmoral Castle...