Michael Dickey

Untitled

2021

Beverly Pepper Untitled, 1982-1983 steel and iron 33h x 27.50w x 10d in

Cast and Welded Bronze

FRANCESCA DIMATTIO untitled, 2007 Gouache And Mixed Media On Paper 12h x 9w in 30.48h x 22.86w cm

Jules Olitski Wolf, 1985 Acrylic On Canvas 8h x 12w in

Robert Kelly Bibi Nocturne I, 2012 Oil and Mixed Media on Panel 17h x 14w in

Friedel Dzubas Upstream, 1973 acrylic on canvas 40h x 40w in

Joyride by Nick Weddell stoneware, porcelain, and glazes 37 x 29 x 27” 2019 Provenance- The Nevica Project Nick Weddell is a sculptor from Austin, Texas. He received a Bachelor of Fi...

Made in Spain, 2023. White. Minimalistic. Abstract. Spheres: from molecules to planets. Look around: mono sphere or billions of small combinations of spheres - this all is our world...

Jodi Walsh I DID NOT KNOW ceramic, waxed hemp 72.00 X 12.00 in $3,400.00 Jodi’s journey began in 1967 when she ventured from her native Canada to explore Europe and the Far and Mid...

Ceramic Wall Hanging or Centerpiece with Engravings, Sticks, and Thread Balanced abstract sculptural piece by an unknown artist (20th Century). This sculpture is composed of various...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

Hand-built clay sculpture with white glaze and internal blue LED light. This sculpture can be wall mounted or displayed on a pedestal or table top.