Sara Fine-Wilson

"Milky Jumble", gestural, ceramic, sculpture, brown, cream, white, stoneware

2018

Sara Fine-Wilson's "Bend" is a gestural 16 x 9 x 6 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain sli...

Sara Fine-Wilson's "Fold" is a gestural 20 x 9 x 8 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...

Sara Fine-Wilson's "Tousle" is a gestural 13 x 10 x 8.5 inch ceramic sculpture in white and cream with accents of grey and blue. It is constructed out of white stoneware with porcelain...

Sara Fine-Wilsons ”Jagged” is a gestural 16 x 9.5 x 6 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and pinched...

Sara Fine-Wilson's "Crimp" is a gestural 16.5 x 14 x 8 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain...

Sara Fine-Wilsons ”Lite” is a gestural 5.5 x 5.5 x 6 inch ceramic sculpture in pale yellow with accents of warm tan, light pink, and white. In this graceful and evocative sculpture i...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside of the vessel, a “Jacob’s Ladder” that leads not just up but in. Using sculptural techniques, I cut through the wall of the pot to get more depth and dynamic movement. I continue to push the limits of my medium, taking apart thrown vessels and reconfiguring them in new ways. Outcroppings 02, Repeating Geometric Ceramic Vessel...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside of the vessel, a “Jacob’s Ladder” that leads not just up but in. Using sculptural techniques, I cut through the wall of the pot to get more depth and dynamic movement. I continue to push the limits of my medium, taking apart thrown vessels and reconfiguring them in new ways. Outcroppings 02, Repeating Geometric Ceramic Vessel...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision...

Sam Chung Moon Jar 4, 2023 stoneware, white slip, glaze 21" x 21" x 21" The moon jar is one of the most iconic ceramic forms in Korea – revered for its simple, austere beauty. It ro...

Sam Chung Moon Jar 3, 2023 stoneware, white slip, glaze 20" h x 22" w x 22" d The moon jar is one of the most iconic ceramic forms in Korea – revered for its simple, austere beaut...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside...