Items Similar to Nero’s Banquet
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Fernandez ArmanNero’s Banquet1984
1984
About the Item
“Nero’s Banquet” from the series ”The day after”
Bocquel fondeur.
Edition of 8 ex.
Signed/Numbered by the artist.
Free shipment worldwide.
Acquired directly from the artist.
Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published by GKM Siwert Bergström nearly twenty years ago. The words are his own. The book is a tender homage to music and expresses the artist’s predilection for the tones of violin, cello and double bass. Lyrically orchestrated poems are conflated with ingenious detail images: multi-coloured violins and a delicately painted cello are but two of the motifs drawn against the straight lines of the score.
The first steps towards collaboration with GKM Siwert Bergström came with an exhibition in Malmö, when Arman staged a “happening” in Malmö Concert Hall. This was followed by several exhibitions in Malmö, at the Stockholm Art Fair, at FIAC in Paris and at the Glyptoteket in Copenhagen. Contacts with GKM subsequently led to an exhibition of Arman’s works at the Lund Konsthall gallery with the support of Marianne Nanne-Bråhammar. This also included a happening.
Arman died in October 2005 at the age of 76. For the last 30 years of his life he maintained two homes and studios, in New York and in Vence, in the south of France.
- Creator:Fernandez Arman (1928-2005, French)
- Creation Year:1984
- Dimensions:Height: 17.72 in (45 cm)Width: 47.25 in (120 cm)Depth: 23.63 in (60 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Malmo, SE
- Reference Number:1stDibs: LU3282509243
Fernandez Arman
Arman (civil name Armand Pierre Fernandez, 1928 - 2005) was a French-US-American object artist and co-founder of Nouveau Réalisme - a style that took up ideas from Dadaism and is therefore also called Neo-Dadaism. Real objects from everyday life are declared Ready-Mades, so that found objects and rubbish are arranged into assemblages, accumulations and collages. He became artist friends with Yves Klein and Claude Pascal and was also artistically influenced by the work of the German Dadaist Kurt Schwitters and by his encounter with the art critic Pierre Restany, who later became the theoretician of Nouveau Réalisme. After a trip to Europe in 1947, attended the École des Arts Décoratifs in Paris. From 1949 he changed to the École du Louvre
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1967
1stDibs seller since 2013
224 sales on 1stDibs
Typical response time: 14 hours
- ShippingRetrieving quote...Ships From: Malmo, Sweden
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- NapoléonBy César BaldacciniLocated in Malmo, SENapoléon. (Epruve d’artiste EA 1/2) Bocquel fondeur. Acquired directly from the artist. Signed by the artist. César Baldaccini (1921 – 1998) is one of the great sculptors of the twentieth century. As a young man he took a stand for art...Category
1980s Contemporary Figurative Sculptures
MaterialsBronze
- ”Open space” from the serie ”The day after”By Fernandez ArmanLocated in Malmo, SE”Open space”from the serie ”The day after” Bocquel fondeur. Edition of 4/8 ex. Signed/Numbered by the artist. Free shipment worldwide. Acquired directly from the artist. Arman wrote...Category
1980s Contemporary Sculptures
MaterialsBronze
- “Feu Henrix” from the serie ”The day after”By ArmanLocated in Malmo, SE“Feu Henrix” from the serie ”The day after” Original sculpture 8 copies. Number 4/8 in the edition. Acquired directly from the artist. Bocquel fondeur. Free shipment worldwide. Ar...Category
1990s Contemporary Figurative Sculptures
MaterialsBronze
- Macho de l’aquaBy ArmanLocated in Malmo, SESigned and numbered EA 2/4 ex. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published by GKM Siwert Ber...Category
1990s Contemporary Figurative Sculptures
MaterialsBronze
- Nu coucheBy ArmanLocated in Malmo, SEOriginal sculpture 1/8 ex. Signed and numbered by the artist and stamped Bocquel fondeur. Acquired directly from the artist. Free shipment worldwide. Arman wrote, “The bow on the ...Category
1980s Contemporary Figurative Sculptures
MaterialsBronze
- Hello PabloBy Fernandez ArmanLocated in Malmo, SEPublisher GKM. Free shipment worldwide. Foundry Bocquel. Edition of 100 ex. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published by GKM Siwert Bergström nearly twenty years ago. The words are his own. The book is a tender homage to music and expresses the artist’s predilection for the tones of violin, cello and double bass. Lyrically orchestrated poems are conflated with ingenious detail images: multi-coloured violins and a delicately painted cello are but two of the motifs drawn against the straight lines of the score. The first steps towards collaboration with GKM Siwert Bergström came with an exhibition in Malmö, when Arman staged a “happening” in Malmö Concert Hall. This was followed by several exhibitions in Malmö, at the Stockholm Art...Category
1990s Contemporary Sculptures
MaterialsBronze
You May Also Like
- Caregivers 8x10x7" bronze sculptureBy Clay EnochLocated in Loveland, COCaregivers by Clay Enoch Narrative Multi-Figurative Sculpture Bronze 8x10x7" ed/25 Shipping price includes the custom packing necessary for safe transport of fine art. ABOUT THE AR...Category
2010s Contemporary Figurative Sculptures
MaterialsBronze
- Walking the TightropeBy Jim RennertLocated in Greenwich, CTSculpture of a man in a suit walking carefully across a precarious edge. Edition of 45 Jim Rennert Biography American, b. 1958 National Sculpture Society Fellow Jim Rennert was b...Category
Early 2000s Contemporary Figurative Sculptures
MaterialsSteel, Bronze
- Mother and Daughter, ed. 1/8By Jim RitchieLocated in New York, NYMedium: Patinated bronze mounted on a marble base. Edition: 1/8 Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is styli...Category
1980s Contemporary Figurative Sculptures
MaterialsBronze
- MediterraneanBy Jim RitchieLocated in New York, NYMedium: Patinated bronze mounted on a marble base. Edition: 2/8 (Signed verso on base "Ritche 2/8") Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawing...Category
1990s Contemporary Figurative Sculptures
MaterialsBronze
- Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time castingBy Allan HouserLocated in Santa Fe, NMPlains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...Category
1970s Contemporary Figurative Sculptures
MaterialsBronze
- Jorge Seguí, Ilusion silla, 2000, Bronze, Edition of 7, 78 x 90 x 33 cmBy Jorge SeguíLocated in Miami, FLJorge Seguí Ilusion silla, 2000 Bronze, Edition of 7 78 x 90 x 33 cm 30.7 x 35.4 x 12.9 in. Signed and Numbered. Jorge Seguí b. 1945, Argentina. He atte...Category
Early 2000s Contemporary Figurative Sculptures
MaterialsBronze