Andrey and Aleksey Kulibin

Zeus XXI, The Epoch series, Edition of 21

2020

The artwork depicts Atlas holding up a smiling emoji. The area around emoji’s eyes is made of a material called the Black Mirror. This element is used in...

The text you see on Medusa XXI’s canvas was taken from real newsfeeds of BBC, CNN and other major media. The series is limited to a total of 21 artworks, and in every new copy of Med...

In the Cult series, the key plot is the clash of two human paradigms. On one side - conscious and independent Human, with unlimited potential for development and evolution, on the ot...

The artworks of 2031 series bring up the subject of epochs clash and the search for balance in a modern technological world. Symbolic accents in this series are even more contrasting...

The goddess of love and beauty Aphrodite XXI. Social media have changed the way we think about beauty. New, unrealistic standards of beauty based on Instagram pictures cause a tend...

In the Cult series, the key plot is the clash of two human paradigms. On one side - conscious and independent Human, with unlimited potential for development and evolution, on the ot...

Important one of a kind painting by Noche Crist (1909 - 2004). A shaped painting titled " Flower Caryatid". Noche Crist imbued her cutouts with more...

An original work by Noche Crist (1909- 2004). Titled "Femme Fatale" and signed on reverse. Wonderful work made with cut wood, paint and plaster. Catalogue of an exhibition in 2008 ...

Imposing and very large scale mixed media 'assemblage' by French artist Armand Avril. The work includes the French tricolour flag colours, his symbolic cat sculptures and a highly colourful geometric image of the artist's mother sitting in a chair. The work is signed and dated to the reverse and comes with a certificate of authenticity from the gallery. This montage fully demonstrates Avril's geometric period whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the everyday objects used in making this piece come alive. This montage is made from wood pieces, plywood, oil paint, acrylic, bottle top and nails . The more sculpted areas of the piece stand out up to 3cm from the frame. Armand Avril was born in 1926 in Lyon. His father, Marcel Avril was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

Unique piece Created in 2015 73 x 13 x 73 cm " My work investigates the slippery intersection between the digital world and reality. Specifically, I am interested in how we experien...

Unique piece Created in 2015 89 x 155 x 43 cm " My work investigates the slippery intersection between the digital world and reality. Specifically, I am interested in how we experie...

Unique piece Created in 2015 112 x 65 x 48 cm " My work investigates the slippery intersection between the digital world and reality. Specifically, I am interested in how we experi...