Tom Brun
"Owl" Bronze Sculpture, Caricature, Rich Dark Brown Surface
1950 - 1960s

About the Item

The bronze sculpture "Owl" is an exaggerated rendition of an owl that emphasizes the bird's most prominant characteristics - a big fluffy round body and large unblinking eyes making it a charicature of the bird. It is very touchable and calls for one to pet its rounded back. Tom Brun, the sculptor and zookeeper, is well-known for his wood, stone, marble, ceramics and ivory sculptures. One of them, a large hippopotamus, carved from walnut wood travelled the world in the State Department collection. It is said that Tom would often go into a house and pick up one of his sculptures and say that it was unfriendly – meaning that it had not been handled enough. Morley Driver has said of Brun in a newspaper article from the 1950’s “In Any Animal He Sees Beauty”: No one who has ever seen a Tom Brun hippopotamus will ever again think of it as ugly or ungainly, meaning that the artist not only gives you beauty but teaches you to see it. Tom has said: “Small pieces are like a proverb – a gem of meaning that one can dissect.” They are meant to be picked up, caressed and held. This owl, too, seems destined to be caressed. Brun was born in England in 1913. A few years after the end of World War I his father moved the family in 1919 to Detroit, Michigan. In 1935 at age 23, he officially became a U.S. citizen. He served in the army during World War II for five years and upon discharge and at the age of 36 took advantage of the GI Bill and applied for admission to Society of Arts and Crafts (now known as the College for Creative Studies) where he was gladly accepted. While at Arts and Crafts his instructors and established artists such as Sarkis Sarkisian, John P. Foster, Morris Brose, Richard Koslow, Patricia Burnett, Lloyd and Renee Radell , and the famous Eliel Saarinen Architect family took to him immediately. His natural carving and fast learning abilities created the fuel for his fast growing reputation while in school. After graduation Tom went to work at the Detroit Zoo temporarily. You might say, as a Zookeeper, he lived on a daily basis with his models learning their personalities that he later captured in sculptures. He loved the animals and from the many photos in his archives, the animals appear to have trusted and respected him. He eventually became the Great Ape exhibit keeper. Tom has said of the apes: “They were the gentlest of creatures shy and full of affection.” He began working at the zoo in 1951 for the same reason he would leave 12 years later – to pursue his art career. Tom Brun was one of the numerous well-known and practicing artists that attended Detroit Society of Arts and Crafts founded in 1906 and now known as College for Creative Studies (formerly Center for Creative Studies.) Faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), John Louis Krieger (American Modern), William Girard (American Modern), Charles Culver, Henry Heading, Hughie Lee-Smith, Joseph Wesner, Janet Hamrick, Lois Teicher, Barbara Dorchen, Joseph John Bernard (faculty), and Claudia Shepard (faculty).

Creator:

Tom Brun (American)

Creation Year:

1950 - 1960s

Dimensions:

Height: 7.5 in (19.05 cm)Width: 11.5 in (29.21 cm)Depth: 7 in (17.78 cm)

Medium:

Bronze

Movement & Style:

Modern

Period:

Mid-20th Century