Unknown

Large Neapolitan 19th Century Hardwood Sculpture of a Crèche Camel.

1890s

Imposing and very large scale mixed media 'assemblage' by French artist Armand Avril. The work includes the French tricolour flag, figures and heads in various poses, his symbolic cat sculptures and large stylised poppies. The work is not signed but comes with a certificate of authenticity from the artist. This montage fully demonstrates Avril's inspiration drawn from tribal art whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the everyday objects used in making this piece come alive. This montage is made from wood pieces, bottle tops, string, paint, cork, nails buttons, clothes pegs and netting. The more sculpted areas of the piece stand out up to 4cm from the frame. Armand Avril was born in 1926 in Lyon. His father, Marcel Avril was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

Imposing and very large scale mixed media 'assemblage' by French artist Armand Avril. The work includes the French tricolour flag colours, his symbolic cat sculptures and a highly colourful geometric image of the artist's mother sitting in a chair. The work is signed and dated to the reverse and comes with a certificate of authenticity from the gallery. This montage fully demonstrates Avril's geometric period whilst also expressing the humour and joy that he puts into all his work. A very strong sculptural image and a feast for the eyes in searching for and recognising the everyday objects used in making this piece come alive. This montage is made from wood pieces, plywood, oil paint, acrylic, bottle top and nails . The more sculpted areas of the piece stand out up to 3cm from the frame. Armand Avril was born in 1926 in Lyon. His father, Marcel Avril was a painter and collector of African art. At 16 Armand became an apprentice shepherd in Provence. Avril could always be seen equipped with a sketchbook and a book on the history of art whilst tending his flock. It was not until the age of 30, in 1956, that Armand embarked on painting as an autodidact, influenced by Raoul Dufy, Pierre Bonnard, Henri Matisse and the Lyonnaise School of Painting. He exhibited for the first time in 1957. In 1960, he left for a one-year trip to Africa. There he met the painter Jean Arène who introduced him to the village of Cotignac in the Var and to Louis Pons...

A Songye Male Power Figure, Democratic Republic of the Congo, the male figure with openwork arms and hands resting on the abdomen, typical facial features and a waterbuck (kobus elli...

Mid 20th Century sgraffito work on plaster by Jean Pierre de Cayeux. The work is signed and dated on the skirt of the card player, bottom right, and on the stretcher of the chair, bo...

A large scale and beautifully carved wooden ceremonial mask from Cameroon. There are traces of colour and decoration to the surface and the mask has a magnificent patina giving it a wonderful presence as a sculptural object. The Batcham Mask or simply the Batcham originated in western Cameroon although its name refers to the place where it was first found: Batcham. This is a ceremonial mask from the Bamileke culture in the western Grasslands of Cameroon. This tall crest (76 cm in height) has clearly defined features, a powerful yet calm visage, sharply chiselled diamond and triangular furrows, and nearly perfect symmetry. Such painstaking craftsmanship underscores the sophistication and control of the sculptor in preparing this ceremonial piece. It shares the elements of Batcham masks including: The general morphology is built on two axes: a symmetrical vertical axis with chiseled furrows, stylized eyes, lips, nostrils, mouth and teeth; a horizontal axis presenting swollen cheeks, an ovular mouth showing multiple teeth, and triangular ears supported on a hollow cylindrical base. One interpretation is that the masks depict a hippopotamus emerging from watery depths, conveying nature’s power conferred to enthroned royalty. The Batcham mask represents the pi, or double animal of a great dignitary of the kingdom. It was used by a great dignitary of the Msop society who intervened only on rare occasions: during the funeral and enthronement of the king and the nine notables, and to perform the Royal Tso dance, elephant dance...

Native North American carved wood and painted effigy figure, Hopi Katsina or Kachina doll. This is one of a group of eight dolls all individually priced, or available as a set, and ...

Hand-carved wooden trunk and plinth Height: 38 1/2 inches (98 cm) Width: 10 1/2 inches (27 cm) Lawson Rudge Lawson Rudge was born in 1936. He is...

A beautiful, high polished sculpture of a goose with outstretched wings by Dale Eugene Schoth (American, 1925-1984). Appropriate to view in the round. Signed and dated by the artist "Dale Schoth '79" on the base. He was a carpenter and wood carver in Twin Falls Idaho. His grave stone...

Francisco Vazquez Diaz, known as Compostela (1898-1988). Portrait of a Man, 1949. Carved mahogany, measuring 18.75 inches h, 8.5 inches w, 11 in...

A unique wall piece that is a great gift for any avid gardener or lover of horticulture. Sit Hamo Thornycroft would become one of the youngest members of the Royal Academy, achieve the Medal of Honour at the Paris Exhibition in 1900, and be knighted in 1917. Working in a transitional style between that of the neo-classicists of his parent’s generation and the Modernist style of the 20th century, Thornycroft carved out a niche as a figurative sculptor and noted modeler of public monuments in and around London. Toogoods and Sons, Ltd, established in the early nineteenth century, had, by the turn of the century, grown to become the largest seed company...

| About the work A child of another South, Diadji "gives body" to this word , Fraternity and enriches the lexicon of plastic expressions known in Morocco with characters, inhabited b...

| About the work A child of another South, Diadji "gives body" to this word , Fraternity and enriches the lexicon of plastic expressions known in Morocco with characters, inhabited b...