Yves Klein

L’OURS POMPON – EDITION YVES KLEIN

2022

Publisher GKM. Free shipment worldwide. Foundry Bocquel. Edition of 100 ex. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published by GKM Siwert Bergström nearly twenty years ago. The words are his own. The book is a tender homage to music and expresses the artist’s predilection for the tones of violin, cello and double bass. Lyrically orchestrated poems are conflated with ingenious detail images: multi-coloured violins and a delicately painted cello are but two of the motifs drawn against the straight lines of the score. The first steps towards collaboration with GKM Siwert Bergström came with an exhibition in Malmö, when Arman staged a “happening” in Malmö Concert Hall. This was followed by several exhibitions in Malmö, at the Stockholm Art...

Napoléon. (Epruve d’artiste EA 1/2) Bocquel fondeur. Acquired directly from the artist. Signed by the artist. César Baldaccini (1921 – 1998) is one of the great sculptors of the twentieth century. As a young man he took a stand for art that was firmly anchored in reality, as a counterweight to the lyrical, abstract painting of the time. He has transformed rusty bolts, screws, scrap metal and steel wire into biomorphic sculptures depicting everything from chickens on roller skates to self-portraits of the artist. In his magical hands, metal from the junk-heap, old car parts, discarded cans and plexiglass have been compacted into delightful cubistic works of art that César himself has called “compressions”. As a kind of antithesis to these, he experimented by expanding plastics, glass, aluminium and bronze into voluptuously inflated forms known as “expansions”. Among César’s casts of sculpted breasts, female torsos and clenched fists, it is the thumb that, above all else, has emerged as the artist’s hallmark – his own, greatly enlarged thumb in bronze. Exhibited for the first time at the Galerie Claude Bernard in Paris in 1965, today you can see it – in bronze or marble – in museums and public places all over the world. His largest bronze thumb, measuring fully 12 metres in height, stands in La Défense in Paris. In similar fashion, the artist’s signature is always accompanied by his thumb print. Born in Marseilles in 1921, by the age of 12 César had already left school to work in his father’s wine merchants business. In 1935, however, he enrolled at the École des Beaux Arts in Marseilles. He continued his art studies in 1943 at the École Nationale Supérieure des Beaux Arts in Paris, sharing a house for some time with Alberto Giacometti. In 1960 he was invited to join the group of artists known as “les Nouveaux Réalistes”, where he worked together with Arman, Pierre Restany, Niki de Saint Phalle, Jean Tinguely and others. César’s genius lies in his ability to coax artistic forms from whatever materials may be at hand. “When I was a child,” he recalled, “I used to think that a sculptor was a man who chipped away at stone with a hammer and chisel. It was only later that I understood you can make sculptures from any material you choose.” In the early 1940s César discovered the opportunities that scrap metal opened up, and his first solo exhibition, “Animaux en ferraille” (or “Scrap metal animals”), was held at the Galerie Lucien Durand...

Original sculpture EA 2/2 Signed and numbered by the artist and stamped Bocquel fondeur. Acquired directly from the artist. Free shipment worldwide. Arman wrote, “The bow on the st...

Murano Glass. Signed and numbered EA 2/3. Free shipment worldwide. With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...

Signed and numbered XI/XX Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published by GKM Siwert Bergströ...

Free shipment worldwide. Edition of 12 ex. Signed/Numbered. Bengt Lindström was a big man from the central parts of the Norrland province, born in Storsjö Kapell on 3 September 1925...

Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, she...

Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire Biomorphic and earthy yet industrial style wall sculpture, she...

Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop sculpture. Abstracted face sculpture made with concrete, pigment and wire. The piece is smoot...

Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, shel...

Whitewashed Sage (2022), gray and white concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop s...

Paul Duval’s engaging sculpted figures capture an emotional moment in time. One in a series of table-top pieces, the Quebec artist uses paper mache, wire and steel to create unique characters expressed through their colour, posture, and gesture. This figure of a woman, clothed in a long royal blue...